I think that was Don's suitcase. I think the airline lost his luggage, so they sent it to his home.
Don is so wound up, something has got to crack. What kind of guy hangs around the pool wearing a suit and tie and insisting that his colleague not even think about swimming? Good Lord! I've been waiting for this for a long time now, and it was a less extreme crack-up than I expected. I wouldn't be surprised if something similar hits Betty soon...and Peg...and Pete...and Sal the closet-case...all these characters are in the same situation.What the hell? Am I missing something?
He's so repressed that it's unclear what his personality is at this point. The dramatic tension is us waiting for him to crack open wide enough that we finally see who the frak he is. And in that regard, he's not all that much different than the other major characters. Well, except for Joan and Roger Sterling, who seem to be more their own persons and suffer less from repression, and Paul Kinsey, who is going to become self-actualized by his experiences with the civil rights movement, no doubt. When he comes home, I expect to see a changed man.Don's got zero personality except for brooding and douchebaggery.
I've been waiting for this for a long time now, and it was a less extreme crack-up than I expected. I wouldn't be surprised if something similar hits Betty soon...and Peg...and Pete...and Sal the closet-case...all these characters are in the same situation.
That would be a very bad thing. This show more than any other I can think of succeeds because of the sum of its parts, not just because of one element being outstanding, the stories, actors, etc. You have to have the whole package or it will fall apart. I can easily see this show becoming a sad parody of itself in the hands of people trying to re-create what Weiner has done.But the question of who will be at the helm of the show next season is still unanswered, as the drama continues behind the scenes in negotiations between "Mad Men" producer Lionsgate and series creator-exec producer Matthew Weiner.
I didn't even manage to get through the first episode, first time round. I just didn't like anything about it. I'm gonna give it another go when the repeats air, just in case it was just the mood I was in that day or something.Help me out here, I'm three episodes in. I'm not into it. This show makes me feel miserable. It's the most serious thing I've ever seen, I'm just wondering if I should keep going? Does it change in tone or theme, or is this it more or less? I was hoping it would focus on the world of advertising in the 1960s, but it's mostly about who gets to pound Peggy.
I actually thought that scene was pretty cool. The Euro jet-set foks come off as a bit creepy and sinister, like they might harvest Don's kidney's while he's drugged, but at the same time, I like their care-free hedonistic lifestyle. It's a refreshing to see a world that's not phony or repressed for a change. This was my favorite episode of the series.This weird jet setting European/American family who are so captivated with him at a glance that they invite a stranger into their home and daddy says, "Cool, you took my bed? That's okay, pumpkin. You had dinner with him first."What the hell? Am I missing something?
I was expecting that too.I've been waiting for this for a long time now, and it was a less extreme crack-up than I expected. I wouldn't be surprised if something similar hits Betty soon...and Peg...and Pete...and Sal the closet-case...all these characters are in the same situation.
I was almost expecting the show to go all the way with the MILF/pedophile storyline...
Keep going. It really starts picking up in episode 5 of season one. You get some insight into why Pete is the way he is in episode 4. Definitely keep going. It picks up. I promise.
Help me out here, I'm three episodes in. I'm not into it. This show makes me feel miserable. It's the most serious thing I've ever seen, I'm just wondering if I should keep going? Does it change in tone or theme, or is this it more or less? I was hoping it would focus on the world of advertising in the 1960s, but it's mostly about who gets to pound Peggy.
I actually thought that scene was pretty cool. The Euro jet-set foks come off as a bit creepy and sinister, like they might harvest Don's kidney's while he's drugged, but at the same time, I like their care-free hedonistic lifestyle. It's a refreshing to see a world that's not phony or repressed for a change. This was my favorite episode of the series.This weird jet setting European/American family who are so captivated with him at a glance that they invite a stranger into their home and daddy says, "Cool, you took my bed? That's okay, pumpkin. You had dinner with him first."What the hell? Am I missing something?
Help me out here, I'm three episodes in. I'm not into it. This show makes me feel miserable. It's the most serious thing I've ever seen, I'm just wondering if I should keep going? Does it change in tone or theme, or is this it more or less? I was hoping it would focus on the world of advertising in the 1960s, but it's mostly about who gets to pound Peggy.
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