the Doctor, Tom Paris, Tuvok, Chakotay, B'elanna. all not in their canon positions.
Well, any civilization as big as the Borg's needs resources -- and since their nature is to take what others have rather than creating, they'd probably need to get those resources by constant expansion and exploitation. And they don't strike me as the sorts who'd be big on conservation (although I guess they do recycle their own tech, as we saw in "Q Who"). It's never been explicitly stated, but I've always assumed that the Borg would just spread through a region of space until they'd completely stripped it of all life and resources and then move on, leaving a depleted ruin behind.
Then again, I could be influenced by the fact that I created such a species for my original fiction long ago. I was somewhat inspired by a high-school biology report I did on fire ants, which spread across a region and do what one book I read described rather euphemistically as "simplifying the ecosystem" -- i.e. basically wiping out everything except themselves.
the Doctor, Tom Paris, Tuvok, Chakotay, B'elanna. all not in their canon positions.
But they can certainly outsell canonical characters. "New Frontier" novels' sales were way beyond DS9 and VOY sales for many years.No novel-generated character is ever going to gain the recognition and popularity of a character from television or movies, and to suggest that novel-generated characters are equal is a pipe dream.
1. She writes Voyager's characters extremely well and they seem to get the short end of the stick. They have to make room for new and improved versions of Dr. House and old grandma-like Farkas. I'm calling this the Vanguard Syndrome where major trek characters are starting to seem like cameos so that the authors can indulge themselves and not be stifled by established back stories.
I would suggest that it's a mistake to think of TV-originated characters and novel-originated characters as being in a separate category, or of some as being more or less important. They're all equal.
Actually, I think JonLuck has a point worth discussing. Why is it that recent writers (like Beyers) are determined to replace the on-screen characters with new, unfamiliar ones? No novel-generated character is ever going to gain the recognition and popularity of a character from television or movies, and to suggest that novel-generated characters are equal is a pipe dream. If the current writers are tired of writing about the familiar character and want to create new ones of their own, maybe it’s time for them to move on and write non-Trek books. And if the “march of time” in the current Destiny series means that these characters are too old to carry on, then bring the Destiny story line to a rapid close and roll back the clock.
It’s important to remember that the posters in this forum, who buy and read everything Trek, are the exception, not the rule. Many Trek fans don’t want to commit to the current novels with a plot line that stretches over a long list of books and focuses on unfamiliar ships and characters. They read a variety of things, not just Trekfic or even scifi, and want to be able to pick up a TNG, DS9, or VOY novel in the airport or bookstore and read about the familiar crew on the title ship (or station), interacting as they did on screen. They're unhappy to spend good money only to find those characters missing or glossed over and, because of that, are unlikely to buy another Trek book. There are few, if any novels that cater to that reader, and it’s past time for a change, imho.![]()
But they can certainly outsell canonical characters. "New Frontier" novels' sales were way beyond DS9 and VOY sales for many years.No novel-generated character is ever going to gain the recognition and popularity of a character from television or movies, and to suggest that novel-generated characters are equal is a pipe dream.
Why is it that recent writers (like Beyers) are determined to replace the on-screen characters with new, unfamiliar ones?
Given Pocket don't release sales figures, how'd you come by this information?
Hah! If only. It looked like Del Rey was going that direction nine years and twenty books ago, writing out Han/Luke/Leia in favor of the next generation, but that didn't actually happen.The Star Wars novels also prove the financial viability of an extended universe, I think. Novels primarily concerned with canon characters are probably in the minority there, from what I know.
And if anything, Kirsten Beyer (not "Beyers") has done the opposite of "replac[ing] the on-screen characters." When Christie Golden left off, Janeway was an admiral, Neelix was still in the DQ, B'Elanna was off on Boreth with her daughter, Tuvok was teaching at the Academy (and Icheb was a student there), and the Doctor and Seven were working for a think tank. Only Chakotay, Tom, and Harry were still serving aboard Voyager. But Kirsten reunited the crew as completely as she could, given that Janeway and Tuvok remained unavailable thanks to other peoples' choices. She brought B'Elanna, Seven, and the Doctor back aboard (at least aboard the overall fleet), and has featured Neelix in her second and third books in the sequence.
There is X-wing - which is only 9 novels long, with #10 this year. And I counted that in my 30-odd novels, Wedge Antilles and Wes Janson notwithstanding.Hmkay. I last read SW as a teenager, where long series (20-ish novels?) like X-Wing were mostly canon-free, except for minor characters like Wes Antilles.
Hmkay. I last read SW as a teenager, where long series (20-ish novels?) like X-Wing were mostly canon-free, except for minor characters like Wes Antilles.
Novels published in the last few years, focusing on canonical characters and/or canonical-style plots:
STAR TREK by Alan Dean Foster (HB 2009 film adaptation, May 2009)
TROUBLESOME MINDS by Dave Galanter (June 2009)
INCEPTION by S.D. Perry & Britta Dennison (February 2010)
UNSPOKEN TRUTH by Margaret Wander Bonanno (March 2010)
THE CHILDREN OF KINGS by Dave Stern (May 2010)
STAR TREK (2009 film adaptation) by Alan Dean Foster (MMPB reprint, September 2010)
NIGHTSHADE by Laurell K. Hamilton (reprint of 1992 novel, October 2010)
A CHOICE OF CATASTROPHES by Steve Mollmann and Michael Schuster (September 2011)
And we know of two more upcoming:
THE RINGS OF TIME by Greg Cox (February 2012)
THAT WHICH DIVIDES by Dayton Ward and Kevin Dilmore (March 2012)
Ok, first of all the people behind the books were continuing on from where the shows left off, and the shows got rid of those characters not the people behind the books. I guess they could have tried to come up with a bunch of retcons that put everyone back where they were when the shows ended, but IMO that would have been a lot less interesting because it would have meant that we would have gotten more of the same kinds of stories we'd already been getting for the entire runs of the shows. I really think that the way they decided to go about it was the best way to go in terms of story generation. By introducing new characters they were able to change the dynamics between the characters, introduce new story arcs, and create new relationships.1. She writes Voyager's characters extremely well and they seem to get the short end of the stick. They have to make room for new and improved versions of Dr. House and old grandma-like Farkas. I'm calling this the Vanguard Syndrome where major trek characters are starting to seem like cameos so that the authors can indulge themselves and not be stifled by established back stories.
I would suggest that it's a mistake to think of TV-originated characters and novel-originated characters as being in a separate category, or of some as being more or less important. They're all equal.
Actually, I think JonLuck has a point worth discussing. Why is it that recent writers (like Beyers) are determined to replace the on-screen characters with new, unfamiliar ones?
Disagree again. Sure they might not get the same kind of recognition in the fandom as a whole, but I consider them just as much a part of the Trek universe as any of the onscreen characters. And really I don't see why it would matter, a character created in a secondary part of a franchise is never going to be as popular as a character created by the canon, and I don't think anyone would ever expect them too.No novel-generated character is ever going to gain the recognition and popularity of a character from television or movies, and to suggest that novel-generated characters are equal is a pipe dream.
I don't see what would make you think they're tired of writting the screen characters, because in all of the books I've read they still played a huge role in all of the stories. Sure there are new characters in there too, but they are pretty much always play at least an equal, if not a smaller, role in the story.If the current writers are tired of writing about the familiar character and want to create new ones of their own, maybe it’s time for them to move on and write non-Trek books. And if the “march of time” in the current Destiny series means that these characters are too old to carry on, then bring the Destiny story line to a rapid close and roll back the clock.![]()
Except they have been writting series with original characters for 15 years and they show no signs of stopping. In fact they're still introducing new series, which I doubt would be happening if people weren't buying these books. I really think your confusing opinions for facts here.It’s important to remember that the posters in this forum, who buy and read everything Trek, are the exception, not the rule. Many Trek fans don’t want to commit to the current novels with a plot line that stretches over a long list of books and focuses on unfamiliar ships and characters. They read a variety of things, not just Trekfic or even scifi, and want to be able to pick up a TNG, DS9, or VOY novel in the airport or bookstore and read about the familiar crew on the title ship (or station), interacting as they did on screen. They're unhappy to spend good money only to find those characters missing or glossed over and, because of that, are unlikely to buy another Trek book. There are few, if any novels that cater to that reader, and it’s past time for a change, imho.![]()
So, that means that TOS is the only series that is still using the original crew/ship and also the only series-based novels outselling all the other TV series' novels. Could those sales figures have something to do with the fact that they have stuck with the most popular characters and the most familiar setting? I think it is more than simple coincidence.![]()
Novels published in the last few years, focusing on canonical characters and/or canonical-style plots:
STAR TREK by Alan Dean Foster (HB 2009 film adaptation, May 2009)
TROUBLESOME MINDS by Dave Galanter (June 2009)
INCEPTION by S.D. Perry & Britta Dennison (February 2010)
UNSPOKEN TRUTH by Margaret Wander Bonanno (March 2010)
THE CHILDREN OF KINGS by Dave Stern (May 2010)
STAR TREK (2009 film adaptation) by Alan Dean Foster (MMPB reprint, September 2010)
NIGHTSHADE by Laurell K. Hamilton (reprint of 1992 novel, October 2010)
A CHOICE OF CATASTROPHES by Steve Mollmann and Michael Schuster (September 2011)
And we know of two more upcoming:
THE RINGS OF TIME by Greg Cox (February 2012)
THAT WHICH DIVIDES by Dayton Ward and Kevin Dilmore (March 2012)
Impressive list, until you realize that two of those are the novelization of NuTrek, the TNG novel is a reissue of #24 published in 1992,
So? Your complaint was about a lack of novels focusing primarily on canonical characters during the canonical eras; you said there were "few, if any." I pointed out that there are quite a few. Now you're complaining about an insufficient variety of those canonical-era/canonical-character novels. You're moving the goal posts and being inconsistent.and the rest are all TOS.
The String Theory trilogy was set during the run of VOY, but I excluded that because it was published before 2009. There have been several anthologies set during their respective series' runs -- Distant Shores, Prophecy and Change, etc -- that I excluded for the same reason. Same thing with the Crucible trilogy. DS9: Hollow Men was set during the series run, but this was published in about -- oh, what was it, 2004, 2005, something like that?So really, if I read your listing correctly, there isn't a single new novel that is set during the run of TNG, DS9, VOY, or ENT?
Or it means that TNG-era fans are more interested in post-series continuations than TOS-era fans, and would get bored of most series-era stories.So, that means that TOS is the only series that is still using the original crew/ship and also the only series-based novels outselling all the other TV series' novels.
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