Re: One thing that irked me about the Destiny trilogy. *spoilers insid
Where the hell did that come from? Why are you making this about me? I was commenting on an incongruity based on my understanding of Roddenberry's own approach. And I don't think "He just didn't care" is a sufficient explanation. It's basically circular argument. Why didn't he care?
I can think of several possible answers to my own question. Maybe it was because the Q portions of "Farpoint" were a late addition when the decision was made to expand it from 90 minutes to 2 hours. He was rushed to come up with something, so he just dredged up a hackneyed old "powerful aliens testing humanity" trope, when in more ideal circumstances he might've come up with something different. Part of it, clearly, was that he wanted to get on a soapbox and talk about how wonderful and perfected 24th-century humanity had become, so he needed someone to challenge us, so maybe in that instance his desire for humanist polemic overrode his desire for scientific credibility. Nothing to do with SF vs. fantasy, just about realism vs. the storyteller's need for poetic license. That's a balance even the most committed hard-SF writer must try to strike.
To be honest, Roddenberry was rarely as successful at living up to his aspirations as he wanted to be, particularly that late in life. So if inconsistencies show up in his work, I don't think it's due to generally not caring about them, but more likely about not being as capable of avoiding them as he would've hoped to be.
Hey, don't blame me for that. I was responding to Sci's suggestion that the letter Q per se -- the letter itself, not something it means -- was somehow directly equivalent to the Q's name for themselves.
And that is just the sort of thing I was advocating, an explanation that's actually based in the meanings of the letter Q rather than its sound or shape or something. Heck, that's basically an expansion on the explanation I already gave in The Buried Age, and a pretty good one.
Just because you don't feel a need for it doesn't mean it's objectively useless. For many readers (myself obviously included), it's very important for their fiction to make sense, and you have no right to say that your approach as an audience member is more intrinsically correct than theirs.
That doesn't make your creative impulses or his creative impulses superior or inferior.
Where the hell did that come from? Why are you making this about me? I was commenting on an incongruity based on my understanding of Roddenberry's own approach. And I don't think "He just didn't care" is a sufficient explanation. It's basically circular argument. Why didn't he care?
I can think of several possible answers to my own question. Maybe it was because the Q portions of "Farpoint" were a late addition when the decision was made to expand it from 90 minutes to 2 hours. He was rushed to come up with something, so he just dredged up a hackneyed old "powerful aliens testing humanity" trope, when in more ideal circumstances he might've come up with something different. Part of it, clearly, was that he wanted to get on a soapbox and talk about how wonderful and perfected 24th-century humanity had become, so he needed someone to challenge us, so maybe in that instance his desire for humanist polemic overrode his desire for scientific credibility. Nothing to do with SF vs. fantasy, just about realism vs. the storyteller's need for poetic license. That's a balance even the most committed hard-SF writer must try to strike.
To be honest, Roddenberry was rarely as successful at living up to his aspirations as he wanted to be, particularly that late in life. So if inconsistencies show up in his work, I don't think it's due to generally not caring about them, but more likely about not being as capable of avoiding them as he would've hoped to be.
Wow, that's a really Anglocentric way of looking at it.
Hey, don't blame me for that. I was responding to Sci's suggestion that the letter Q per se -- the letter itself, not something it means -- was somehow directly equivalent to the Q's name for themselves.
You could just as easily argue that he chose it to describe "who" and "what" he is because those words start with Q in multiple human languages (quem, qui, qua, que, and so forth), or choose some other arbitrary word(s) in some other language(s) spoken by one or more of the characters he encounters, whose meaning you could somehow tie into the way Q presents himself...
And that is just the sort of thing I was advocating, an explanation that's actually based in the meanings of the letter Q rather than its sound or shape or something. Heck, that's basically an expansion on the explanation I already gave in The Buried Age, and a pretty good one.
...but that's all just a bunch of useless imposition of order on a character/concept that (as Sci points out) doesn't really need to be explained or simplified this way.
Just because you don't feel a need for it doesn't mean it's objectively useless. For many readers (myself obviously included), it's very important for their fiction to make sense, and you have no right to say that your approach as an audience member is more intrinsically correct than theirs.