You should read the original "Planet of the Apes" by Pierre Boulle sometime for an example of changing things (although Boulle was very happy with Rod Serling's ending to the point of stating he wished he had thought of it).
I've read it, and it's quite a good book. But the movie is so different that it can hardly be called an adaptation, or even a reboot. It's such an extreme re-imagining that I don't really know why they credit Boulle; aside from the talking Apes, there's little resemblance.
We should note that sometimes changing things is forced by budgets and circumstances, etc. And further, that sometimes it actually works (admittedly, not often *grin*).
I can't imagine a situation where budget would require abandoning continuity, but I suppose circumstances might somehow. As I said, sometimes it works, but usually it's just a matter of laziness or pandering. Sometimes it's like those people you see who get promoted or hired into a management position and are determined to find problems that don't exist or fix things that aren't broken, just to impress people or leave their mark. In other words, just about always a recipe for disaster.
It's not low standards. It's different standards. Some of us just don't regard a strict adherence to continuity as the standard by which reboots should be judged. What's the point of remaking something if you're just going to do the same old thing?
That's exactly right, for two reasons. First, see my comments about the original novel above. Second, what
is the point of remaking something-- when adding to it would be more interesting and creative?
The old versions are great as they are (well, except maybe BENEATH and BATTLE). But I'm open to new takes and interpretations of the material.
I'm open to it as well, but I'm far less sanguine about a reboot than I would be about new material (although I would not exactly be full of confidence that the current generation would be able to create a worthwhile or entertaining expansion, either).
People do it with Shakespeare all the time. Why not POTA?
Not exactly the same thing, but your point is certainly well taken. The only reasons why not are the ones I stated above; it's usually a sign of laziness or low standards or lack of respect for the source material or hubris or a variety of other negative factors. Also, which do you think is more creative: Another retelling of
A Midsummer's Night Dream or a sequel?
When did "mainstream" become a bad thing?
When it became an appeal to the lowest common denominator-- or just the lowest denominator-- which it has always been. Look at nuTrek. It wasn't enough for them to make millions of dollars; they wanted to make billions of dollars. So they took a concept that was created to be a thoughtful show that actually resembled real Science Fiction and they turned it into a mindless sequence of explosions and wrestling matches and turned the characters into morons, psychopaths and mental defectives. It served its purpose for the studio shareholders, but it's absolute garbage.
It's worth remembering that the original APES (and TREK) were never intended to be cult films appreciated by only a handful of experts and hardcore afficianados. They were broad, popular entertainments aimed at general audiences. TOS was a prime-time show on NBC, for pete's sake. POTA was a huge blockbuster that played in drive-in theaters across the country.
The original POTA gained some unexpected popularity because of its novelty and a twist ending that became iconic; the sequels never fared so well. Before
Star Wars, which was successful for pretty much the same reasons as nuTrek, "sci fi" movies were never expected to be blockbusters. And TOS was not intended to appeal to the masses-- it was hoped that TOS would bring the masses to Science Fiction. And it didn't work terribly well.
New generations mean new versions of old stories. You update and change things to make them new and fresh again, as well as accessible to modern audiences. Nothing wrong with that.
That can be done without abandoning or mocking the past. Or it can be done by creating entirely new concepts. It's too early to tell exactly how this movie will turn out, of course, but it looks like just more "nu" nonsense at this point. And it's never too early to speak out against that, just on general principles.
