What do you as an author of the novelization do when you stumble across a glaring inconsistency in a film script? Do you have to ask for permission before you try to explain it?
You don't want to put so much effort into explaining it away that you call attention to the plot hole or whatever
Hey, nothing will ever top those majestic views of the Cascade Mountains in Rumble in the Bronx . . . .
Yeah, it was cool the way they moved the Atlantic coast inland 1,500 miles."Smallville" of course had Metropolis in Kansas![]()
Did we ever see the ocean? I remember that Smallville's "Metropolis" had a waterfront, but I always rationalized that there was a major river running through the city . . . .
(The occasional glimpse of pine forests were a little harder to explain away!)
Not if, like in Smallville, that education included how to make sure he doesn't accidently crush lovers to death in the heat of the moment.Travelling the world his father sent him to is of as much value as any teaching his father could program an AI tutorial to provide.
Not if, like in Smallville, that education included how to make sure he doesn't accidently crush lovers to death in the heat of the moment.![]()
So I guess no one has bought and read Greg's novel since we keep jumping off topic? I've started it and it's tremendous. Very close to the script indeed.
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