In my opinion this episode is a forgotten gem, although I can’t say I enjoy watching it. To be honest whenever that woman spoke I wanted to strangle her (Kai Winn provoked that same reaction, but I digress).
When I first watched it, (which was only a couple of years ago when we bought all the seasons on DVD) I experienced some of the same kind of shock that Pale Moonlight provoked. In ITPM I couldn’t believe Star Trek was saying ‘the end justifies the means’, and in Paradise I was surprised to see the small, tightly knit ‘traditional’ community being so negatively portrayed. Incidentally, I believe the end does justify the means and that there is definitely something I find ominous about the small community. If fact I find any kind of manipulation ominous.
There are many different kinds of episodes: dramatic, comical, action centric, scifi centric, character centric, but when I actually did an inventory there aren’t that many that made me think. Paradise made me think more than pretty much any other episode of DS9. It just presents such an interesting and complex sociological issue. I was ambivalent then and I’m still ambivalent now. I’m still digesting it.
I also like to see characters like Alixus in the Star Trek universe.
The Federation is portrayed as some kind of Marxist utopia (they’re atheists, they have no money, and they ‘work to better themselves and the rest of humanity’). Gene’s vision of the future of humanity is a very optimistic one, but I’d say it’s a very inaccurate prediction. (But then, it probably wasn’t intended to be. To paraphrase Cassidy Yates, it shows how things could be and should be). Anyway, when we see characters like Alixus, Fullerton, Eddington and Tom Paris (although they cleaned Tom up later on), these malcontents who aren’t satisfied within this utopia, it just adds a touch of realism to the whole thing.
Any thoughts? (Yes, Josh_Lyman, that was meant for you
)
When I first watched it, (which was only a couple of years ago when we bought all the seasons on DVD) I experienced some of the same kind of shock that Pale Moonlight provoked. In ITPM I couldn’t believe Star Trek was saying ‘the end justifies the means’, and in Paradise I was surprised to see the small, tightly knit ‘traditional’ community being so negatively portrayed. Incidentally, I believe the end does justify the means and that there is definitely something I find ominous about the small community. If fact I find any kind of manipulation ominous.
There are many different kinds of episodes: dramatic, comical, action centric, scifi centric, character centric, but when I actually did an inventory there aren’t that many that made me think. Paradise made me think more than pretty much any other episode of DS9. It just presents such an interesting and complex sociological issue. I was ambivalent then and I’m still ambivalent now. I’m still digesting it.
I also like to see characters like Alixus in the Star Trek universe.
The Federation is portrayed as some kind of Marxist utopia (they’re atheists, they have no money, and they ‘work to better themselves and the rest of humanity’). Gene’s vision of the future of humanity is a very optimistic one, but I’d say it’s a very inaccurate prediction. (But then, it probably wasn’t intended to be. To paraphrase Cassidy Yates, it shows how things could be and should be). Anyway, when we see characters like Alixus, Fullerton, Eddington and Tom Paris (although they cleaned Tom up later on), these malcontents who aren’t satisfied within this utopia, it just adds a touch of realism to the whole thing.
Any thoughts? (Yes, Josh_Lyman, that was meant for you
