I think you mean @Dayton Ward and @JJMiller.I just remembered a Planet of the Apes related question I've been meaning to ask @Greg Cox, @Dayton War, and @JJM. How hard would the stories in Tales from the Forbidden Zone be to follow for someone who's only seen the first two original movies, and has a passing familiarity with the rest of them? Can I read it now, or should I wait to read it after I've at least seen the rest of the original movies?
Oops, yeah I was in a hurry as I left for work, so I didn't notice my errors. Thanks.I think you mean @Dayton Ward and @JJMiller.
I wasn't sure if you would know about BvS, but I just thought I'd ask since you wrote two of the DC novelizations right before it.Honestly, I have no idea why Batman vs. Superman didn't get a novelization. I never pressed Titan for an explanation, which was none of my business. In the meantime, I hear that Nancy Holder is doing the novelization for Wonder Woman.
Hmm, I just found another PotA book from Titan on Amazon, Death of the Planet of the Apes by EG Gaska. There's no description or anything, so I have no idea if this is a new or old, or which version of PotA it's connected too..
Oh, OK good to know. I saw Conspiracy when I was looking through the PotA stuff on Amazon the other day, but thought it was another Boom! Studios comic. I didn't really pay much attention to it when I saw it was only available through third parties.
So is the lack of tie ins for the original NCIS due to Bellisario's rule against tie ins? I don't remember the details, but I remember somebody saying Bellisario refused to allow tie ins to his shows after he was unhappy with some Quantum Leap books.
I was pretty disappointed by how little the McConnell novels jibed with the show. Maybe stuff like whether Sam's body or spirit was leaping through time wasn't very clear when McConnell was writing her books, but it was sure clear by the time they were published.I wonder if those were the Ashley McConnell novels. I actually thought they handled the series' core concepts more intelligently than the show itself did.
It's lavishly illustrated, but it's a prose novel that, among other things, explains how Milo managed to salvage Taylor's ship in time for he and Zira and Cornelius to ESCAPE later on.
There'd have to be rather more than salvage involved. That thing wasn't designed or equipped to launch out of a gravity well on its own, so this preindustrial ape civilization would've also needed to devise the means to build the equivalent of a Saturn rocket, its gantry and launch facility, the vehicles and machinery to move it into place, the refineries to make its fuel, etc. It's completely nonsensical. Not that the filmmakers really had much choice -- they were trying to make a sequel to a film that was pretty much sequel-proof, so they had to make a pretty huge retcon. Really, none of the first four films were intended to have sequels, so every film after the first had to retcon something to enable it to exist at all. But the contrivance of the salvaged and relaunched space capsule is so enormously absurd that I'd be amazed if there were any way to make any real sense of it.
I heard that Bellisario's unhappiness with some of the Quantum Leap novels was compounded by further dissatisfaction with the JAG novels that came out during that show's run. In fairness, they didn't really reflect the tone of the show that well.
There's another story in the new anthology, "Milo's Tale" by Ty Templeton, that offers another explanation: that Milo was actually from a different, more technologically advanced ape culture very different from the one seen in the movie . . . .
There's another story in the new anthology, "Milo's Tale" by Ty Templeton, that offers another explanation: that Milo was actually from a different, more technologically advanced ape culture very different from the one seen in the movie . . . .
That's a pretty interesting idea. Watching the first two movies I did wonder what Ape societies were like in places other than Ape City and it's surroundings we saw in those movies.Wow, that's a pretty huge retcon in itself. Ape-lantis, perhaps?
Although now that I think about it, it's not so implausible. The movies' ape culture was preindustrial and insular; maybe they hadn't made any sea voyages to other continents and were out of contact with the more advanced ape civilization elsewhere. Although the question of why that more advanced culture didn't make contact with them would remain.
Heck, this would almost allow reconciling the animated series with its ape civilization at a 20th-century tech level. Except that civilization had its own Dr. Zaius, Cornelius, and Zira, which would be a hell of a coincidence.
I'm assuming McCullough is Woody Harrelson's character.Driven from their woodland home, Caesar and his apes are still recovering from the takeover by renegade ape Koba. Caesar is desperate to avoid war with the humans, but this is a faint hope, as his enemies are about to receive military reinforcements headed by the ruthless Colonel McCullough.
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