• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Most Disliked Episode of TOS, Season 1 - 2025 Edition

Saving "Dagger of the Mind" - it's not the best, and they appear to have forgotten to write a motivation for Adams, but it does have a surreal pulp adventure feel that's at once tense, eerie, and exciting. Plus SI-MON van GEL-DERRRR.

MUDD'S WOMEN
THE CORBOMITE MANEUVER
THE MENAGERIE PART I
THE MENAGERIE PART II
SHORE LEAVE
COURT MARTIAL
THE ALTERNATIVE FACTOR
 
Saving "Dagger of the Mind" - it's not the best, and they appear to have forgotten to write a motivation for Adams, but it does have a surreal pulp adventure feel that's at once tense, eerie, and exciting. Plus SI-MON van GEL-DERRRR.

MUDD'S WOMEN
THE CORBOMITE MANEUVER
THE MENAGERIE PART I
THE MENAGERIE PART II
SHORE LEAVE
COURT MARTIAL
THE ALTERNATIVE FACTOR
And let's not forget Dr. Helen Noel.:drool:


Saving "THE CORBOMITE MANEUVER".

Surprised it took this long, actually. Really solid start of the series. (First produced episode after the second pilot.)

Really gets into the mindset of how Kirk thinks and strategizes. Loved the ending.



MUDD'S WOMEN
THE MENAGERIE PART I
THE MENAGERIE PART II
SHORE LEAVE
COURT MARTIAL
THE ALTERNATIVE FACTOR
 
Some really strong episodes left - S1 was full of a lot of classics.

The Menagerie Part I started off the wonderful reuse of The Cage. Also wheelchair-Pike is A classic sight.

MUDD'S WOMEN
THE MENAGERIE PART II
SHORE LEAVE
COURT MARTIAL
THE ALTERNATIVE FACTOR
 
they appear to have forgotten to write a motivation for Adams, but it does have a surreal pulp adventure feel that's at once tense, eerie, and exciting
This was more or less my take the last time I watched it-- for the first time since I was a kid, for whatever reason. It was enjoyable but Adams is the bad guy because he was assigned bad guy duties that week. More charitably, the episode takes it as a given that absolute power corrupts absolutely, and no more explanation is needed? I don't know, I'm kind of reaching.
 
For the time, and juggling what censors wanted,

MUDD'S WOMEN

actually has some messages in it that could get overlooked (partnerships, beauty being on the inside and not due to the help of a drug), pretty much spoken by Eve (and not Lt Yar) and even Harry Mudd (in an abrupt character change scene for one brief moment) acts in agreement. But it's definitely one of season one's weaker outings and feels something like any old Western shtick but given outer space trappings, swap a box of dilithium for a box of cow meat and.or cow pies and Harry Mudd is still the same, even if there's no big cowboy hat. Plus, I'm sure "lithium" was promptly renamed to make it sound more science fictioney instead of an antidepressant. If nothing else, anyone born after 1937 sure seemed to lose out over certain carbonated fizzy beverages loaded with drugs... but I digress (odd but true!). It's not season one's most shining hour for being mostly generic and oversimplified, but there definitely are worse. And I didn't even mention the plotting gaffe where we're shown the fake drug glistening like the real one as a fake fake-out and, while I need to rewatch this, I don't think it was a POV shot from any of the characters during that scene.


What's left:
THE MENAGERIE PART II
SHORE LEAVE
COURT MARTIAL
THE ALTERNATIVE FACTOR
 
Saving "Dagger of the Mind" - it's not the best, and they appear to have forgotten to write a motivation for Adams, but it does have a surreal pulp adventure feel that's at once tense, eerie, and exciting. Plus SI-MON van GEL-DERRRR.

Morgan Woodward could have made ANY episode an instant classic, even if it's a certain giant purple dinosaur discovering the same axe that Jason used and teamed up to paint the town red that unsurprisingly got less than 0% on the garden crop variety review website for being a bad flick. Granted, to see him wielding the axe probably would have been genuinely entertaining, but seeing either axe murderer without the mask on would really up the creepy factor, especially if it's dino bottom and human top but I digress... Anyhow, his range shown, in only two TOS episodes on top of everything else, is nothing less than exemplary. Good grief, his range is phenomenal and you're seeing him as the character, not him as just doing another role in the way many character actors are scene. That's how great he is.

It's sadly worth noting that this episode was to have featured Janice Rand, who was close to leaving the show but either which way the makers wanted to separate the two characters so audiences wouldn't believe the show was going to make a romance out of them... https://www.imdb.com/title/tt0708426/trivia/?item=tr2199513 (there's a nice bit about Morgan in there as well, didn't know he was stuck doing Westerns and he really appreciated TREK for being able to show range. Man, did he ever show range. Definitely one of the more underrated character actors ever...)
 
My final save for this season... "SHORE LEAVE".

It's a fun episode, great deal of fun. Giant rabbit, samurai, Finnegan, tiger... it worked well.


THE MENAGERIE PART II
COURT MARTIAL
THE ALTERNATIVE FACTOR
 
For its time,

COURT MARTIAL

was pretty decent, if not a little contrived. How much 1960s audiences would have figured out the forged log mystery early on ranks up there with how many in the audience sat through "Contagion" in TNG and screaming to it "RESET THE BLOODY THING AND LOAD ANTIVIRUS!!!!!!!!!!!" but in 1988, viruses were still new and not quite as fantastical as the Ikonian program was... also, the fact I shifted gears to a great season 2 TNG episode also shows how blasé the 1967 TOS story was as its place on the list too is fairly deserved, all in all...



DESERVED WINNER >>>>>>>>>>>>> THE ALTERNATIVE FACTOR, which desperately needed an alternative good storyline...
 
Taking out Where No Man Has Gone Before. It's alwasy been a favorite of mine. We get Gary Mitchell and some background on Kirk, an exciting story, Kirk's dilemma on what to do with Gary, and Sally Kellerman's excellent Dr. Dehner character. Dr. Dehner should have been a regular character. And we get a big rock falling on Gary.

As a pilot and as a story, it's so easy to see how this won execs over whereas "The Cage" failed*. It tells so much more in its 50 minutes despite an apparent simplicity in the plotting. The nuanced script also keeps incidental music minimal, allowing the story and acting to carry this thing and carry they do. I liked Pike but Kirk is the bee's knees.

Dehner would have been good had she stayed on. Sadly, Kirk's premonition that either Mitchell would kill her or she would kill him became fruition.

Imagine, in 1966, general public, in sitting through two episodes and then tune into this one, wondering why the bridge and turbolift look different, more static colors and other subtle ship design changes, and no opening credits voiceover, only to see those adornments return the week after. But, as a pilot, which won the execs over, and because the show's cost was pretty significant, showing this early on while the script writers were finalizing the new characters and building on traits, it made more sense to air this somewhat early. Even if they chose "The Man Trap" for its monster value as a premiere.

The contact lenses can still scare the crap out of anyone. They were apparently tinfoil placed inside two layers of clear plastic contact lenses. And the effects for transition were simply marvelous and virtually seamless, especially for technological abilities of 1965.

* Which isn't a slight, it's a strong story, but the retooling and introducing a new cast allowed Kirk to be the more compelling captain, overall.
 
Yup, those eyes were creepy and executed really well. Poor Lockwood had to tip us head just to be able to see, but it really sold the arrogance.

And yup again, the production differences in this episode weirded the crap out of me as a little kid in the early 70s when I finally caught this episode. I found the collars on the uniforms especially baffling.

But I have to disagree with both of you on Dehner. She could have been an excellent addition to the crew had she (a) not died and (b) not had that irrationally out-of-place meltdown in the conference room. I get that they wanted some conflict, and perhaps some foreshadowing of her own conversion, but it worked against Roddenberry's goal of showing an enlightened future where skin color, sex, and even species make no difference. A trained professional, doctor, and department head quickly jumps to an emotional, judgmental, and preachy state, bordering on insubordination. It played into stereotypes about women in the workplace, and made it hard to see Dr. Dehner as the same kind of competent, dependable colleague as the rest of the crew. McCoy gets to speak to Kirk that way, but it feels earned and part of a long-term relationship; anyone else, male or female, would have been out of line, and thus was Dehner. It's the one thing I think they got wrong with her character.
 
Saving "THE NAKED TIME".

Great acting by everyone, particularly Nimoy.

I'm 20% into a rewatch of this episode and, damn, it's very compelling stuff. And almost sixty years after its original broadcast, no less.

This episode was early on in TOS's run and actually shows how to explore characters. Even Spock, whom we have little enough on, but still know enough of, with his keeping emotions back being powerful. Joe too, with unusual emotions coming to the fore.

Sulu and Riley confronting Joe is an exceptional scene, to the point where it's obvious they're using red powder for "blood" just doesn't matter. I bring up that point only because, as a kid, others pointed it out. They weren't technically wrong, but early TOS focused more on the psychological and philosophical, but often striving to make the science feel plausible (most of the time, for some things, usually for good reasons, one has to roll with it - and if the story is otherwise strong, it's easier to do.)

Even the surgery scene is well-timed, leaving incidental music minimal and letting the scene steep in itself.

I forgot how good this was and I only vaguely remember the creepy stuff with the crewman painting memes on walls.

Yes, one has to overlook the behind the scenes issues (new show, expensive, had to cut corners somehow) that forced the use of modified shower curtains as futuristic biohazard costumes and, more obviously, why Spock didn't tell Joe BEFORE to not go around touching things (it's technically for the audience's benefit as much as post-commercial captains logs are, but still.) It's the only one scene that sticks out for timing purposes.
 
Starting things off by taking out "BALANCE OF TERROR".

This is one of two TOS episodes that are my absolute favorites among all the others.

This episode has everything... great plot, great acting, great action (even by today's standards), and more... this episode was FLAWLESS! And it introduced the Romulans, one of the best races in the franchise!

We get a great look at Kirk and his inner thoughts during his scene with McCoy in his quarters. We have bigotry getting quickly smacked down on the bridge. We have a sympathetic villain. We get a good glimpse of Romulan society on their bridge. We have Shatner performing at his best with no dialogue at the end as he walks out of the chapel and into the corridor.

I can keep going, but I think my point has been made. For me, this was a perfect classic in a season that contained many classics. I will still maintain that TOS season 1 was the best first season of any series in the franchise.

A first-rate, well-scripted episode for sure. The character depth and nuance makes for a refreshing contrast to a basic plot about cat'n'mouse in submarines, and the script knew that. I found a couple possible nitpicks, but they're not large and everything else is so pinpoint sharp that I wouldn't knock off points either.

The introduction of Romulans as an offshoot of Vulcans really impresses and the reasons for going into battle - McCoy was wrong. Indeed, who needed Spock's backstory on them based on what he did know (though for other reasons and being season 1, it's still needed), when flagrantly going into Federation space to wipe out a bunch of Earth outposts only to slink back-- it's pretty dang straightforward that it was an attack. Stiles and Spock were 100% correct.

I would have liked seeing the fiancéed couple's roles reversed, but being 1966 and all...

Enterprise was making challenge calls to the Romulan ship and somehow the Romulan ship wasn't paying attention apart from when it was, the script seemed to be inconsistent. That's my biggest nitpick of all three.

Photon torpedoes aren't phasers, but being early season 1 of a series that had no guide/playbook/bible/younameit, how much they had nailed early on was spectacular.

The other big nitpick was how the Romulan plasma bolt was still able to overtake Enterprise despite Enterprise traveling at warp speed (full power was confirmed in dialogue). Plus, the number of times it was hit, did Enterprise get a outer hull refit as we're told directly what their shots did to the metal that the outposts were constructed of?

But, for season one, these nitpicks are minuscule compared to what works and what works is astoundingly sharp and clever.
 
I think THE NAKED TIME shows the actors at their best and the crew at their best AND worst. Shatner has never been better (sorry to any AIRPLANE II fans, but let's face facts).
 
I will still maintain that TOS season 1 was the best first season of any series in the franchise.

I believe season one of TOS is the best season, overall, of ANY television series in history. Science fiction, drama, comedy ... does not matter. For me, it's remains the single greatest season of a TV series ever, edging out season one of the original TWILIGHT ZONE.

It will always be my "comfort food" season of a television show, and I revisit it often.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top