I've posted twice in this thread before now, but I deleted those posts because I didn't want to deal with the TrekBBS SJW/PC brigade.
Social justice is defined as "...
promoting a just society by challenging injustice and valuing diversity." I wonder what kind of a person would think of that as a bad thing and throw the term around like it's some kind of slur, especially when it has fuck all to do with anything that's been discussed in this thread so far and is just a lazy catchphrase? Probably the same type of person who stupidly misuses the term PC when that has fuck all to do with this discussion either.
Sci-fi used to be a platform to explore the human condition. Movies are platforms to entertain, yes, but are also used to pose questions to the audience. "What would you do in this situation?"
The dilemma posed in this movie, and the action the protagonist takes, is squarely in that wheelhouse.
When did it become unacceptable to do this? So WHAT if it's morally ambiguous? That's the entire point. The movie explores those questions. Audiences gobble up movies where thousands die in the wake of superheroes battling, or eagerly dig into movies that feature morally-ambiguous villains, but if a movie shows the desperate action taken by a lonely guy who wakes up a female passenger, regrets it, and then has to deal with the consequences of lying to her (which includes getting beaten up by her) it's ZOMG THIS IS TERRIBLE IT'S CREEPY AND RAPEY AND ENCOURAGES RAPE CULTURE AND FEMALE OBJECTIFICATION *HEADS EXPLODE* Just because it's 2016, The Year of Being Sensitive About Everything(tm).
You're the one freaking the fuck out because people dare to disagree with your assessment of a fictional event, so who's being sensitive again?
I have absolutely no problem with moral ambiguity being explored, and I welcome it. The problem is that Chris Pratt's character 1) makes a selfish and monstrous decision for personal benefit, 2) lies and manipulates to continue to get what he wants out of J-Law's character, included sex and a romantic relationship under false pretenses, 3) when she finds out the truth he refuses to give her the space she wants to process her situation, instead constantly forcing himself on her again through little robots and PA announcements, and 4) in the end he is rewarded for his shitty, selfish behavior by having a relationship with her anyway. That's what I have a problem with, not morally ambiguous storytelling.
Remember Matt Damon's story in
Interstellar? Similar premise, he's lonely after being stuck on this planet so he tries to sabotage the mission to get the others to stay there with him. Yet, in that film he is the closest we come to an actual villain of the piece, versus Pratt never being treated that way here. Despite feeling sympathy for his predicament, you can't excuse his actions as a result, and he is not rewarded for them in the end.
Are we only to discuss the outcome in a positive light that agrees with your viewpoint? Because that would seem to go against the point of moral ambiguity.
Give me a break. If anything, the fact that the film devolves into a generic Hollywood paint-by-numbers action finale is the biggest flaw.
Yes, no shit. That's the whole point. It would have been better having a taut psychological thriller dealing with the fallout of Pratt's actions in the final act. You could have even made him a less slasher-filmy version of the Captain Pinbacher guy from the last act of
Sunshine. Turn his moral ambiguity into all out villainy as she refuses to forgive him for what he did.