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Miri

Mendon

Lieutenant Commander
Red Shirt
There's a lot going on in this little episode. You've got Kirk versus a bunch of children, the crew of the Enterprise against time, and a little love triangle action all wrapped up inside a parallel Earth tale. It earns points for ambition, and for not dropping any of those balls entirely, but by the same token, none of those various strands fully deliver the goods in the end. For instance, the idea of a parallel Earth is plenty interesting, but it fails to achieve any real significance in the narrative. And however pragmatic it may have been, Kirk's ease at manipulating Miri's affections is a little creepy, although it's interestingly subverted when he discovers that she's actually far older than he is. The crew's efforts to discover a cure probably constitute the most successful of these plot threads, but even that is undercut somewhat when their efforts to retrieve the communicators from the Onlies are proven irrelevant by McCoy's last-minute gambit. Finally, not much is made of the potentially interesting conflict between Kirk and the Onlies. Since the Onlies revel in chaos, reasoning with them neither rings true as their motivator nor makes them a unique antagonist for the Captain.

Still, one must give credit for the amount of food for thought on offer, even if most of it has been only half baked.
 
There's a lot going on in this little episode. You've got Kirk versus a bunch of children, the crew of the Enterprise against time, and a little love triangle action all wrapped up inside a parallel Earth tale. It earns points for ambition, and for not dropping any of those balls entirely, but by the same token, none of those various strands fully deliver the goods in the end. For instance, the idea of a parallel Earth is plenty interesting, but it fails to achieve any real significance in the narrative. And however pragmatic it may have been, Kirk's ease at manipulating Miri's affections is a little creepy, although it's interestingly subverted when he discovers that she's actually far older than he is. The crew's efforts to discover a cure probably constitute the most successful of these plot threads, but even that is undercut somewhat when their efforts to retrieve the communicators from the Onlies are proven irrelevant by McCoy's last-minute gambit. Finally, not much is made of the potentially interesting conflict between Kirk and the Onlies. Since the Onlies revel in chaos, reasoning with them neither rings true as their motivator nor makes them a unique antagonist for the Captain.

Still, one must give credit for the amount of food for thought on offer, even if most of it has been only half baked.

I happen to love the sadness and drama of this episode. In fact, I count it among Trek's very best.
 
I love this episode. What a creepy idea, children who live centuries only to die when they mature.

The parallel earth thing was kinda throwaway, though. I guess they needed it so they could use the cheaper sets and street scene.
 
Sure, the basic ideas are mostly all very cool, and the atmosphere that surrounds them is really pretty terrific. That makes it all the more unfortunate, then, that none of these ideas become fully developed. So their fate rests in the hands of these children. That should pose a unique challenge, but that potential isn't realized because Kirk is essentially able to talk them into growing up. Not only that, but their eventual cooperation proves inconsequential when McCoy happens to stumble across the cure without their help. Like Mudd's Women, this is an episode with some great ideas that never fully cohere, in my opinion.
 
Hmmm... well it's a nice idea but does have very dodgy sub-text concerning a maturing Miri (how old is she - thirteen?) wanting, and getting, favourable comments concerning her sexual desirability. All I can say is... Ewwww! :scream:

This episode is also notable for featuring both the silliest lines of dialogue exchange ("Bonk, bonk on the head!" - "No bonk, bonk!") and the ugliest child ever seen on television...
 
It's "No Blah Blah Blah!!"
My wife and I say that to each other, even to this day, when somebody's babbling past the point of tolerance. :)
 
Hahaha. Sure, the dialogue from the children is ridiculous and defies any sort of logic. But that isn't what bothers me about this episode - it's that these characters who clearly thrive on chaos and immaturity are simply able to be reasoned with. That fails completely to capitalize on a unique (if annoying) premise.
 
i liked this episode. the comments made about miri were rather ewww. and the dialogue was ridiculous at points.

so i guess i agree with everyone. oh, and the oldest boy just pissed me off for some reason. though thats not really relevant... :shifty:

:shifty: forget i said it... :shifty:
 
i liked this episode. the comments made about miri were rather ewww. and the dialogue was ridiculous at points.

so i guess i agree with everyone. oh, and the oldest boy just pissed me off for some reason. though thats not really relevant... :shifty:

:shifty: forget i said it... :shifty:

Not to mention that ugly kid. Man, he got a decent beating with the ugly stick, didn't he...?
 
I think the OP made one good point. At the beginning of the episode the are astounded that they have come across a duplicate earth, but after that the fact is not revisited in the slightest. Might have been an interesting piece to the Preservers, Iconians, or any other ancient race. I see the Preservers as the most likely culprits.

Anyway, my 2 cents. Overall a good episode.
 
Orcus;3417057 Not to mention that ugly kid. Man said:
That kid, by the way, is the same actor who played Dill in "To Kill a Mockingbird".

He was just as "beauty-challenged" in that movie as well.
 
Hahaha. Sure, the dialogue from the children is ridiculous and defies any sort of logic. But that isn't what bothers me about this episode - it's that these characters who clearly thrive on chaos and immaturity are simply able to be reasoned with. That fails completely to capitalize on a unique (if annoying) premise.

I agree with this. This situation could very easily have gone towards the "Lord of the Flies" premise, and instead of being reasoned with, and only annoyingly mischevious, they were completely savage.

I guess that would have been too much for 60's TV, especially since they were filming in Mayberry.

"Kill the pig! Drink its blood!"
 
I hated all the "children episodes" in TNG, so I was surprised at how much I enjoyed this episode. As already pointed out - Kirk's relationship with Miri was a little creepy, but I think she had a crush and he played along to get what he needed from her and to give her some confidence. I never saw it as sexual admiration. That said the "triangle" plays out quite interestingly.

I saw on another thread that someone thought Janice was a pain for reacting the way she did. Well seeing as though she's under the influence of a disease that makes her act that way, and that the Captain and Doctor act mad before her, I for one will forgive her. Janice you will be missed.

I don't know whether I've imagined this, but the shot where Kirk picks up the little girl... Do they pay homage to that in TNG's "When The Bough Breaks"? I seem to remember Picard picking up a little girl in exactly the same way.
 
I always liked this ep when I was a kid and when I watched again recently my views hadn't changed. I don't think that there was anything special about, it's just enjoyably watchable. Though these days I could happily throttle the kid kept shouting 'Blah blah blah'!:eek:
 
Hmmm... well it's a nice idea but does have very dodgy sub-text concerning a maturing Miri (how old is she - thirteen?) wanting, and getting, favourable comments concerning her sexual desirability. All I can say is... Ewwww! :scream:

This episode is also notable for featuring both the silliest lines of dialogue exchange ("Bonk, bonk on the head!" - "No bonk, bonk!") and the ugliest child ever seen on television...

I always thought Miri was supposed to be more like 15 or 16. Although I don't remember what exactly was supposed to be the trigger for them getting the disease. If it was puberty then maybe she was 13. Anyway Kim Darby was 19 when it was made.

Overall an enjoyable and dramatic episode with a lot of different angles. The only qualification I ever had against the episode is the way the children talk about grown-ups they act like they were some kind of alien monsters not people who were once there parents who got sick and died.
 
A major contributor to the at-home Trek lexicon my wife and I share. We've both been known to say "No blah blah blah!" when the other is talking too much, or a playful "bonk bonk on the head!" if one of us does something annoying.
 
The story idea was very good, though I didn't particularly care for any of the kids given the roles, Darby included.
 
A major contributor to the at-home Trek lexicon my wife and I share. We've both been known to say "No blah blah blah!" when the other is talking too much, or a playful "bonk bonk on the head!" if one of us does something annoying.

My wife isn't too fond of Star Trek, but she has been known to tell our children "Study, study study...or bonk bonk on the head, bad kids!"
 
So Kim Darby was almost the same age in Miri as Barabara Anderson was in Conscience of the King? And exactly the same as a Lauren Bacall in To have and Have Not?
 
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