Thanks Rekkert appreciate that.Beautiful work with these Ian! I'm loving that twin turbolift version!
Is it me or does the Cage bridge seem smaller than the production version? I somehow think it can't possibly be, and that the only differences were the change of main viewscreen, lighting and paint job, but it always felt more cramped than it did in Kirk's time.
Perhaps the more muted colour scheme is less good at defining the different areas, creating the appearance of a more cramped bridge?
Perhaps. It just seemed that the consoles on the far side appeared closer to the captain's chair. It may also be the kind of camera lens they used between pilot and production. There may have been no physical difference at all, just the way the light and angles were being captured on film. Whatever they did to adjust that greatly improved the look of the bridge.
I dare say it's likely the difference between the unbroken railing in The Cage versus the added side steps and opening in the railing that creates the effect. The more complete railing makes the center of the bridge seem smaller, and more compact, while making the outer ring seem isolated and shut in, while in the production bridge the added openings literally open it up and make seem bigger and more accomodating.
There was a bit of repartee on the bridge (“All ship’s doctors are dirty old men.”), that foreshadowed the jokey denouement of many production-run episodes—regardless of the preceding body counts—but, all in all, Pike’s Enterprise was a fairly glum command.Thie downer mood was probably intentional for story reasons. The crew just had their asses handed to them at Rigel XII (or some number) and were recovering from injuries, setting up Pikes “I’m tired of deciding who lives and who dies” conversation with Boyce. That being said, the crew’s mood didn’t seem much different by the end of the episode (from what I recall).
When I posted the Bridge variations I forgot these.
STTOSMirror2 by Ian Simpson, on Flickr
STTOSMirror1 by Ian Simpson, on Flickr
Not much to see though I think it was just two differences the chair and the door.
Great job. I guessing that the back of the chair is knive-proof and phaser-resistant.
Thie downer mood was probably intentional for story reasons. The crew just had their asses handed to them at Rigel XII (or some number) and were recovering from injuries, setting up Pikes “I’m tired of deciding who lives and who dies” conversation with Boyce. That being said, the crew’s mood didn’t seem much different by the end of the episode (from what I recall).
I was glad that Discovery referenced the much lower ship's complement of the Enterprise under Pike (204 if memory serves) rather than the much larger crew under Kirk. It was a nice nod, and done in such a way that OG Trek fans would pick up on, but, for casual viewers for whom Disco is their FIRST Trek, wouldn't notice.
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