It's part of the "suspension of disbelief" for ANY film to be allowed to get away with certain conceits or inconsistencies. But because we like the bulk of the material presented we choose to either politely ignore it or else we embrace its incongruity. Among those questions for me:
1.) Why did Doc Brown have a single gigantic amplified speaker in his workshop?
2.) What was in the valise in Pulp Fiction, anyway?
3.) The Enterprise (or at least her crew) had been to Earth's past no less than 3 times plus a copy of it on Sigma Iotia. So why did they all act like they'd never been to the past in TVH?
4.) Why didn't Dorothy haul off and slug Glinda when she said "you wouldn't have believed me" before going home at the end of the picture? I'd have said "Bitch! I just saw MUNCHKINS and FELL FROM THE SKY! So you make me go see the fraud of a wizard and kill a damn witch instead of at least TELLING me I should TRY clicking the heels and chanting?!?"
5.) Why did Sean Connery agree to do Zardoz?
I'm sure many more wll come to mind. What are your (mostly) unanswerable questions about fantastical movies?
1.) Why did Doc Brown have a single gigantic amplified speaker in his workshop?
2.) What was in the valise in Pulp Fiction, anyway?
3.) The Enterprise (or at least her crew) had been to Earth's past no less than 3 times plus a copy of it on Sigma Iotia. So why did they all act like they'd never been to the past in TVH?
4.) Why didn't Dorothy haul off and slug Glinda when she said "you wouldn't have believed me" before going home at the end of the picture? I'd have said "Bitch! I just saw MUNCHKINS and FELL FROM THE SKY! So you make me go see the fraud of a wizard and kill a damn witch instead of at least TELLING me I should TRY clicking the heels and chanting?!?"
5.) Why did Sean Connery agree to do Zardoz?
I'm sure many more wll come to mind. What are your (mostly) unanswerable questions about fantastical movies?