Seeing as most of the galaxy is no longer ruled by an oppressive dictatorship, I thought TFA was pretty happy. Sure poop still happens, evil exists, it corrupts, good people have to rise up to stop it, but otherwise it wasn't all doom and gloom.
Aside from the fact that happy endings aren't particularly realistic, as others have said, who is to say the characters weren't happy in their new role. Not everybody desires to be with the woman (or man) of their dreams and have 2.5 perfect children.Namely, is anyone else, besides Rob Bricken, disgusted by what TFA and the new canon did to Han, Luke, and Leia? They may have done a lot of beings in the galaxy a great lot of good at Endor, but we now know there's no happy ending for them
Once you figure out a way of objectively measuring what courses of action lead to the most amount of happiness, please let me know!Han and Leia's son becomes a school shooter (or "cutter", I guess), they break up, and Luke pulls a Yoda/Obi-Wan and apparently futzes around and meditates as the Empire builds a new Death Star and decimates several planets. It pretty much seems everyone would be happier if they'd gone their separate ways after the Ewok party, and never seen each other again.
Not me. Adversity is the spice of life, and characters who don't face any sort of drama are pretty boring characters. Besides, Obi Wan and Yoda didn't exactly have a happy ending after the prequels, so the fates of the original three seems pretty consistent.Even apart from my indifference to TFA as a flick, I'm not sure I can forgive this, and enjoy the next Episodes. If the necessary price to pay for competently made RotJ sequels was the ruination of our Big Three's lives, for myself at least, I suspect that price was too high.
Anyone else?
After the annihilation of billions of innocent, peaceful civilians, though, right?it was a lighthearted space fairy tale about sneaking through a castle to rescue a princess
However, given the arc of, say, The Children of Húrin, that wouldn't be an unexpected development from Tolkien.I for one don't need a Middle Earth sequel in which Samwise's son starts worshipping Melkor, murders his hobbit classmates, and a new dark wizard destroys all of Gondor in one shot...
You mean like this sentence, from that very same post?After the annihilation of billions of innocent, peaceful civilians, though, right?
Showing an open, operational, and years-long stable Jurassic resort was all by itself more original than everything in TFA. Deal with it.I certainly don't see how humanizing and making our "heroes" more complex and flawed is somehow less "inspired" than the running-from-a-T-Rex-in-heels Jurassic World, though. I nearly stopped reading the thread after that assertion.![]()
Well, again, I couldn't help but feeling while watching the movie that this story only existed to print more money, not because anyone had a compelling, original story to tell, because I didn't see a shred of originality anywhere. And I'm not saying that I would have objected on principle to any new story that showed darkness creeping back into the universe, either. I love Timothy Zahn's Thrawn trilogy in large part because it takes its time building up a threat - the Empire is largely contained, and it's only the quadrutrifecta of Thrawn's tactical brilliance, his discovery of C'Boath, his tracking down the Katana Fleet and his clone production that eventually becomes a major threat. Obviously, it was too late to adopt the Thrawn trilogy in any straightforward manner, but the franchise showrunners could very well have taken inspiration from the pace of that series. Instead, we got a frantically paced hard reset, which makes the Empire a major threat again over the course of a subplot.I say things worked out well after ROTJ. If they worked out any better, there wouldn't be a need for more movies.![]()
Since the main SW series is meant to be the Skywalker family's story, they really need something to make the conflict personal for them, having one of the bad guys be a fallen Skywalker Jedi gives them exactly that.... Which I don't even necessarily loathe in of itself, either. It's really the specific, and entirely avoidable tragedy, of Han and Leia's only kid going bad and murdering his peers that alienated me. It just struck me as the most gratuitous and laziest path to yanking us back to ANH's galactic status quo, the OT heroes be damned.
I don't see that as a compelling reason to have Han and Leia's son become, again, a school shooter
his discovery of C'Boath
So, I have a question. What would you have preferred? Thrawn trilogy? Even in the EU, the heroes don't have a happy ending.You mean like this sentence, from that very same post?
Funny, I seem to remember a movie called Star Wars ending with hugs, smiles, and an awards ceremony, even though an entire planet of people had been murdered just a day or two before...
Which is my exact response to those praising the new Skywalker tragedy as "realistic", and therefore inherently good. Star Wars has never been much concerned with realism on an emotional level, so I don't see that as a compelling reason to have Han and Leia's son become, again, a school shooter, one of the most painful and miserable kinds of evil there is.
Showing an open, operational, and years-long stable Jurassic resort was all by itself more original than everything in TFA. Deal with it.
Well, again, I couldn't help but feeling while watching the movie that this story only existed to print more money, not because anyone had a compelling, original story to tell, because I didn't see a shred of originality anywhere. And I'm not saying that I would have objected on principle to any new story that showed darkness creeping back into the universe, either. I love Timothy Zahn's Thrawn trilogy in large part because it takes its time building up a threat - the Empire is largely contained, and it's only the quadrutrifecta of Thrawn's tactical brilliance, his discovery of C'Boath, his tracking down the Katana Fleet and his clone production that eventually becomes a major threat. Obviously, it was too late to adopt the Thrawn trilogy in any straightforward manner, but the franchise showrunners could very well have taken inspiration from the pace of that series. Instead, we got a frantically paced hard reset, which makes the Empire a major threat again over the course of a subplot.
... Which I don't even necessarily loathe in of itself, either. It's really the specific, and entirely avoidable tragedy, of Han and Leia's only kid going bad and murdering his peers that alienated me. It just struck me as the most gratuitous and laziest path to yanking us back to ANH's galactic status quo, the OT heroes be damned.
And I guess I'm a bit surprised that so many seem fairly chill about that plot point in a time when so many people are still fuming over Clark killing Zod in Man of Steel. (Which I wasn't thrilled with either, from a narrative perspective, but in its own lame context didn't strike me as totally outrageous, and far from the biggest problem with that movie.)![]()
I see your point, and that might be an interesting film. Actually, I could see that working well as a lower budget scifi, set shortly after the Empire's fall.^ Honestly, I would have been perfectly happy not having post-RotJ episodes at all, and I saw the movie more out of a sense of pop-culture duty than enthusiasm. If we accept Episode VII/more Star Wars as an inevitability, though, I already sketched out a story I'd have preferred in post #12 - have Rey be the main protagonist (i.e., no Finn or Poe or Han/Chewie), and the whole movie take place in some backwater world (that doesn't look pretty much exactly like Tatooine). Maybe sprinkle hints of a resurgent Empire here and there. At the end, Luke and a few of his Jedi swoop in and help save the day from a reprehensible but fairly limited-scale injustice, and she accepts an invitation to join his academy.
In Episode VIII, the New Republic can face a serious attack, maybe by Thrawn himself. Leia appears in a scene or two in the Mon Mothma authority figure role; Han appears in a scene or two as a top military leader. Luke and his trainees have to split up to cover more investigative ground, and maybe he gets captured and Rey teams up with one or two Solo children to both complete the mission and recue him. Maybe they don't by the end of the movie, and are themselves just barely rescued by Han's forces.
In Episode IX... well, I'll leave it at that for now. In short, I offer a lot less Han and Leia, a lot less droid stuff, less behind-the-scenes stuff of the Empire, and much smaller-scale action (in the first sequel, anyway). A cheaper, shorter, one-planet Ep VII to start with, that doesn't have a rollercoaster pace.
Would it have made a lot less money? Indubitably. Would it be less well-received, even by fans? Judging from this thread, probably, yeah. But no one would have called it an ANH rehash, and it wouldn't have ruined the lives of our Big Three.![]()
Your Thrawn's dead, son.
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