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Realism and SCIFI

I think you're confusing realism and fiction. It doesn't have to be an either-or.

Quite right. Realism doesn't mean reality; that's why it's realism. An -ism is a style, an approach, a school of creativity. Realism means creating unreal things that convey the impression of reality. A realistic painting is not a real thing but it looks like one, or at least gives the viewer a reasonably close impression of reality. By the same token, a realistic work of fiction is one depicting something that is not real in a way that makes it feel as if it were real. Something where the unreal characters, objects, phenomena, etc. behave in a way consistent with the way real things would, or at least something that's told in such a way that the audience believes it could really happen that way even if it couldn't.

For instance, what made the original Star Trek so distinctive as a work of SFTV was its focus on character realism. It depicted fanciful scenarios but stressed portraying the characters and their reactions within those scenarios in a naturalistic, believable way. Instead of portraying its characters as larger-than-life heroes (as kind of happened later), it portrayed them simply as people doing a job that happened to be in space. And that character realism made it easier for the audience to believe in the universe despite its fanciful elements.

So realism doesn't mean actually depicting reality itself. It's just about creating a believable approximation or illusion of reality. Like the old saying about sincerity: if you can fake that, you've got it made.
 
Heinlein and Kornbluth imagined space flight being created as a private venture. Which didn't happen. Unrealistic.

Nope, sorry, nothing unrealistic about it at all. You seem to taking that "realistic" means "real". Not at all. Realistic simply means that it feels/seems real, that it attempts to closely resemble reality. That does not mean, that if someone speculates something happening different from the way it happened in reality; whether as a prediction, or an alternate history/timeline story, that it is not realistic.

If something realistic it could be real; in other words, there's nothing in there that isn't plausible.

On the Beach was quite unrealistic about the threat from the Soviet Union (and probably about the way nuclear war might end life.) Alas, Babylon, again, wholly unrealistic about the threat from the Soviet Union. Those were Cold War fantasies, using "fantasies" in a nontechnical (but still meaningful) way. Jericho early on had a mine that had no way to drain water. A key motive for inventing steam engines was to drain mines of water!

Once again, wrong. They weren't unrealistic at all. Just because they didn't become reality, doesn't mean they weren't realistic. The Cuban missile crisis almost led to nuclear war. A flock of birds, and a meteor shower were during the early 80s interpreted by radar/humans working the radar as a mobilization of the air force, and both the Soviets and the US have been hair triggers away from pushing the red button. Luckily for all of us, each them there was someone with a level head that held off, that asked a second opinion, or had the president call his counterpart for clarification. If you knew all the times we came so close to nuclear annihilation and with little it takes for some people to be willing to go to the red button, you'd shit yourself in your bed.

So, once again, realistic doesn't mean real, it means close enough to reality it could have been/could be real. Stories with nuclear annihilation are as far removed from not realistic as you can get.

Brave New World imagined that the years would be named after Henry Ford. This is realistic? The future is unknowable, and all visions of the future are by definition not like life because that life hasn't been lived yet. Science fiction aspires to seem like realism, sometimes anyhow. But it isn't.

Once again; realism doesn't equal true. And where the Henry Ford bit is realistic, it entirely depends on the internal logic of the story. But since I haven't read that particular story, I wouldn't know.

If realistic meant true; the only books that are realistic are school books; and sometimes not even those.

As to the idea that realism means possible, maybe. But those ways FTL/time travel are scientifically possible, according to the best current speculation? They are practical impossibilities! There is no feasible way to separate probability from possibility. It is possible there will be a ticking bomb scenario or a locked room mystery. But it is highly improbable either will ever occur. They are not realistic.

Again, realistic does not mean real. Just because we today can't do it, does not mean a story where in the future we can (or indeed, even a story with an alternate reality where we can today) is not realistic.
 
To quote myself: "Referring to judgments of the plausibility of the rationalizations as realism (or "hard") science fiction is a bottomless well of argument. Does plausibility mean probability or possiblity? Does the current state of knowledge or that when written serve as the standard? Does the scientific education of the writer or the reader matter most?"

The private creation of a space flight industry was always absurd, from the day anyone closed Verne's From the Earth to the Moon, and thought: "A gun club?:wtf:" Private creation of space flight was never plausible, because spaceships aren't sailing ships or airplanes.

The supposed nuclear threat from the Soviet Union was Cold War propaganda. Even at the time of the Cuban missile crisis, nuclear war would have largely meant the annihilation of Soviet Union. The real threat of nuclear war dissipated rapidly when the Soviet Union actually acquired an effective nuclear deterrent, and each reheating was due to US efforts to reacquire a massive superiority making nuclear attack "feasible." The threat to the US was never any more plausible than the nuclear threat from Iraq or Iran or North Korea or Israel or Pakistan or India.

Even in the Thirties, the idea that the calendar (which had orginated in the days of the Roman Empire,) would be replaced was implausible in the extreme. Further I submit to you that it was never intended to be realistic, i.e., true to life, but a deliberate exaggeration intended for satiric effect. (Satire is not a subgenre of humor, which means, I did not say Huxley was joking.)

I picked those examples in hopes that time would have worn away customary suspension of disbelief in implausibilities. Nonfiction is not realism. Realism is things like Turgenev and Flaubert, Ibsen and Strindberg. They are fiction and they do no contain implausibilities or impossiblities of the sort science fiction and fantasy do.

In any event, the insistence that there is somehow realism of any sort in science fiction also runs into problems with outright impossibilities. Wells' Invisible Man has Griffin able to see. How can light be captured by invisible eyes? If it is, where are the shadows cast when light is somehow absorbed by the invisible retina? Invisible Man is still science fiction.

Science fiction is a work that has some fantastic, i.e., nonrealistic, element that is explained as somehow natural. The "explanation" may be the tacit assumption that the reader has read previous science fiction using some of the same tropes, in which case the name of an imaginary phenomenon may be all that's actually written. The example of "telepathy" comes to mind. Why do we have a name for something that doesn't exist? Alternate history stories presume the reader has some vague notion of many worlds or multiverse floating around but they don't even trouble to explain it any more.


So, once again, realistic doesn't mean real, it means close enough to reality it could have been/could be real. Stories with nuclear annihilation are as far removed from not realistic as you can get.

There are works of science fiction that have outright impossibilities, just as impossible as anything in fantasy. This dates back to Jules Verne and H.G. Wells, and if those guys are science fiction, then nothing is. None of the currently acceptable speculations as to an end run around special relativity (permitting "FTL"/time travel,) are practically possible. One solar system is not going to produce the energy of a small galaxy. That's not close enough to reality to be realistic.

Defining realism so that it's meaning depends on when it is used (at time of writing or now,) or by whom (writer or reader/viewer whose scientific education meets an unspecified standard,) is not defining it at all. Plausibility or possibility, built into your definition of realism, are impossible to define.

Realism means creating unreal things that convey the impression of reality. A realistic painting is not a real thing but it looks like one, or at least gives the viewer a reasonably close impression of reality. By the same token, a realistic work of fiction is one depicting something that is not real in a way that makes it feel as if it were real. Something where the unreal characters, objects, phenomena, etc. behave in a way consistent with the way real things would, or at least something that's told in such a way that the audience believes it could really happen that way even if it couldn't.....It's just about creating a believable approximation or illusion of reality. Like the old saying about sincerity: if you can fake that, you've got it made.

It is impossible to approximate the reality of 2050, because no one knows what it is. It is impossible to approximate the reality of longevity treatments, because no one knows what they are. It is impossible to approximate the reality of the intercourse between Neanderthal and homo sapiens because no one knows what it is. The notion that if a writer or dramatist convinces a reader or viewer that is it plausible, then it is realism, is a definition even worse than the plausibilit or possibility definitions, because it requires telepathy, or scientific polling at the very least, to decide whether the fictional work was successful!

I can seen why a professional writer would like to redefine the term so criticism is impossible but none of the rest of us benefit. Simple plausibility or possibility can at least be argued but the degree of easiness of suspension of disbelief can't. Ignorant or superstitious people are not good judges, any more than illiterate people.

Science fiction, I repeat, is a fantastic mode of fiction in which the fantastic element is rationalized as somehow natural, lawful. The degree of plausibility in the rationalization (which may even be tacit, not explicit,) is irrelevant. The possibility or impossibility of the fantastic element is irrelevant. Fantasy, by contrast, has a fantastic element which is not rationalized as somehow natural, but is explicitly supernatural, or which is not lawful, sometimes explictly held to be chaotic or transcending quotidian cause and effect. Indeed, one of the attractions of fantasy is that it denies such basic scientific principles as cause and effect. That denial is like the fizz in soft drinks.
 
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If realism is not used in sci-fi, it ceases to be sci-fi and becomes fantasy.

I always preferred sci-fi over fantasy simply because real science and the speculations based on it are by far more rich and weird than any magic imagined in a fantasy universe.

Christopher said:
And General Relativity is one of the most solidly verified theories in all of physics. Literally every prediction of General Relativity except one (the existence of gravity waves) has been experimentally verified.

So - when and where was frame-dragging experimentally verified?
And what about the Pioneer anomaly - which contradicts general relativity?
Not to mention that general relativity fails to provide even the beginning of an explanation for the so-called 'dark matter' and 'dark energy'.
 
Einstein's cosmological constant in an early version of general relativity is a favorite explanation for dark energy.

The thing about the Pioneer effect is the difficulty of being sure that it really exists. I don't think MOND explains it if it does.
 
Einstein's cosmological constant in an early version of general relativity is a favorite explanation for dark energy.

The thing about the Pioneer effect is the difficulty of being sure that it really exists. I don't think MOND explains it if it does.

Einstein's cosmological constant is not derived from general relativity.
It's just an arbitrary constant Einstein introduced in order to have a static universe (a concept subsequently proven wrong). It explains nothing, much like the words 'dark energy' explain nothing.

And the Pioneer anomaly DOES exist. 7 independent analysis went over the experimental data and showed the effect.
MOND may or may not explain it, but general relativity most certainly fails to explain the anomaly.
 
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It is impossible to approximate the reality of the intercourse between Neanderthal and homo sapiens because no one knows what it is.


Haha, just curious. Did you read the Neanderthal Parallax by Robert J. Sawyer?

I think you're starting to see where I was coming from. Yeah, bad science is bad no matter what when you have the information at your fingertips. There isn't much excuse at that point, and like you say, how they they be respected? Classics like you refer to shouldn't be faulted either since they've used what was available to them at the time. Some of them were even visionaries like Jules Verne, and while some of the stories sound wacky today, they're still fun and contain the essence of discovery, which I often feel is missing from modern day sci-fi. That I think we agree on. To a certain extent, they're also used as historical value, like a time capsule of yesterday. Literature is a great way for humanity to put its stamp on. In some way, I wonder what Jules Verne would think of Sci-Fi today. Anyway, I agree with most of what you said.
 
It is impossible to approximate the reality of the intercourse between Neanderthal and homo sapiens because no one knows what it is.

But it is possible to make a best guess based on what we do know, and to use it as the basis for a work of fiction with a reasonable degree of verisimilitude. Hard SF is not about "actually" getting it right. It's about telling the most plausible conjectural story that you can, one that will feel convincing to even the most informed reader or viewer. "Knowing" is not the issue, and it's an absurd standard to apply here because we're talking about fiction rather than dissertations. The issue is believability and consistency with what we can and do know.

Science is not just about cataloguing observations. It's about making predictions. It's about codifying what we know, proposing an underlying pattern that explains it, and using that pattern to extrapolate possibilities beyond what we know. In science, such extrapolation provides predictions that can be tested in order to verify or refute a theory. In fiction, such extrapolation and conjecture provides a basis for believable and informative storytelling. Hard SF makes no claim to be the absolute truth, only to be a plausible conjecture.
 
To quote myself: "Referring to judgments of the plausibility of the rationalizations as realism (or "hard") science fiction is a bottomless well of argument. Does plausibility mean probability or possiblity? Does the current state of knowledge or that when written serve as the standard? Does the scientific education of the writer or the reader matter most?"

The private creation of a space flight industry was always absurd, from the day anyone closed Verne's From the Earth to the Moon, and thought: "A gun club?:wtf:" Private creation of space flight was never plausible, because spaceships aren't sailing ships or airplanes.

And yet, Jules Verne was right. He only made one small mistake; the fuel and power in real life was put on the craft, not the firing mechanism. But when you come right down to it; it's a bullet that is fired up.

And sorry, but spaceships ARE sailing ships or airplanes, they just go a little higher and faster. Exactly the reason why there are private institutions seeking privatized space flight today. If the vision for these things had occurred sooner, or the vision of going into space as a national endeavor had occurred much later, private spaceflight would have been first.

The supposed nuclear threat from the Soviet Union was Cold War propaganda. Even at the time of the Cuban missile crisis, nuclear war would have largely meant the annihilation of Soviet Union. The real threat of nuclear war dissipated rapidly when the Soviet Union actually acquired an effective nuclear deterrent, and each reheating was due to US efforts to reacquire a massive superiority making nuclear attack "feasible." The threat to the US was never any more plausible than the nuclear threat from Iraq or Iran or North Korea or Israel or Pakistan or India.

Again, if you know some of the horror stories of the cold war, you know that we came damn close on more than one occasion of getting burned in nuclear fire. The simple fact is, that whether or not your country gets blown to bits by the counter strike, has never stopped idiots from making scenarios of doing it. Besides which, if you think the nuclear strike has already been launched by the other guys, you have nothing to lose and push the button.

Even in the Thirties, the idea that the calendar (which had orginated in the days of the Roman Empire,) would be replaced was implausible in the extreme. Further I submit to you that it was never intended to be realistic, i.e., true to life, but a deliberate exaggeration intended for satiric effect. (Satire is not a subgenre of humor, which means, I did not say Huxley was joking.)

Nope, the Julian calendar originated in the days of the Roman Empire, named after Julius Ceasar. The Gregorian calendar we use today originated in sixteenth century.

I picked those examples in hopes that time would have worn away customary suspension of disbelief in implausibilities. Nonfiction is not realism. Realism is things like Turgenev and Flaubert, Ibsen and Strindberg. They are fiction and they do no contain implausibilities or impossiblities of the sort science fiction and fantasy do.

Uh, sorry, but the moment a story contains a person that didn't exist, it's not real, and pretty much according to you, not realism.

In any event, the insistence that there is somehow realism of any sort in science fiction also runs into problems with outright impossibilities. Wells' Invisible Man has Griffin able to see. How can light be captured by invisible eyes? If it is, where are the shadows cast when light is somehow absorbed by the invisible retina? Invisible Man is still science fiction.

And this would be a case of it not being realism. Doesn't mean that all Science Fiction has no realism.

Science fiction is a work that has some fantastic, i.e., nonrealistic, element that is explained as somehow natural. The "explanation" may be the tacit assumption that the reader has read previous science fiction using some of the same tropes, in which case the name of an imaginary phenomenon may be all that's actually written. The example of "telepathy" comes to mind. Why do we have a name for something that doesn't exist?

Which, of course, has got nothing to do with anything.

Alternate history stories presume the reader has some vague notion of many worlds or multiverse floating around but they don't even trouble to explain it any more.

Nope, not at all. An Alternate history story is just that, an alternate history, an exploration of "what if"? No requirement of the many worlds theory required, because guess what, some of the writers of the genre didn't even know the theory existed, and I'll bet there were stories in the genre before the theory even existed.

Of course, an alternate history does not eliminate realism, quite the contrary.

So, once again, realistic doesn't mean real, it means close enough to reality it could have been/could be real. Stories with nuclear annihilation are as far removed from not realistic as you can get.

There are works of science fiction that have outright impossibilities, just as impossible as anything in fantasy.

There are also works of fiction in the mainstream that have outright impossibilities and are just as impossible as anything in fantasy. Doesn't mean that all works of fiction are by definition unrealistic. To boot, I've rather been arguing that if and when such things occur, and these happens very often, and they're massive; we've got bad stories and we should be avoiding them. However, this does not mean that all SF stories have them, or that all SF stories are unrealistic.

This dates back to Jules Verne and H.G. Wells, and if those guys are science fiction, then nothing is.

You're wrong, especially Jules Verne spent his time meticulously keeping within science.

[quote\None of the currently acceptable speculations as to an end run around special relativity (permitting "FTL"/time travel,) are practically possible. One solar system is not going to produce the energy of a small galaxy. That's not close enough to reality to be realistic.[/quote]

You're wrong. There's a little thing called vacuum energy, or zero point energy, or Dark Energy. It's the energy stored inside of every single insignificant little point of space-time. And guess what, even the energy in one point, is enough to obliterate a planet.

And again, just because it is practically not possible now, doesn't make them impossible period, and suppositions that it can be done in the future does not make them unrealistic. Especially not when science itself endorses these options, and even comes up with things that seem even more outlandish than what science fiction came up with.

Defining realism so that it's meaning depends on when it is used (at time of writing or now,) or by whom (writer or reader/viewer whose scientific education meets an unspecified standard,) is not defining it at all. Plausibility or possibility, built into your definition of realism, are impossible to define.

Which of course means, that by your definition all fiction is by definition is unrealistic. After all, how plausible is it, than an actual Tom Sawyer existed, going through exactly the adventures he went through in his book. Or name any other fictional character from whatever genre.

Further, ALL "realism" depends on when it is used. A book that is realistic in the 80s, would be considered written by an uneducated hick trapped in the jungles in our day.

And similarly, bring a contemporary realistic book to the deepest darkest jungles and let someone who spent his entire life living there read it, and he or she'll most likely consider the book a piece of unrealistic SF idiocy.

All realism depends by definition on when it is used, who it is used by, and where it is used.

By your definition there is no realistic fiction. The only books that have a small shot at being realistic are school books, and even most of them are probably not realistic at all.

It is impossible to approximate the reality of 2050, because no one knows what it is. It is impossible to approximate the reality of longevity treatments, because no one knows what they are. It is impossible to approximate the reality of the intercourse between Neanderthal and homo sapiens because no one knows what it is.

You know, at some time, we didn't know electrons either, hell, we still might not know exactly. Yet that didn't mean we threw in the towel and gave up. We went to use our minds and imagined what it may be like, wrote equations down in mathematics and then did experiments to see if they fit.

Now, just because we cannot do any experiments on longevity treatments, or interspecies sex in the past (yet), does not mean if we go an imagine what it might be like, and do our best to keep it grounded in reality and what we do know, you can't write a very realistic story. And just because we might one day invent a time machine, go back in time, and see such for ourselves, and find out the writer's imagination got it wrong, still doesn't mean his story was unrealistic. It would have been unrealistic even he didn't even attempt to ground it in what we do know.

Fantasy, by contrast, has a fantastic element which is not rationalized as somehow natural, but is explicitly supernatural, or which is not lawful, sometimes explictly held to be chaotic or transcending quotidian cause and effect. Indeed, one of the attractions of fantasy is that it denies such basic scientific principles as cause and effect. That denial is like the fizz in soft drinks.

Actually, a fantasy that isn't beholden to cause and effect, is a fantasy that is completely random and has no internal rules of logic at all. This would be a piece of fiction that will be nearly universally derided as being bad.
 
A connection to reality is vital, I believe, or the audience will not be able to relate to either the characters or the situations in which they find themselves as the audience will have no point of reference. Personally I place emphasis on relating to the characters because I'm a social sciences geek and am hopeless at math and science. :)

I personally find that whether characters are realistic or not has no effect on whether I can relate to them. Comic characters are defined to act in certain ways, and I just accept that, even if I wouldn't act that way or truly understand it. And realistic characters, or actual real-world people, act in certain ways, and I just have to accept that, even if I wouldn't act that way or truly understand it. Sex and money and ambition and power and religion and all; I'm frequently baffled by how people act in terms of that stuff.
 
"Knowing" is not the issue, and it's an absurd standard to apply here because we're talking about fiction rather than dissertations. The issue is believability and consistency with what we can and do know.

Science is not just about cataloguing observations. It's about making predictions.

"Believability" just takes us back to reading the minds of the readers/viewers to assess an emotional reaction. Christians don't believe there were Neanderthals, at least not in the sense of another kind of intelligent hominin. Social Darwinists/sociobiologists/evolutionary psychologists believe that human beings exterminated an inferior species.

"Consistency" isn't an issue either, since many, many people reject the very notion, feeling that science, religion, mystical inspiration, art, etc. are all equally valid. Christians ignore the question of how those skeltons with occiptal buns fit in with Genesis. And the new scientific racists ignore the evidence that Neanderthals and homo sapiens coexisted for centuries in some locations.

As a side note, science is not just a matter of making predictions. People like Popper and Christians want to redefine science purely as experimental, laboratory science in order to rule out scientific analysis of things like history or society or the Bible. But in a curious way, this narrow definition of knowing bears on the argument about plausibility. We know that science fiction, as a prediction of the future, has practically never gotten anything but minor details correct. We know, experientially, that no scenario in science fiction has plausibility as prediction. Plausibility is the absurd standard.

Science fiction may still be relevant, as metaphor and hyperbole and personification and fable and morality play, but those are not the literary tools of realism. I believe that the better the science the more likely the fiction is to be relevant but people seem to prefer to argue about such undecidable issues as plausibility, probability, possibility and believability.

As far as distinguishing believability and realism goes, I can only ask: Isn't the realistic the most believable? An uncritical approach or gross ignorance are the best guarantors of believability. Neither has anything to do with the skills of the writers, indeed the opposite. Also, the best guarantor of disbelief is a closeminded rejection of the new, or resistance to different ideas. By this standard, conventionality is the hallmark of quality writing.

Fictional characters like those we know can be written realistically, i.e., modeled on those we know today, or from history. (Strictly speaking, I'm exaggerating the realism possible in historical fiction, which shares all the technical issues found in science fiction. They are summed up by saying the worse the history, the worse the historical fiction.) No one knows what a Vulcan/human hybrid is like. Quite aside from being practically impossible, and hence implausible in the extreme, a Spock cannot be written realistically, using knowledge gained about such characters from experience.

Some minor points: If our calendar was truly created by Pope Gregory in the seventeenth century, what saints were July and August named after?

Zero-point energy is the minimal energy associated with an infinitesimal point in space-time. Some calculations find it to be potentially enormous, and others don't. The thing is, energy is released when some system, whether it is the inflaton field or nucleons or good old water, falls into a lower energy state. But, by definition, the zero-point energy state is the lowest energy state. There is no theoretical way to tap this energy.

On the Pioneer effect, the analyses are quite difficult and aim at proving a negative, which is always horribly difficult to do. Given that many more experiments with greater reliability have confirmed general relativity, it is more prudent to reserve judgment. Waiting to trace the trajectories of more objects exiting the solar system will be frustrating, but it is necessary.
 
I can enjoy both the "hard" and "soft" science in science fiction works really so I wouldn't say it's too important. If they are going to do something that's way out there in the land of BS though it's nice if we're at least given a semi-plausible explanation for it.
 
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We know that science fiction, as a prediction of the future, has practically never gotten anything but minor details correct. We know, experientially, that no scenario in science fiction has plausibility as prediction. Plausibility is the absurd standard.

Uh, wrong. It's the exact opposite, in fact. Science Fiction usually only gets the details wrong, the large lines are virtually always correct. Jules Verne predicted submarines long before they existed. He predicted the lunar landing nearly completely correct - one minor detail, he put the fuel in a firing mechanism, while in real life we put the fuel in the projectile. A movie about the lunar landing a year before Sputnik launched, got it entirely correct. Laser cannons, these days we have them mounted on jet fighters; plasma weapons and plasma shields are being experimented with. Power armor/exo skeletons, the first generations are being tested today. Robot warriors / terminators, they're being worked on, and the first generation support robots are being tested today. In the 1950s there was a SF story with computers on every desk top, linked together in a vast network. Computer scientists laughed; computers at the time the size of offices would only grow bigger, they said; and here we are today.

And on, and on, and on. Hell, the precurser of the transporter we have today, is exactly because people debated whether it could work, and a team said, "Let's go build it." The Alcubierre warp drive is a fan scientist of Star Trek plugging Star Trek's warp drive into equations of the theory of relativity, and lo and behold it works. Hidden dimensions like subspace and entirely different universes existed in in SF long before M-theory (the latest incarnation of string theory) says they've gotta exist.

Science Fiction, not only usually gets it right, it often even drives scientists and engineers to make it true.

As far as distinguishing believability and realism goes, I can only ask: Isn't the realistic the most believable?
Nope, not always, look above for the SF story of the networked desktop computers. It was the most true depiction of the future; and yet at the time, it was an extremely unrealistic story. There are plenty other examples of this; like SF predictions about the abundancy of life for example. As a result, I have found that the most "realistic" portrayals as claimed by the wide majority and scientists have become quite unbelievable to me. I've noticed a rather intriguing law: the more vehemently people protest something is unrealistic and can never happen, the more likely it will be it will have become true before your lifetime is over.

Landing on the moon, flight, networked desktop computers, laser weapons, etc. etc.

However, as mentioned before, there is "realism" and then there's "realism". Demanding everything is limited to closed-minded interpretations of present day science may be considered realism by some, but it's limited and usually false anyway. Realism comes in, when we KNOW things to be true, to not do something entirely different. We've seen black holes with our very own eyes, they do not work as ST09 advertized, and that is unrealistic and bad writing.

No one knows what a Vulcan/human hybrid is like. Quite aside from being practically impossible, and hence implausible in the extreme, a Spock cannot be written realistically, using knowledge gained about such characters from experience.
Quite the contrary. Hybrids are very possible; hell we're making them today. True, it requires genetic engineering, and they won't happen naturally; that's one thing Star Trek indeed gets wrong; but artificially they are very possible. I choose to view Star Trek hybrids as engineered by science.

Some minor points: If our calendar was truly created by Pope Gregory in the seventeenth century, what saints were July and August named after?
Sixteenth century, the Gregorian calender was implemented in 1582. Go look up Julian Calender and Gregorian Calender if you don't believe me.

Zero-point energy is the minimal energy associated with an infinitesimal point in space-time. Some calculations find it to be potentially enormous, and others don't. The thing is, energy is released when some system, whether it is the inflaton field or nucleons or good old water, falls into a lower energy state. But, by definition, the zero-point energy state is the lowest energy state. There is no theoretical way to tap this energy.
Yeah, that must be why there are scientists experimenting with tapping into it.

The thing is, this energy is being created every single moment of every single day. The universe expands, there's more space-time, and each bit of that space-time has just as much energy as what came before. So if you could suck some energy out of that, it would most likely fill back up the same way it got filled when that part of space-time first came into existence.
 
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3D Master..I just read this post, ^^^, and I have to say it was really a great read. You have that ability of being able to explain things in a direct way to where readers like me, with ADD pinging away at my brain, can follow along. Great job...

Rob
 
Please believe me when I advise you never invest money in the development of zero-point energy.

Limiting the use of "realism" to describe a literary style of contemporary novels and dramas that mean to faithfully evoke like as we know it is prudent. The characters and situations are fictional but still realistic. Applying "realism" to science fiction when it doesn't even try to describe life as we know it just doesn't make sense. Surreptitiously trying to define realism in terms of plausibility or probability or possibility or believability means not defining it at all. None of these subsitutes have any reliably consistent meaning in discourse. None can have.

Bad science is like bad grammar. It's just bad writing. Good scientific speculation is vastly more likely to be relevant. Even in simple genres in the science fiction mode, adventure stories and such, completely fictional science is better when it sounds like real science done by real people. We do have knowledge of how scientific research ireally is done by real people.

It is depressing how many science fiction writers will write scientists who don't act like real people. But, a mystery writer whose detectives or villains aren't like real people but hand me down shreads of old books and movies restitched into a sock puppet is generally condemned as a bad writer. A science fiction writer whose scientists are Thirties serial nutters, who whip up amazing technology after lunch but before supper, who do it all by themselves does the same kind of bad writing.

I must disagree vehemently that science fiction writers get the big things right. Jules Verne didn't just predict that there would be submarines. He predicted that submarines would be developed as one man's hobby. He predicted that submarines would be nearly invincible weapons at sea. He predicted that submarines would open up a wealth of resources that enable a man to make himself independent of the land. He imagined that a scientist/inventor like Nemo could use technology to fight governments. That is the big stuff and none of it came true.

As I said, we know from experience that all science fiction scenarios are extremely improbable. This is because they are set in unreal venues. It is absurd to think of them as realistic. It is not absurd to criticize gross errors in simple science. It is not absurd to realize that a scientific speculation might bear on our futures. It is not absurd to appreciate the portrayal of scientific discovery and invention, just as we might appreciate any literary or dramatic portrayal of any institution. (Yes, I know this is disdained by the literary people.)

Last and least, whether sixteenth century or seventeenth century, what saints did Pope Gregory name the months of July and August. For that matter, what saints did he name the days of the week after? And, what was the theological rationale behind a seven day week?
 
I must disagree vehemently that science fiction writers get the big things right. Jules Verne didn't just predict that there would be submarines. He predicted that submarines would be developed as one man's hobby. He predicted that submarines would be nearly invincible weapons at sea. He predicted that submarines would open up a wealth of resources that enable a man to make himself independent of the land. He imagined that a scientist/inventor like Nemo could use technology to fight governments. That is the big stuff and none of it came true.

:rolleyes: Oh, please. None of those things are big stuff. They're the interesting story of Captain Nemo being told.

Last and least, whether sixteenth century or seventeenth century, what saints did Pope Gregory name the months of July and August. For that matter, what saints did he name the days of the week after? And, what was the theological rationale behind a seven day week?

He didn't use any saints, which doesn't matter one insignificant little bit. The Gregorian calender was implemented in 1582, before that we had the Julian calender, whether you like it or not.
 
Vulcan/human hybrids

No one knows what a Vulcan/human hybrid is like.
Quite the contrary. Hybrids are very possible; hell we're making them today. True, it requires genetic engineering, and they won't happen naturally; that's one thing Star Trek indeed gets wrong; but artificially they are very possible. I choose to view Star Trek hybrids as engineered by science.
stj In ENT episode#321 Lorian, is the son of T'Pol from the alternate timeline that Dr. Phlox was able to create a human/Vulcan hybrid made from Tripp and T'Pol.
 
Captain Nemo's interest is inseparable from his abilities, which are inseparable from the implicit predictions listed above. Which are wrong. You seem to be committed to validating science fiction for its predictive power. There have been practically no significant predictions from science fiction about anything that matters, especially in the way that invincible submarines destroying navies would matter.
The bare existence of submarines just isn't a big thing.

There has been much inspiration from science fiction but this is not the same thing at all. And there's been a lot of thought provoking commentary on where we might be going, but that's not the same thing either.

The story about a computer expert thinking a multitude of small computers everywhere, linked together, was unrealistic because it was so unlike his experience emphasizes that believability is a function of experience. Yes, subsequent events proved that story got a detail right. It did not tell us anything about how it's changed commerce, sexual mores, education and journalism. Do even you remember the name of this marvel of science fiction?

Moreover, most stories of the period had the giant computers. People can still read Asimov's Multivac stories with a great deal of pleasure. I fondly remember All the Cares of the World and The Last Question. How can stories so unrealistic still be of interest, if good science fiction is not about correct predictions? In most Asimov stories, one big thing, that science and technology can give us new powers and pose new questions was gotten right.

But I would think you agree about this. You call that near forgotten story about little computers "realistic." But you make this call using hindsight. My objection is, if "realism" is to be defined in hindsight, the term is so useless as to be misleading. The reason it is so misleading is that there is no meaningful sense in which science fiction is truly realistic, it's just written that. Or, it was, but the fantasy pays better, so more and more stuff is written like fantasy.

PS Days of the week named after Roman gods, January named after Roman gods, July and August named after Julius Caesar and Augustus Caesar mean that our calendar dates back to the Roman Empire, if not earlier. Gregory did a minor reset. If the Pope and Robespierre couldn't change the calendar, then it wasn't going to change to honor Henry Ford. (And the amusing part is that Anno Domini dates, which are a significant part of the calendar, don't go back to either Julius Caesar or Pope Gregory so literally we're both wrong!)
 
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