So, "never" means 5 years, apparently!
Hooray! I'm having sex with that hot chick in less than five years!
So, "never" means 5 years, apparently!
I can't wait for The Face of Evil release...finally! I know a lot of people don't rate it high, but not only is it one of my favorite Fourth Doctor stories, it's one of my favorite serials period.
I got the same impression from the really negative-sounding naysayers (if you'll pardon the redundancy) who suggested The Invasion bombed and sold, apparently, zero copies and, therefore, we'll never ever ever ever ever see any more animated recreations because a) they apparently cost a billion dollars to make and b) no one wants them.
I've heard the same, and was able to confirm it with James Swallow, who was to write the sequel to "Shalka."What I was told about the "Invasion" reconstruction was that the reason they had the budget for it in the first place was because they were going to do a second Richard E. Grant "Ninth Doctor" animated story, but then the show was revived on TV with Eccleston and the Grant series was cancelled -- so they had this budget already allocated and a contractual obligation to produce an animated project with it, and they decided to do the reconstruction.
If it's too expensive they should just switch to cheaper animation, simplify the character designs etc., they don't have to look at pictures or existing footage and recreate the original look as closely as possible.
I don't see how you could get much simpler than the animation they used in the reconstructions of "The Invasion." It was basically the digital-era equivalent of the limited animation Filmation used in the '70s, with mostly static head shots aside from mouth and eye movement, the same drawings of the characters constantly being reused, the same motions being replayed, etc. And judging from the parts where the action overlapped between the end of one episode and the beginning of the next, it didn't recreate the original shots all that closely. (Not that I can see why consulting and replicating existing footage or stills would be any more expensive than storyboarding new sequences.)
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