Yes, we all know Kurtzman et. al. thinks we're idiots and unintelligent.
Last edited:
No, I first read about this in the early 2000s, it was the reasoning for making ENT a prequel as well. It was pretty widely believed that Star Trek had disappeared up it's own asshole by then, legions of insular fanboys didn't help matters.Sounds like the usual Kurtzman nonsense of zero respect for the audiences intelligence. Lots of examples of shows doing well with a lot of history behind them, especially scifi related stuff.
No, I first read about this in the early 2000s, it was the reasoning for making ENT a prequel as well. It was pretty widely believed that Star Trek had disappeared up it's own asshole by then, legions of insular fanboys didn't help matters.
The longer it goes on the more this happens with a franchise. Star Wars is ridiculous and self-referential but Trek is just as bad.A franchise that is waaaaaaaaay up its own ass? Star Wars. It's crazy.
Doctor Who is pretty ridiculous. It has a hard time moving on from Classic.The longer it goes on the more this happens with a franchise. Star Wars is ridiculous and self-referential but Trek is just as bad.
I've given up on that show. It isn't fun at all to watch. It's just a drudgery.Doctor Who is pretty ridiculous. It has a hard time moving on from Classic.
Gave up during Capaldi. It was last good with the Ponds.I've given up on that show. It isn't fun at all to watch. It's just a drudgery.
Gave up during Capaldi. It was last good with the Ponds.
The Clare storyline was the first that really didn’t work for me. It was like a stretched out Baker story. And then Capaldi’s Doctor was cruel. The actor had come off from playing a villain in Musketeers. He was much better in that show.The River Song arc was one of the most creative things that show produced (From the 2005- era). I gave up on it after the first season of Whitiker, and it wasn't Whitiker's fault. I was cheering for a woman doctor, but the writing let that season down.
Gave up during Capaldi. It was last good with the Ponds.
I thought Capaldi was a good Doctor let down by the writing (and I really wanted Clara to be eaten by Madame Vastra)
That speech is probably they most humanistic, the biggest heart's cry of humanity all in one moment. Capaldi nails it and when he says "I forgive you" I tear up. So many people yearn for that.There were a few good moments. In reading your post, I actually went back to watch what is probably my favorite Capaldi Doctor Moment:
Some Classic Who is good. Some hasn’t aged well. The stuff filmed outside looks the best. The studio lighting is a bit much in a lot of Who.Clara was my major turn off. I have tried to watch it on and off since, but I find myself less interested in the post reboot stuff and drawn back to the classic run.
Rather like Star Trek really - the nostalgia factor has far more pull than trying to watch the new stuff. P+ has just exacerbated this, especially now LDS (which was the only new Trek I actually went out if my way to watch on release) has been pulled from prime. Maybe I am just getting old.
So, this thought percolated in my mind and it's a funny old test. Now, I don't think the idea that there great pull towards older vs. newer means one is greater than the other. At least in my experience, I am more likely to go back to shows I enjoy, like TOS, or DS9, or non-Trek like MASH, or Golden Girls. That doesn't mean I like something less; just that something that is familiar will draw me easier. It's easier; I don't think it automatically makes on better than the other, other than familiarity.Clara was my major turn off. I have tried to watch it on and off since, but I find myself less interested in the post reboot stuff and drawn back to the classic run.
Rather like Star Trek really - the nostalgia factor has far more pull than trying to watch the new stuff. P+ has just exacerbated this, especially now LDS (which was the only new Trek I actually went out if my way to watch on release) has been pulled from prime. Maybe I am just getting old.
You might like "Under the Cloak of War."I can’t get into season 2.
Clara was my major turn off. I have tried to watch it on and off since, but I find myself less interested in the post reboot stuff and drawn back to the classic run.
Rather like Star Trek really - the nostalgia factor has far more pull than trying to watch the new stuff. P+ has just exacerbated this, especially now LDS (which was the only new Trek I actually went out if my way to watch on release) has been pulled from prime. Maybe I am just getting old.
NuWho and modern Trek have fallen into similar traps.
In Classic Who, the Tardis was just a plot device to put the characters into interesting settings. Once they arrived in Victorian London or the Twenty-Third Galactic Federation, time travel stopped being relevant to the plot. You can count on one hand the number of times Classic Who had a plot that involved manipulating history. But the modern series has embraced the timey-wimey nonsense to the point that you need a flow chart to understand some seasons.
With Classic Trek, the focus was usually on one planet or one spaceship. Doomsday machines and space amoebas were rare occurrences, and even then they were often limited in scope (i.e., the Whale Probe didn't care about the rest of the Federation). The TNG era was more willing to play with galaxy spanning threats like the Borg and Dominion, but those were treated as special cases. With modern Trek, however, the writers believe you can't have a season long arc unless the entire Federation is under threat at the minimum.
Both franchises would benefit from focusing on smaller scale stories where the plot is about competent heroes solving problems that affect interesting characters.
We use essential cookies to make this site work, and optional cookies to enhance your experience.