So installing a dictator of your choosing to rule an empire...
The US has been doing it for decades.
So installing a dictator of your choosing to rule an empire...
Lol. Just one question as a result of Michael Burnham being in the picture did the Torchbearer and T'Kuvma die??Just in case it saves everyone a lot of typing:
I rewatched “Vulcan hello” and “battle at the binaries” last night and something occurred to me.
We see Michael knocked off the Klingon beacon and she’s unconscious.
The next time we see Michael she’s in the sickbay scanner. We never see her wake up in the suit.
I don’t think Michael started the Klingon war at all.
She’s in a coma.
Everything we’re seeing is in her mind like “Life on Mars”.
There’s precedent for this - they didn’t have the guts to make DS9 a dream (Benny Russell’s) like they wanted to - what a twist that would be, for Michael to wake up and the whole thing had been a dream.
All the out of character moments, the plot twists, the seemingly nonsensical changes of direction in the show would be explained by it being Michael’s subconscious trying to make sense of the torchbearer attack.
They’ve never done “Dallas” before on Star Trek...
*hides*
The torchbearer (spoiler alert) did because instead of using her jet pack to fly away from him, Michael used it to fly *towards* him so he fell on his own sword - dishonourable much?Lol. Just one question as a result of Michael Burnham being in the picture did the Torchbearer and T'Kuvma die??
The US has been doing it for decades.
Have you considered the showrunners were showing a flawed plan? Showing a flawed plan based on flawed predictions made by flawed characters who had little or no understanding of what would happen next and had trusted a monster from another universe to guide them?
That part of the point was to suggest the most effective way forward was also to maintain one's ideals and be true to them, a foil to the moral ambiguity of (for instance) "In the Pale Moonlight"?
Depend on what you mean by "next."by flawed characters who had little or no understanding of what would happen next
If your ideals and morals are going to lead to the slaughter and/or subjugation of your civilian population, your ideals and morals need to be rethought.That part of the point was to suggest the most effective way forward was also to maintain one's ideals and be true to them, a foil to the moral ambiguity of (for instance) "In the Pale Moonlight"?
First Contact, Picard and his special knowledge of the "sweet spot" to destroy the Borg cube.I mean, all of the Trek protagonists in the past have been in situations where their actions directly saved the Earth. However, this was never because The Captain was some sort of uber-special person
First Contact, Picard and his special knowledge of the "sweet spot" to destroy the Borg cube.
Among all of Starfleet, at that place and time, Picard was just that, a uber-special person.
Yeah, I got that impression in Insurrection as well as whenever he had to talk to Admiral Necheyev.It's still more a case of the right person being in the right place at the right time. Picard may have been shown as being way too perfect of a character in general, but we were never given the idea that he was the fulcrum of moral righteousness of the Federation, which would stray from its ideals without a good jeremiad from him.
Yeah, I got that impression in Insurrection as well as whenever he had to talk to Admiral Necheyev.
I may be misremembering, but I was not aware the details of Dougherty's plan were not known to the Council. I thought they had a fair awareness of the plan to relocate and benefit from the rings.Vice-Admiral Dougherty gained permission from the Federation Council for his mission, but hid from them his plan to forcibly relocate the Ba'ku, thus it falls into the "evil Admiral" trope.
Nechayev did express regret that Picard didn't introduce the "virus" into the Borg Collective, but she didn't directly order him to do so - and there's no sign that it reflected Federation policy. She was in some ways a slightly toned down version of the evil admiral trope - someone who is clearly sane and capable, but incredibly pragmatic to serve as a foil to Picard's idealism. It's still a single individual serving as the foil though, not the whole Federation/Starfleet infrastructure.
Well, it's one out of three.Some folks just desperately want what Starfleet planned to do to the Klingon homeworld to:
- be okay;
- to make sense; and
- to be acceptable within the long-time ethos of Star Trek.
Clearly, it was none of those things.
The planet-destroying hydro bomb. I just can't get past it.
Even the name is funny to me. "Hydro bomb." I'm kinda glad they went there just because of how much fun I've had thinking about it.
How does this work as an example of a character arc, though? What are the "lessons learned"? What it amounts to is that at the beginning of the season she rejected orders from higher-ranking officers because she was convinced she knew better, but things went badly, and she got thrown under the bus for it. Then at the end of the season she rejected orders from higher-ranking officers because she was convinced she knew better, and (against all odds) they backed down and things worked out okay, and she got rewarded for it.At the end of the season, Burnham wasn't the only one to learn a lesson; Starfleet leadership did as well. They were reminded by Burnham and the rest of the Disco bridge officers what Starfleet stood for. As a result of re-learning Starfleet principles, Burnham was allowed to go back to Q'uonos and stop the Emperor from planting the bomb and instead, give it to L'Rell.
Yeah, that's another thing that bothers me about the proposition that Burnham learned anything over the course of the season — she trusted Mirror Georgiou up until the very end, despite her being a self-evident lying, torturing, mass-murdering psychopath. Burnham had no logical reason for this; it was purely a matter of emotional baggage because she felt guilty over the death of someone who looked like her. That she was somehow in a position to lecture others on their moral blind spots, therefore, came across as not just unconvincing but downright hypocritical.That people who look just like your best buddy that are actually mass murderers from another universe are probably not people you should trust.
And they believed L'rell had the means to destroy the planet because what, exactly? She held up a remote control and said so? She had absolutely no way to validate her threat without actually following through on it. Just how credulous are we supposed to believe the leaders of the other Houses to be?The Klingons don't think like the Federation. Especially not in this time. They only respect power and strength. L'Rell had it with the bomb. It brought the 24 Houses in line quickly because none of them want Qo'noS destroyed.
Indeed. Every part of this bothered me. The character assassination of Sarek and Cornwell was unforgiveable — even if Burnham had personal reasons that led her to trust Mirror Georgiou, they did not. Moreover, the notion that Burnham wound up getting rewarded for upholding Federation ideals by the very people in the power structure who were ready to abandon those ideals is downright perverse.Thematically, it was absolutely horrible however that in order to make Burnham look good, they had to make everyone else - even characters they built up as "good" like Sarek and Cornwell - look like amoral bastards. The lesson drawn here is basically that Starfleet is not only totally incompetent at waging war, but that all of the checks and balances within Starfleet - the Federation charter - none of it means shit unless The One is there to remind everyone.
You seem to be missing the point here, which is that the behavior and motivations "clearly presented onscreen" do not make sense when taken at face value. If we want to rationalize them in any reasonably convincing way, then, "fan theory" is the only avenue left.Hating a decision made on a show by fictional people based entirely on knowledge of how you think those fictional characters should have behaved seems pointless and without any merit. It's confusing fan theory with what was clearly presented onscreen. Fan theory does not equal fact.
The height of arrogance? Far from it. It's criticism, that's all, in the tradition of pretty much all media criticism ever.It's argue that the people making the show are wrong about the reality of the show because you as a fan know better than them. It's the height of arrogance..
It all depends on the context, unless you're trying to argue that any and all criticism of internal story logic in fiction is inherently pointless. If the writers on Game of Thrones show characters moving impossible distances overnight, would you insist they're not "wrong" about the geography of Westeros because Westeros "doesn't exist"?The show isn't wrong about Klingons because Klingons don't exist.
Yeah, I considered that. It's a consideration that requires certain characters to be really stupid in order to have such an egregiously flawed understanding of their circumstances, though.... hence the comments above about character assassination.Have you considered the showrunners were showing a flawed plan? Showing a flawed plan based on flawed predictions made by flawed characters who had little or no understanding of what would happen next and had trusted a monster from another universe to guide them?
I agree. FWIW I think it would have been even better if Mirror Georgiou had never even been involved, and the finale had instead involved Burnham taking a stand against Lorca (as originally conceived, not the MU version), because even if he represented a different moral calculus he was also someone with whom she (and the audience) had built up an actual relationship of trust.I suppose it's possible. That said, it just ups the other issue I discussed with the ending - in order to build Burnham up into the hero, they destroyed both the integrity and competence of Starfleet and every other character not on Discovery. This is a terrible, terrible thing to do considering DIS is an ongoing series, and will (or at least should) have to live with the ramifications for years to come.
...
There was absolutely no need for the writers to drag the Federation's reputation into the mud in the final episodes. Georgiou was the real antagonist - Sarek and Cornwell's involvement just made them look like weak-willed fools. Symbolically it would have closed the circle enough for Burnham to stand against Georgiou alone, because it mirrored her first mutiny, only this time in the name of peace instead of war.
Burnham has one of the clearest character arcs of any main character in Trek.How does this work as an example of a character arc, though? What are the "lessons learned"?
People sometimes don’t make sense. We do things for stupid illogical reasons. The show might be trying to reflect that. They behave like actual human beings. Are you familiar with actual humans? Not the ones on Star Trek, the ones outside your house.You seem to be missing the point here, which is that the behavior and motivations "clearly presented onscreen" do not make sense when taken at face value. If we want to rationalize them in any reasonably convincing way, then, "fan theory" is the only avenue left.
Most criticism is about the quality of the writing. Not the behavior of fictional people as if you know how they think more than the writer. It can be stupid motivation, but that’s not what is being argued.The height of arrogance? Far from it. It's criticism, that's all, in the tradition of pretty much all media criticism ever.
I actually care more about the drama of the story, losing myself in it rather than obsessiving over shit that isn’t real. Yeah, if you want to think you’re an expert on the psychology of fictional aliens, more power to you. But I’m just going to laugh and ignore it because your opinion on how aliens should think carry absolutely no weight in my opinion. If you don’t like how they behaved, that’s fine. That’s your opinion about the quality of it. But there is no standard for how Klingons should act because it has changed with every series to some degree. You aren’t an expert of it, you just remember how they acted in one series versus another. Because Klingons in TOS act drastically different than they do in TNG and they act different than the ones in ENT. How do you explain that Mr. Expert? Oh yeah, it’s just a show and Klingons don’t exist.It all depends on the context, unless you're trying to argue that any and all criticism of internal story logic in fiction is inherently pointless. If the writers on Game of Thrones show characters moving impossible distances overnight, would you insist they're not "wrong" about the geography of Westeros because Westeros "doesn't exist"?
I watched the show; I remember the sequence of events. What I'm saying is that it not a thematically, ethically, or psychologically coherent sequence of events. In particular, this part...Burnham has one of the clearest character arcs of any main character in Trek.
In a nutshell...
...just doesn't work for me.--In the end, when once again faced with a choice in dealing with the Klingons, this time she doesn't abandon Starfleet principles and ethics, she takes a chance that the "nuclear option" just might not be the right one. Her crew, having watched, worked, and fought with her over the months, backs her up and sure enough, they come up with a solution that ends the war that some think she started, without Starfleet committing genocide.
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