The Flash - "Elseworlds, Part 1"
Barry/Flash: His relationship with Iris is and will always be the best developed, most honest/interesting relationship of this group of connected DC series by far.
Kara/SG: "Cat was scarier" --about the demand for SG to reveal her true identity. Heh-heh ...and no, she was not being facetious. Cat could make nor has the resources to make her life a living nightmare like a president (and the SG PLOT implies that's around the corner). In any case, at least there was a reference to the current SG storyline.
Clark/SM / Lois: Lois calls Clark "Smallville"--a carryover from a couple of Superman adaptations, the WB/"Timmverse" Superman: The Animated Series cartoon among said adaptations.
Tulloch's Lois Lane was fine in appearance--just what one would imagine in another Lois Lane casting, but she was going a bit overboard in trying to channel the talkative Lois personality seen in the performances of Dana Delany from the WB Superman cartoon, and obviously, the late Margot Kidder. Each actress to take on the role before always worked to make that role their own, and I've seen enough of Tulloch's other roles to know she can be as original as she desires, so, i'm hoping she steers her Lois away from the cloning seen here.
The Monitor & John Deegan: Even in Lamonica Garret's few on-screen seconds as the Monitor, he seemed to be moving his performance toward the Brolin/Thanos zone (and no, the Wolfman & Perez creation was not based on, or inspired by Jim Starlin's villain, so if anyone thought there should be some comic book "lineage", in appearance/performance, there should not be).
NOTES: Body/identity swapping stories are among the most overused tropes in popular media, rarely executed with any creative effect worth remembering, and it maintained that reputation here, making the coming resolution to this problem more than welcome.
Amazo and the fight FX...early 2000s video-gamey.
Really looking forward to Batwoman. In keeping with some Bat-performances / interpretations, I hope the disrespect of the other heroes comes into play before everyone gets all nicey-nice.
GRADE: Edging between C+ and B-. The body/identity/reality swapping was an obvious plot device, but its use here was the very thing keeping this first part in this "floating" grade.