During an interview with Radio Times, the 45-year-old ‘Star Trek’ actor revealed that he thinks modern cinema is dumbing down… and he seems to blame it all on ‘Star Wars’.
“Before Star Wars, the films that were box-office hits were The Godfather, Taxi Driver, Bonnie And Clyde and The French Connection – gritty, amoral art movies,” he said. “Then suddenly the onus switched over to spectacle and everything changed … I don’t know if that is a good thing.”
“Obviously I’m very much a self-confessed fan of science fiction and genre cinema but part of me looks at society as it is now and just thinks we’ve been infantilised by our own taste. Now we’re essentially all consuming very childish things – comic books, superheroes. Adults are watching this stuff, and taking it seriously.”
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“It is a kind of dumbing down, in a way, because it’s taking our focus away from real-world issues,” he added. “Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about … whatever. Now we’re walking out of the cinema really not thinking about anything, other than the fact that the Hulk just had a fight with a robot.”
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...he goes on to explain that he was hired to rewrite the upcoming ‘Star Trek 3’ script as the original version was “a little bit too Star Trek-y.”
His solution? To make a more mainstream film – such as a Western or a thriller or a heist movie – and then populate that film with ‘Star Trek’ characters, in an attempt to reach an audience outside of the usual genre crowd.
Does this mean we’ll see a far more mainstream ‘Star Trek 3’? For now, we’ll have to wait and see. But I hope Simon Pegg tries to remember what he used to love about science fiction.
another better version of the interview
http://www.theguardian.com/culture/2015/may/19/simon-pegg-criticises-dumbing-down-of-cinema
He said he had been asked to make the new Star Trek film “more inclusive”.
“They had a script for Star Trek that wasn’t really working for them. I think the studio was worried that it might have been a little bit too Star Trek-y,” he said of the original draft.
“Avengers Assemble, which is a pretty nerdy, comic-book, supposedly niche thing, made $1.5bn dollars. Star Trek: Into Darkness made half a billion, which is still brilliant.
“But it means that, according to the studio, there’s still $1bn worth of box office that don’t go and see Star Trek. And they want to know why.”
He added: “People don’t see it being a fun, brightly coloured, Saturday night entertainment like the Avengers,” adding that the solution was to “make a Western or a thriller or a heist movie, then populate that with Star Trek characters so it’s more inclusive to an audience that might be a little bit reticent”.
He's right about the general dumbing down and infantilizing of movies, though. If you've watched this as it's happened over the decades it's hard to miss.
What a great blog post. He's a smart gent.
He's right about the general dumbing down and infantilizing of movies, though. If you've watched this as it's happened over the decades it's hard to miss.
Which includes STID.
Pegg may be right to an extent, but he's cherry picking a bit, too.
He's right about the general dumbing down and infantilizing of movies, though. If you've watched this as it's happened over the decades it's hard to miss.
Which includes STID.
The idea of our prolonged youth is something I’ve been interested in for a very long time. It’s essentially what Spaced was about, at least in part.
One of the things that inspired Jessica and myself, all those years ago, was the unprecedented extension our generation was granted to its youth, in contrast to the previous generation, who seemed to adopt a received notion of maturity at lot sooner. The children of the 70s and 80s were the first generation, for whom it wasn’t imperative to ‘grow up’ immediately after leaving school. Why this happened is a whole other sociological discussion: a rise in the student population, progress in gender equality, the absence of world war; all these things and more contributed to this social evolution. What fascinated Jess and I was the way we utilised this time. For Tim and Daisy, not having to grow up in the way their parents did, simply meant a continuation of their childhood. For Daisy, it was the pursuit of her girlhood dreams and fantasies. For Tim, he channeled his childhood passions into his adult life, cared about them as much, invested in them, the same level of time, importance and emotion. His hobbies and interests defined who he was, rather than his professional status.
In the 18 years since we wrote Spaced, this extended adolescence has been cannily co-opted by market forces, who have identified this relatively new demographic as an incredibly lucrative wellspring of consumerist potential. Suddenly, here was an entire generation crying out for an evolved version of the things they were consuming as children. This demographic is now well and truly serviced in all facets of entertainment and the first and second childhoods have merged into a mainstream phenomenon.
Interesting to see that shooting of the film has been postponed again, to July now.
First it was to be late 2014, then it became February 2015, then March, then April, then May... then we got TPTB claim it had to be filming in June and now it's pushed back to July...
Remember the press releases about shooting in Korea, Karl Urban claiming he read the script, Bill Shatner being in it... All just nonsense and now we don't even have a script at all.
First Pegg claimed he had a script, now just a draft, which means his first script was not approved...
Mark my words, this movie isn't shooting in July either.
I'd rather have them push back the release date if that means we'll be getting a decent movie...
We'll see what happens.
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