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Reasons not to make a Pike show

Apparently Star Trek 4 is back on. That would likely be a big reason we won’t get a Pike show.
 
Honestly I am tired of reading discussions how not to give people what they want or how to feed them things they did not want flavouring with a bit of that they want.
We have a fact: Mount's Pike stole a show. The reason of admiring him is not a nostalgy, this character could had another name and zero connections with TOS - in this case there would be less expectations and maybe even more impressions. Actually Pike never was my favorite captain before, neither Hunter's nor Greenwood's. Now I love all versions because they are "the same Pike", not contrarywise. This Pike brought a new fuel in this show, why now there are debates how to use this fuel economly for anything else and reject or decrease to minimum the presence of Pike himself?
 
Apparently Star Trek 4 is back on. That would likely be a big reason we won’t get a Pike show.
Why? Two entities can make products at the same time. I've seen it before. I know it's weird, but it can happen.

And Pike is no longer in the Kelvin Universe unless he shows up as a psychic vision or something.
 
Where Pike keeps a sinister box in his quarters but the show is cancelled before we ever find out what's inside it. And they get new uniforms halfway through but randomly switch back to the old ones again a few episodes later.

Why look for one of jms’s most troubled productions and pounce on it, completely disregarding the way he steered an original five-year storyline through five seasons of actors coming and going, writing most of the scripts himself? I don’t understand your reasoning: DSC was free to have its showrunning ups and downs, including a change in uniforms that had to give way to a semi-traditional design for no particular in-universe reason, but god forbid the next showrunner doesn’t come with a perfectly smooth track record?

Anyway, it’s beside the point because like I said, jms wouldn’t do it without full creative control that translates into a reboot; he just doesn’t have to at this point in his career.
 
Why look for one of jms’s most troubled productions and pounce on it, completely disregarding the way he steered an original five-year storyline through five seasons of actors coming and going, writing most of the scripts himself? I don’t understand your reasoning: DSC was free to have its showrunning ups and downs, including a change in uniforms that had to give way to a semi-traditional design for no particular in-universe reason, but god forbid the next showrunner doesn’t come with a perfectly smooth track record?

Anyway, it’s beside the point because like I said, jms wouldn’t do it without full creative control that translates into a reboot; he just doesn’t have to at this point in his career.
I was teasing. Crusade is one of those so-bad-it's-almost good shows and I own the season on DVD. And yes, Discovery has had possibly the same amount of BTS strife in it's time (3 showrunners, 2 massive changes in concept/direction, endless writer firings and hirings and leavings for some very dubious reasons, writers not knowing what they can legally include in their own show, artists not knowing if they changes they've been asked to make were for creative or legal reasons etc)
 
I don’t know, I find I like the characters and expansive setting on Crusade even more than those on B5, even though a lot of things failed to materialize. A rewatch should probably combine the show with published scripts and stick to an order that makes sense (like the one in which the “bellhop” uniforms became a temporary, quickly disregarded PR move).
 
JMS Contributing? Sure! he's a good writer.. But him in charge of the boat.. Ah.. Nope.. He wouldn't do it anyways unless he has almost full creative control, and there not going to do that with Star Trek.. Warner Bro's just left him alone in his shed for B5, contint that he was producing material, but a show as big as Star Trek? Nope the suits would be meeting with him every day.
 
Why? Two entities can make products at the same time. I've seen it before. I know it's weird, but it can happen.

And Pike is no longer in the Kelvin Universe unless he shows up as a psychic vision or something.

I would tend to think that there would be a worry about one "original" Enterprise product depressing viewership of another. If there was an Enterprise TV series, folks would be less inclined to trek to the theater to see the other.

Since they are all going to be one big corporate family again, I imagine that kind of thinking will come into play.
 
I would tend to think that there would be a worry about one "original" Enterprise product depressing viewership of another. If there was an Enterprise TV series, folks would be less inclined to trek to the theater to see the other.

Since they are all going to be one big corporate family again, I imagine that kind of thinking will come into play.
Perhaps. But, the difference right now is the movie has just been announced, which leaves years for them to work with Pike.
 
The Pike Series could serve a specific purpose: to tell Short Treks stories in longer form. There was an interview with Anson Mount that I read the other day and this was one of the interview questions along with the answer.

link

Cutting and pasting to the bullet point:
  • Alex Kurtzman has talked about how he wants to make a lot of Star Trek shows, but that they all need to be unique, distinct. They can't all be just more of the same thing. I was wondering if you’ve put any thought into, if there were a Pike spinoff, what the unique flavor that hypothetical spinoff would bring to the franchise would be, that you couldn't get from those other shows?

    AM: Ah, that's a good question. I read a couple of different drafts of the pilot of Discovery because I was in discussions with them to possibly play Lorca, and they very wisely hired Jason Isaacs. But every creative choice that they made for Discovery is absolutely what I would've done as well. My pace in television is usually serialized, rather than episodic or procedural. I don't feel that we had seen enough Trek with longer storylines, with more connective tissue between episodes.

    That said, I think that to do a retro Enterprise show, it almost wants to be episodic, big idea of the week kind of thing. Not that there can't be character development. There was in the original. But yeah, it just feels to me like it would fit well into a more of an episodic structure, like the original and like The Next Generation.
So if Anson Mount's answer is indicative of the staff's sentiment, then it seems as if a Pike Series would cater to the likes of a lot of you.

I've never been a Discovery vs. Orville guy as I like them both and don't feel as though I have to choose. But I feel like the Orville formula of 50% serialized/50% episodic would fit well within what Pike is describing. All the episodes have its own story unique story, but the actions and experiences the characters have carryover to the next episode and so on. And this formula might actually be how you'd be able to get Mount to commit to a Pike show as he wouldn't be needed for every episode.

EDIT: I mean what "Mount" is describing. Mount plays the Pike character so damn well sometimes I think he is actually Pike. :)
 
Apparently Star Trek 4 is back on. That would likely be a big reason we won’t get a Pike show.
And They apparently hired another guy who isn't really knowledgeable about Trek or has had any interest in it till now.

Also, They dropped the Lady Director They had like a hot rock.

Nemesis here we go again.
 
The KelvinTrek 4 director is a guy without knowledge or interest in Trek until this project.

So... TWOK here we go again. :shrug:

Kor
 
And They apparently hired another guy who isn't really knowledgeable about Trek or has had any interest in it till now.

Also, They dropped the Lady Director They had like a hot rock.

Nemesis here we go again.

I can't speak to the potential quality of Star Trek 4. Just that it is seemingly a going concern again. Which I think is bad news for a potential Pike series.

Who really knows? Paramount and CBS could've gotten together a while ago and decided the best course was to move forward with Star Trek 4. It could've been one of the motives to move Discovery to the 32nd century. To cut back on brand confusion.
 
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