"Sonic Boom Sound-Off": Too much emphasis on Adam's physiological distress during flight training. I also don't care for their graphics illustrating a sonic boom -- it wasn't portrayed right, as a conical pressure wave forming ahead of the projectile and sweeping back. It just showed a field of expanding sound waves moving backward from the rear of the bullet, which is totally wrong. The sound waves are moving forward and outward, but the bullet is outpacing them, so they compress together into a conical shock front.
Looks like they got that head-on high-speed footage of the approaching bullet going down the glass corridor by putting a mirror at the end and pointing a camera at it. In the final shot, when the glass was just half an inch from center, it looked like the bullet or shrapnel hit the mirror and broke it.
Oh, and they built another of their little red houses out in the middle of nowhere! Aww.
It was hilarious watching the sonic booms break everything but the glass. The only glass that broke was a sheet that was confined within a frame in a solid surface and forced to vibrate past its breaking point (and that slo-mo footage of the window warping and shattering was really cool). Most of the rest of the glass was more out in the open, so there was more room for the force of the shock wave to move around them rather than being forced through that opening as with the window, and the glass itself was more free to move around and absorb that force by motion rather than breakage. So I'd say this myth is only true of panes of glass. And only in extreme circumstances, as shown.
"Bend a Bullet": Ahh, I see, the idea is that the bullet curves around an obstacle to hit a target. So the Mythbusters determine success by hitting the target and missing the obstacle. The way it was shown in the movie clip was even more ludicrous than what I'd imagined. I was thinking the idea was that it would be like a curve ball, a single continuous curve. Instead, it showed the bullet following kind of a question-mark-shaped trajectory, heading straight for Ms. Jolie's celebrated face, then sentiently swerving right to avoid it before circling back to the left toward the target. That's just silly.
We finally get a spoken acknowledgment of Kari's pregnancy -- once she's six months along! I'm feeling a little uncomfortable about her being anywhere near all these guns and explosives at this point, even with a bulletproof vest.
Oh, so that's how they test curvature -- holes in five paper sheets. Clever. But they must already know it's physically impossible, and I wish they'd explained why. A curved path is the path of a body under continuous sideways acceleration. The sideways acceleration on the bullet ends as soon as it leaves the barrel of the sideways-moving gun. From that point on, it can only travel in a straight line (aside from the fact that it's being curved downward by gravity). A curve ball curves because it's rotating and has raised surfaces, and the vortex creates a vacuum on one side, generating that unbalanced force pushing it sideways. The only way you'll get a bullet to curve (any way other than downward) is by putting some kind of spin on it, and then only if it has the irregularities needed to create a vortex. And even so, you wouldn't get the ?-shaped curve from the movie scene.
But then, the movie did show specially engraved bullets, so maybe that was the idea, and that's what the guys tested to finish off. And it made no difference, at least over the relatively short distance of the firing range. Besides, as the guys said, the rifling makes the bullet spin so that the gyroscopic effect will keep it from tumbling and make it stay straight -- and the slo-mo shots in the movie showed the magic bullets spinning in just the way that should keep them straight. So it's inept physics on multiple levels.
And Grant resurrects the sword-swinging robot. I'm surprised how rusty they let it get.