Harve had said, at the end of our meeting, “Well, draft five of the script is coming in.” And so I said, “Okay, you’ll send it to me.” And then weeks went by, and I didn’t hear from him. I asked him what was wrong and where was the script. He said, “Oh, it’s… I’m not happy with it. I can't show it to you.” And I said, “Well, why not?” I badgered him, and he showed it to me. And I didn’t understand it. I said, “Well, what about draft four?” He said, “You don't get it. Draft four, draft three, draft two. These are all just five separate attempts to get a second Star Trek movie, and they’re not related.” I said, “Well, can I read them all?” Because now, I was really sort of stoked about this submarine movie that I wanted to make.
So, a van drove up and disgorged a pile of scripts. I’m a very slow reader. And I plodded my way through all of them. Then, I suggested to Harve that we make a laundry list of elements in each of these scripts that appealed to us. I didn’t care if it was the plot, the subplot, a sequence, a scene, a character, a line of dialogue. Didn’t matter. Let’s just make that list. And then I would write a screenplay to accommodate as many of those things we picked as I could. Which is what happened.