If you search around this site (and net) you'll probably find some of the answer. The original ideas for INS were far more interesting, but Stewart in particular wanted something lighter (unless I'm mis-remembering).
If you search around this site (and net) you'll probably find some of the answer. The original ideas for INS were far more interesting, but Stewart in particular wanted something lighter (unless I'm mis-remembering).
Berman and Piller actually conceived of it as a lighter film from the getgo, because they didn't believe they could (or should) "out-Borg the Borg" and Berman was particularly fond of the success of The Voyage Home, and believed its lighter tone was largely responsible for its success.
If you search around this site (and net) you'll probably find some of the answer. The original ideas for INS were far more interesting, but Stewart in particular wanted something lighter (unless I'm mis-remembering).
Berman and Piller actually conceived of it as a lighter film from the getgo, because they didn't believe they could (or should) "out-Borg the Borg" and Berman was particularly fond of the success of The Voyage Home, and believed its lighter tone was largely responsible for its success.
That's all fine, I'd still ask for a *little* more gravity, a little more of a nod to the war than what they gave.
From Insurrection, am I to infer that the Enterprise-E is really the USS Bob Hope?
I've only just now read the first part of "Fade In", but there are already several ideas that would made the film much better.
The thing which surprised me is that it somehow felt smaller than First Contact. And more cloistered too, in a funny sort of way. FC actually felt bigger and bolder and more "in the open", which is somewhat ironic because INS featured literally more external scenes away from the Enterprise than FC and costed way more money to shoot. I think FC was just better at suggesting its world, hinting in a way which makes it seem so broad while the size is actually scaled right back. On the other hand, INS kind of puts it all up there on the screen and then doesn't do anything interesting with any of it.![]()
...no one cared...
The thing which surprised me is that it somehow felt smaller than First Contact. And more cloistered too, in a funny sort of way. FC actually felt bigger and bolder and more "in the open", which is somewhat ironic because INS featured literally more external scenes away from the Enterprise than FC and costed way more money to shoot. I think FC was just better at suggesting its world, hinting in a way which makes it seem so broad while the size is actually scaled right back. On the other hand, INS kind of puts it all up there on the screen and then doesn't do anything interesting with any of it.
I always thought Insurrection felt "small" because it was about a few hundred people on an insignificant planet in the middle of a region no one cared about. In First Contact, the fate of the entire Federation was at stake--if they failed, everyone would be Borg. The stakes were higher and the scale was larger.
I still don't know why they did this story anyway. They should have trashed the script and started over.
Pretty much.
But at the risk of repetition, the Frakes/Sirtis commentary makes it a lot more fun.
Pretty much.
But at the risk of repetition, the Frakes/Sirtis commentary makes it a lot more fun.
Yeah, but you're repeating me, so it's okay. In fact, I endorse such actions.
If you search around this site (and net) you'll probably find some of the answer. The original ideas for INS were far more interesting, but Stewart in particular wanted something lighter (unless I'm mis-remembering).
Berman and Piller actually conceived of it as a lighter film from the getgo, because they didn't believe they could (or should) "out-Borg the Borg" and Berman was particularly fond of the success of The Voyage Home, and believed its lighter tone was largely responsible for its success.
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