Tough to beat "Turnabout Intruder," no matter what kind of "retconning" (or, in English, "excuse making") one engages in.
"Metamorphosis" would be a contender, though. Everything about its characterization of women and assumptions about gender roles is shallow and hollow as a drum - well, except for Cochrane's moment of revulsion at Kirk and Spock's sexual broadmindness. That's a plausible and well-observed character touch.
I've got to toss the Changeling in.
Nomad: That unit is defective. Its thinking is chaotic. Absorbing it unsettled me.
Spock offers one sentence of explanation: That unit is a woman.
I've got to toss the Changeling in.
Nomad: That unit is defective. Its thinking is chaotic. Absorbing it unsettled me.
Spock offers one sentence of explanation: That unit is a woman.
"It's just that I can't get used to having a woman on the bridge."
(On the other hand, "The Cage" probably had the strongest female character of all TOS.)
Tough to beat "Turnabout Intruder," no matter what kind of "retconning" (or, in English, "excuse making") one engages in.
Tough to beat "Turnabout Intruder," no matter what kind of "retconning" (or, in English, "excuse making") one engages in.
Indeed. I still find it astonishing how many fans insist that the episode is not saying what it is (clearly) saying.
Tough to beat "Turnabout Intruder," no matter what kind of "retconning" (or, in English, "excuse making") one engages in.
Indeed. I still find it astonishing how many fans insist that the episode is not saying what it is (clearly) saying.
I think it goes with the insistence, or misunderstanding, that contradictory things cannot be in the "canon." Because the 23rd century was represented in one episode as being a place of equality and another as having gender-based restrictions doesn't mean that one of those two things didn't happen in a broadcast story or that it's possible (or desirable) to reasonably explain one of them away.
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