Right. I don't watch much TV. Several of the shows you mention I haven't seen yet but intend to watch eventually (For All Mankind & Foundation)
Foundation is pretty good.
For All Mankind… watch that show. Watch it. It’s beautiful.
Right. I don't watch much TV. Several of the shows you mention I haven't seen yet but intend to watch eventually (For All Mankind & Foundation)
The biggest contender to buy Paramount is Walmart, who doesn't have to worry about media consentration complaints unlike Apple, Amazon, Netflix, Peacock, etc...,
Why Walmart? Because they want to compete with Amazon with their Walmart+ subscription, which is why they already have a deal with Paramount to offer free Essential (ad supported) tier subscriptions for Walmart+ subscribers. Its just a matter of taking things to the next level.
https://www.google.com/amp/s/www.cn...rt-strikes-streaming-deal-with-paramount.html
Amazon should just buy Paramount.
FWIW, Bezos is a Star Trek fan.
season 1 was and then they had to ruin it by a certain plotlineFor All Mankind… watch that show. Watch it. It’s beautiful.
season 1 was and then they had to ruin it by a certain plotline
What didn't you like?
ruined might be a bit hyperbolic but those element really let the show down in my opinion with that said i'm still looking forward to season 4the danny karen sex thingand just the Steven's kid's in general
That's what they're doing and people bitch.Cut your budget. That's how you make a profit. Not by
That's exactly what they have been doing, cutting things.I honestly don't get it. These conglomerates can't seem to figure out what most people would call common sense. Cut your budget. That's how you make a profit. Not by throwing good money after bad. Nobody watches half the crap on these services, so why have it? Keep Trek, keep Yellowstone and the back catalogs. Have exclusive rights to CBS programming rebroadcast. Dump the rest.
Doubling down on what's working--you may like the concepts of the academy and section 31, but much of the fandom does not including the general audience. They want a followup of Picard, not academy or 31.On the Star Trek side of things obviously the Starfleet academy series and Section 31 streaming movie are up next; two things that I'm really looking forward to...
So they seem to be doubling down on what's working and cutting what's not.
Same here. And I'm hoping that once those are done they continue the variety of Trek with something that somewhat appeals (if briefly) to the Legacy group, even if it isn't Legacy.On the Star Trek side of things obviously the Starfleet academy series and Section 31 streaming movie are up next; two things that I'm really looking forward to...
I'm inclined to agree, but they're also striking the harsh balance of saving money and using existing assets. So Academy would benefit them, since those assets already exist, as well as potentially have scripts in place prior to the strike. Legacy type project does not.So they seem to be doubling down on what's working and cutting what's not.
When you say "much of the fandom does not... " what are you basing that on, what's said online?Doubling down on what's working--you may like the concepts of the academy and section 31, but much of the fandom does not including the general audience. They want a followup of Picard, not academy or 31.
Same here. And I'm hoping that once those are done they continue the variety of Trek with something that somewhat appeals (if briefly) to the Legacy group, even if it isn't Legacy.
A Trek for all, as it were, even if it takes time.
Yeah, the variety approach (as it stands now) can prove to be costly, I think.I'm inclined to agree, but they're also striking the harsh balance of saving money and using existing assets. So Academy would benefit them, since those assets already exist, as well as potentially have scripts in place prior to the strike. Legacy type project does not.
Indeed, yes. And I think the mixed approach is going to take time to really stretch out but I am more confident in the idea of "something for all" rather than "one size fits all."Yeah, the variety approach (as it stands now) can prove to be costly, I think.
Having one show set in the 23rd century, one set in the 25th century, and one set in the 32nd century I would say isn't really a money saving measure and an efficient use of existing assets. It would seem to me that they should pick one period and do their variety of different shows in that century.
They can do a serialized academy show, and a serialized exploring show, and an episodic exploring show (although these last two may be a bit redundant). Either way, just do them all in, say, the 32nd century. Throw in an animated show too, if they like...
So you can have your variety in different storytelling styles and subject matter, and you're also spending your money more efficiently.
Yeah, while I was never a fan of multiple shows set in different time periods, when the money was there to do that, when money was seemingly no object, they had that luxury.Indeed, yes. And I think the mixed approach is going to take time to really stretch out but I am more confident in the idea of "something for all" rather than "one size fits all."
Having one show set in the 23rd century, one set in the 25th century, and one set in the 32nd century I would say isn't really a money saving measure and an efficient use of existing assets. It would seem to me that they should pick one period and do their variety of different shows in that century.
They can do a serialized academy show, and a serialized exploring show, and an episodic exploring show (although these last two may be a bit redundant). Either way, just do them all in, say, the 32nd century. Throw in an animated show too, if they like...
Yeah, that all makes sense.I’d say focus on the 23rd century. The DIS sets were originally meant for the 23rd century and can be redressed to meet whatever requirement necessary (Walker class/Shepard class/other 23rd or 25th century ships; Klingon ships; alien starbases). This also makes it easier to fit them into a 25th century show, if it ever gets greenlit.
There are also stories from Short Treks they could finish telling on SNW (Pike’s cadet, Berellium & the Tholians; Pike original science officer, Lynne Lucero, and what became of her; Harry Mudd and the bounty hunters (Tellarite, Klingon, female, whatever) & Orion bodyguards after him; the V’drayash pod & Craft’s shuttle could become SNW’s version of “Future Tense”).
Some CGI assets from DIS/ST can be reworked to fit into SNW (Starbase 28, Hunhau ships, courier ships, the Emerald Chain ship Viridian, trance worms, Tuscadian pryosome). They can also use Iceland as a filming location for SNW too, like they did for DIS. And also film in the University of Toronto, like they did for that 24th century school in the ST prequel to PIC.
Plus, members of the DIS cast being special guest stars on SNW (because of the Mirror Universe/Confederation/alternate timelines/insert other idea here) will mean much more than holograms of the SNW crew in the 32nd century.
The 23rd century currently has more goodwill and more momentum. You go where the momentum is, and there is no momentum with Disco. If there was, they would have reworked the Starfleet Academy idea into a sixth and possibly seventh season of DIS. Give Disco & the 32nd century a break and maybe people will miss it enough that there will be some tv movies with them. I know that they had a few ideas for DIS episodes they wanted to do they never did (Desperate Hours type story, a story based around the Tartigrade Ephraim, returning the Pavho, etc.). Such ideas could be made as tv movies down the line when they have the money to put behind more production, and can meet expectations as to what the 32nd century should really be like.
The only problem with the 23rd century though is that you're more than likely going to start to run into "canon problems" (for the people who care about canon). Strange New Worlds is already doing it and Discovery already did it.
I also believe you limit yourselves from a storytelling point of view. Because you can't really do much of anything new or of any significance because it doesn't show up or is mentioned afterwards. So what you're really doing is just a show or series of shows that fill in the blanks leading up to 1966. You're doing prequels and not pushing anything forward.
They could do shows set in the 25th century, that would push things forward a bit. But Discovery went to the 32nd century, so what do you just leave that there? (Rhetorical question) Also, the 25th century just looks like a slight modernization of the 90s Star Trek. It doesn't feel like a big push. So they have to choose, do they want to take a small step or a big step.
No. Because it's about money not about potential or momentum.If there was, they would have reworked the Starfleet Academy idea into a sixth and possibly seventh season of DIS
Yes.25th century answers all the lingering questions from '90s Trek. Once that concludes, they could jump ahead 150 years to the 26th century
No.and the Ent-J
Sure. Or find an ancient wormhole that jumps to another galaxy.They could journey to the Andromeda galaxy or another nearby galaxy.
Only Uhura knowing does.mean, Uhura and Chapel knowing who T’Pring is already clashing with continuity.
This is Star Trek in it's past. When Bruce Springsteen wrote "Glory Days" he was actually talking about Star Trek.You're basically just forever living in the past.
Yeah, that all makes sense.
The only problem with the 23rd century though is that you're more than likely going to start to run into "canon problems" (for the people who care about canon). Strange New Worlds is already doing it and Discovery already did it.
I also believe you limit yourselves from a storytelling point of view. Because you can't really do much of anything new or of any significance because it doesn't show up or is mentioned afterwards. So what you're really doing is just a show or series of shows that fill in the blanks leading up to 1966. You're doing prequels and not pushing anything forward.
You're basically just forever living in the past.
Of course, they can simple say it's a different timeline, but for some reason they don't want to do that.
I already do that though. The JJ Abrams movies are the Kelvin timeline. And Star Trek: Discovery and Star Trek: Strange New Worlds I consider the "Discovery timeline," my own made up timeline. And Picard is in the Prime timeline and not part of the Discovery and Strange New Worlds timeline.
(I don't like Picard so that's how I make it "not count" -- I just say it's not part of the timeline of the shows that I like so it doesn't count.).
Anyway, mainly I think they're going with the 32nd century because that seems like what Alex Kurtzman wants to do. And he's the boss right now, so what he says goes.
They could do shows set in the 25th century, that would push things forward a bit. But Discovery went to the 32nd century, so what do you just leave that there? (Rhetorical question) Also, the 25th century just looks like a slight modernization of the 90s Star Trek. It doesn't feel like a big push. So they have to choose, do they want to take a small step or a big step.
I of course say take a big step. Really push forward.
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