I read something on the web which hit a nerve, rock music doesn't suit the times. So this decade is witness to rising right wing nationalism, mainstream cinema reaching a total nadir and neo liberal capitalism run rampant with mass austerity, impoverishment and blah blah blah, otherwise known as an almost BSG cyclical repeat of the 1930s. And the music is ass! Or is it? I would like to be proven wrong, are there any interesting rock bands out there? The problem as I see it is that yes, there's never been a better time to get your music out there, but 99.5% of bands are unoriginal and closely copying what has gone before. Phil Anselmo has a point, where once a band would have ten influences and create something new out of them, now they imitate one band and play in that style, and it's kind of true, there's nothing really exciting out there, just formulaic rock (maybe that's because the genre has been exhausted but I also think it's possible because of musical conservatism and a playing to scene/fanbase approach).
I've discovered a new genre (to me at least) called Synthwave, I'd recommend Lazerhawk and Mega Drive as really good artists worth checking out, but they just don't have the same depth and richness as say Pink Floyd. Even if they do sound 'crusty', 'old' and uncool Pink Floyd shits over almost all modern music. I know, everyone has different opinions, it's all subjective, but I don't view music or art as a flat plane of relativism, there are just some legitimately better artists, Taylor Swift, Ellie Goudling, Skillrex and Ed Sheeran are never going to be as good as Queen or Radiohead, and Kanye West is a perfect example of Emperor's New Clothe's Syndrome, there I said it. So I would like to be surprised because besides Ghost BC and Animals as Leaders I haven't found one rock band this decade that's excited me!
(Ps, it's not getting old either, 10 years ago when I was 21, I thought the neo punk revival was ass, although now I look back on it more forgivingly compared to what passes for popular music today).
A man after my own heart. Do not look to the charts. You will not find anything of substance there. My opinion? This is our culture come home to roost. Take a very simple lyric in a country song, I enjoy, called "Mama's Broken Heart," by Miranda Lambert:
"I numbed the pain at the expense of my liver..."
This requires an understanding of the effect of alcohol on the body. It never mentions a drink, a brand of alcohol, and it paints a picture. The person is, for one, in pain. If you are not paying attention in school, maybe listening to Taylor Swift say the words, "Shake it off" for the 1,856,856th time in 4 minutes, you will hear that lyric and say "What the hell is she talking about?" and turn it off.
This culture is valuing ignorance. Today, some 5 years after the lyric was written, on the country charts, it would be:
"I drank some alcohol to escape the pain of my breakup."
Blunt. Simple. Lacks poetry.
I pay attention to this genre, Country, because of my desire to hear actual instruments over good lyrics. For the uninitiated, there has been a war in Country music for some time. Bro Country, as it has been termed, is about a dirt road, a pretty girl, and getting drunk and laid. Each song could be a carbon copy of the last, and the influence of pop and rap could not be more felt. When Alan Jackson, who has been a successful Country artist for 30 years, came out in 2013 and called Luke Bryan's "That's My Kind of Night," the worst-written number-one song he has ever heard, the shit hitteth the fan. Blake Shelton came out and said that each song is like a baby, and shouldn't be insulted. He said old men weren't buying country music, and they should let Country "evolve" in order for it to "survive. Luke Bryan declared this is how he lives his life, and he was in his backyard, on a boat, when he heard Jackson's comments. Zac Brown Band joined with Alan Jackson in saying there are too many songs that are about getting drunk and laid in country music. They all sound the same.
Enter Maddie and Tae and Kelsea Ballerini. Both the group, and the solo artist, I just mentioned, hit number one with songs that spoke out against Bro Country Standards, with "Girl in a Country Song," and "Love Me Like You Mean It," respectively. The fact that a solo female artist not named Carrie Underwood, Miranda Lambert, or Taylor Swift hadn't been on the Country charts at number one, since 2004's Redneck Woman by Gretchen Wilson (this happened in 2015), started another controversy. A record executive called women artists in Country music, the "Tomatoes in the salad of Country Music," the implication being that they are less important than the lettuce, the men. Brandy Clark, Jennifer Nettles, Kacey Musgraves, Ashley Monroe, Miranda Lambert, The PIstol Annies--they are writing much better songs, and performing them with actual vocal nuance, over someone like Luke Bryan or Jason Aldean.
Then, the third controversy. Little Big Town came out with a song called "Girl Crush." According to the Washington Post, the song was being boycotted off Country radio. Now, the song is about jealousy. The girl crush is from her having the man she wants. But that didn't stop rednecks from telling radio stations they don't want to listen to them pushing the "Gay Agenda" while driving their kids to school. This shows a lack of understanding on the part of fans.
The goal of this business is not to write a song for posterity--it's to make money. And, if the audience can't understand a simple message like "Girl Crush," they won't understand any of the songs, or their purpose, of the women artist I just named. This starts with the fans, followed by DJs, and then the artists responding to the market. It's about education. The more we reject it, call school a drag, don't pay attention, the stupider we become. Art doesn't have a place in the marketplace, you can't add without a calculator, and the entire world suffers. Nothing worth remembering of our culture, as time passes.
Some examples:
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