Yeah, come on Set.
Ridley may have lost a step over the years, but George Lucas he is not. And after K.W. Jeter's ridiculous three book "sequels" (excuse me -
), I can't see Ridley doing any worse. Certainly not enough to ruin the first film.



Trust me, if there was a number I could call, I'd already be on it.
A couple more thoughts on on the WTF scientists.
First I reiterate that there is no proof that these so called scientist are real scientist. They still could be mercenaries/security and the Prometheus may have been secretly armed but only Weyland or David knew the full extant (they were able to hide a very old billionaire).
The Blunder Twins (Millburn and Fifield) didn't know they were dealing with ancient astronauts until they had already arrived at LV-223. It played no part in their decision to go on the mission, and in Fifield's case, he explicitly said he was in it for the money.Second, these people may literally be the bottom of the barrel. Like today, maybe people in the future don't take the idea of Ancient Alien seriously. Even if you offered them a ton of money most competent scientists aren't going to risk their reputations.
None of this makes sense when you have the CEO of the company who is a true believer along for the ride. You don't choose psychologically unstable incompetents for key positions on the extremely risky and groundbreaking mission you are also going on. They tend to hire experienced personnel and then rigorously test for these kinds of psychological problems with endless simulation, medical testing, and psych profiles. Can people slip through the cracks? Sure, but that's extremely rare.Third, there is mental diagnosis called Adjustment disorder which is basically the inability to deal with new circumstances. Most cases lead to a temporary depression but in a few extreme cases it can lead to psychosis. Plus who knows what hibernation does to the mind.
If only he would drop dead before he ruins Blade Runner.
Trust me, if there was a number I could call, I'd already be on it.
Body of Lies and American Gangster were pretty good, IMO. I even liked A Good Year. That movie had some undeniable charm. And Russel Crowe was pretty damn awesome in all three of these. Robin Hood was crap, though....Scott's rather lackluster films of the past several years...
Body of Lies and American Gangster were pretty good, IMO. I even liked A Good Year. That movie had some undeniable charm. And Russel Crowe was pretty damn awesome in all three of these. Robin Hood was crap, though....Scott's rather lackluster films of the past several years...
But not recognizing that script for a piece of shit that it was most certainly is his fault.Let's just face it, the stupid script is not Ridley's fault.
But not recognizing that script for a piece of shit that it was most certainly is his fault.Let's just face it, the stupid script is not Ridley's fault.
This is Ridley fucking Scott were talking about.The question is whether he had any choice or not.
Let's just face it, the stupid script is not Ridley's fault.
Clint Eastwood is still knocking them out in his 80s.If this is to be the first of a possible trilogy, the only thing I'd worry about is Ridley Scott. Sorry to be ageist, but he's 74 now. Isn't he doing Blade Runner 2 next, or at some point at least. Thus I can't see Prometheus 2 coming out till 2016 or so. And then to do a possible third one as well.
Ha I'm not saying he's gonna drop dead at any minute, but I would just hope they got completed is all
Let's just face it, the stupid script is not Ridley's fault.
Because of his clout Scott largely had final approval on what went on screen (plus control of the editing) and was involved in the initial script with Spaihts and the rewrite process along with Lindelof. He writes extremely detailed storyboards with elaborate drawings of what he wants to see onscreen and dialogue and plot ideas which were incorporated into the script. He was the one who came up with the whole Space Jesus idea and some of the other mythology. He was as much responsible for the script as they were, since this was his baby; his pet project. To absolve him of responsibility for the poor quality of the characters and plot and dump it entirely in Lindelof's lap is inaccurate and unfair. He knew what was happening as he filmed it, and if there was a problem in his eyes he could have ordered a change to the script.
Let's just face it, the stupid script is not Ridley's fault.
Because of his clout Scott largely had final approval on what went on screen (plus control of the editing) and was involved in the initial script with Spaihts and the rewrite process along with Lindelof. He writes extremely detailed storyboards with elaborate drawings of what he wants to see onscreen and dialogue and plot ideas which were incorporated into the script. He was the one who came up with the whole Space Jesus idea and some of the other mythology. He was as much responsible for the script as they were, since this was his baby; his pet project. To absolve him of responsibility for the poor quality of the characters and plot and dump it entirely in Lindelof's lap is inaccurate and unfair. He knew what was happening as he filmed it, and if there was a problem in his eyes he could have ordered a change to the script.
But money limits everything and everyone.
Body of Lies and American Gangster were pretty good, IMO. I even liked A Good Year. That movie had some undeniable charm. And Russel Crowe was pretty damn awesome in all three of these. Robin Hood was crap, though....Scott's rather lackluster films of the past several years...
Let's just face it, the stupid script is not Ridley's fault.
Feature filmmaking is the realm of the Director. He has final say on a script.
They also say a script is written three times. 1. By the writer. 2. On set. 3. In the editing room. Scott has control of 2 of 3 of those. (And a great deal of control over #1.)
It is absolutely his fault. It's not like he was some hired hand. It's HIS movie. HIS vision.
Wikipedia said:By July 2009, Scott was attached to direct the film, and screenwriter Jon Spaihts was hired to pen the script based on his pitched idea for a direct Alien prequel.[40][60] With both director and writer in place, and pleased with Spaihts's pitch, Fox scheduled a release date for December 2011, but this was eventually dropped.[61] In June 2010, Scott announced that the script was complete and that pre-production would begin, with a filming date set for January 2011.[62] However, by July 2010, Lindelof had been hired to redevelop Spaihts's screenplay into a more original work.[63][64] In October 2010, Lindelof submitted his refined screenplay to Fox. The studio was pleased because it had contested Scott's proposed budget of $150–160 million and found Lindelof's screenplay to be more budget-conscious;[citation needed] Scott had initially requested a $250 million budget and an adult oriented product, but Fox was reluctant to invest this amount of money, and wanted to ensure the film would receive a lower age-rating to broaden the potential audience.[65]
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