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Nikon DSLR Lens advice?

TrekkieMonster

Commodore
Commodore
Hey gang, wondering if any of you who might be Nikon DSLR users might be able to give me your thoughts on lenses: your choices, your dream lenses, pluses and minuses, etc.

A little background: I was something of a photographer way back in the misty past, in the age of film and dark rooms. Made some money at it, too. But, I ended up selling nearly all my cameras, lenses and darkroom equipment over time to pay for college and law school. Decided it's time to get back into it. Not looking to go pro; this is just for my enjoyment.

After much research and comparisons, I've decided on the new(ish) Nikon D7000. I understand the limitations of the cropped sensor, but believe that's all I'll really need for some time to come; I have a LOT to learn and re-learn.

The problem I have now is, I have total "research paralysis" regarding lenses. I've often heard the maxim that you should spend your money on the best glass you can afford. I'm willing to drop some change on lenses; not a fortune, but a good sum.

The D7000 comes with an 18-105 kit lens that is said to be
fine", but nothing stellar, and rather cheaply made. I definitely need a decent "walk-around" zoom, and plan on getting at least a couple primes. I'd also ideally like to get a good telephoto or telephoto zoom, as we travel quite a bit.

I'm definitely getting the little 35mm f 1.8 (which is the equivalent of the good ol' "nifty fifty" on a 35mm body). I'm seriously looking at the 16-85 f 3.5-5.6 zoom or the new 24-120 f4, both with VR, as the walk around. I like the long end, nano coating, etc., on the 24-120 but am worried the wide end won't be wide enough (equivalent of 36mm on the DX sensor), and it's a little spendy (approx. $1000 with current rebate), but I'd be willing to drop that for a good walk-around, if it's really that good.

I'd LOVE to pair the walk-around with the new 70-200 f 2.8 VR, but the $2K (with current rebate) is a little much for me to consider dropping on a single lens, especially one that would not be the primary walk-around.

The biggest problem/question I have about any lens, though (zooms especially), is ... WTF is up with all the distortion with every single lens out there, and how do you deal with it? Do you just run every single bloody picture you take through Photoshop (or equivalent) to get rid of the barrel or pin cushion? Seems absurd, but apparently a necessity. I don't recall this being such an issue back in my 35mm film days, but maybe I just have selective memory.

So, I guess I'm actually asking two questions: how do you deal with the distortion and is it a big issue for you; and what lenses do you have/love/lust after, and what are their relative strengths and weaknesses? I'm probably willing to spend about $2K to $2500 on lenses to start. I'd love to stick with Nikkor, to start, but have been looking at the major 3rd party players, as well. It just seems like, from what I'm reading, even the best Tamor, Sigma, Tokina are affordable but don't match the Nikkors for IQ or build quality (understandably.) I'd love to know thoughts on this, as well.

Sorry to be so long-winded. I just know my friends here tend to have a lot of experience and opinions (on TBBS, say it ain't so :p ) and I thought some of you might like to share, but know people like to have the background. Thanks in advance for any advice, info, guidance you may be able to offer. Ready, set, go! :)
 
Hey,

I'm no photography expert... just a casual photographer who shoots a Nikon D90. I have a couple of lenses outside of the stock lens (18-105). I have the Nikkor 70-300 f4.5-5.6 VR and a Tokina 11-16 f2.8. I can't comment on the lenses you're looking at because I don't have any experience with them, but if you're ever looking for a wide-angle, definitely consider the Tokina... that lens is my favorite, and although it takes good deal of practice to take really nice photos with it, when you do, they are entirely worth it.

For the distortion, in my opinion, the only time you'll really see distortion is at the long end of the zoom lens, and it will only be really noticeable in certain photographs. If it does become something that you feel you need to correct with Photoshop, the corrections are pretty easy to integrate into your workflow. That said, even with my telephoto, I rarely have to perform that kind of correction on any of my photos.
 
Rob, thank you so much for your comments. I really appreciate your thoughts. And, you probably won't believe this but, after a bunch more research today I think I've pretty much decided on my lense "collection" (though, if I keep researching, it could easily change tomorrow ;) ): Tokina 11-16 f/2.8, Nikkor 24-120 f/4 VR, Nikkor 35 f/1.8 and Nikkor 70-300 f/4.5 VR, although my budget probably means I'll have to hold off on the tele (and possibly the 35mm) in favor of the 12-120 as a "walk-around" for now (though the reviews of the tele are surprisingly glowing, especially on the D7K sensor.)

But, I've read several great reviews today of both the Tokina in general and the 24-120, particularly on the D7K sensor. They basically say the smaller sensor takes full advantage of the "sweet spot" of the lens, getting all the sharpness, no vignetting and very little of the distortion, other than some small amount of expected barrel at the 24 end, that's easily fixed.

It's nice to hear someone else who likes the Tokina and the 70-300.

Also, as you've quite rightly said, I'm coming to understand that remedying distortion may well not be quite as bothersome a process as I'd feared, with the right software. And, as I realized in conversing with my cousin on this subject, I suppose I shouldn't complain about the need to do a little post-production editing; at least I won't have to develop the film and then make the prints in the darkroom (though I may miss that process a bit.) ;)

Thanks again for your input. I really appreciate it. Your comments, along with some of the other real life user reviews I've read today have helped take me a long way from the ledge I was about to jump off this morning. :lol:

I'm back to being excited about this purchase again! :techman:

Oh, and I'm definitely still interested in hearing other thoughts on the topic. Cheers!
 
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I just wanted to say thanks once again, Rob Hal. Your comments really helped me straighten my head out.

Took the plunge on Friday and got the D7000 with the 24-120 and 70-300, and have the 35 on back order. Couldn't resist the tele; with Nikon's current instant rebate it was just over $300. I'm happy with the choices. The 24-120 is incredibly sharp and the AF like lightening (except in very low light). Only ..., now I'm really thinking I definitely need something wider than 24mm for in-door shots. The Nikons are just too expensive for the questionably and marginally (at best) higher quality as compared to the Tokinas. Just trying to decide between the 11-16 and the 12-24. Seems nearly everyone agrees that the 11mm is the better lens, but the 12mm is a close second, IQ wise. Really want the 11mm, but am concerned about what I'll do about the 16-24 range. Unfortunately, I don't seem to have a brick-and-mortar store near me that carries them to try them out.

But, I guess there are weightier problems in the world, though, right? ;-)

Anyway, thanks for letting me ramble. Looking forward to learning what all this baby is capable of.
 
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