Exactly, Jack Wall did a great job with both. I even bought the ME2 OST before the game's release, that's how much I loved ME1's soundtrack.They don't need new composers, ME1 and ME2 were fantastic soundtracks, I say finish the trilogy with the same composers.
Exactly, Jack Wall did a great job with both. I even bought the ME2 OST before the game's release, that's how much I loved ME1's soundtrack.They don't need new composers, ME1 and ME2 were fantastic soundtracks, I say finish the trilogy with the same composers.
That's almost like hearing O'Donnell/Salvatori won't be doing the Halo 3 OST. Or John Williams won't be doing Return of the Jedi. Yuck.
It is an excellent piece of music, I used to watch the trailer for The Two Towers just to hear it. When I found out about the original version of Lux Aeterna I fell in love with that more than the bombastic, epic version, so much so that I sought out and watched the film (and greatly enjoyed it/was greatly disturbed by it).Lux Aeterna is unbelievably over used. That's hardly the fault of the piece itself. It's an excellent piece of music, and that's the very reason that it got latched on to by anyone trying to make an "epic" music video on Youtube.
I would find it difficult to disagree more, the music in ME is fantastic and I often catch myself thinking about it. From the Wreckage, The Illusive Man, The Normandy Reborn and others are great tracks, but The Suicide Mission takes the cake. I think it is one of the finest tracks in a modern video game and it had me absolutely pumped throughout the final mission.IMHO, the switch to Mansell is a great thing. The previous ME soundtracks weren't all that great and I can't remember a single track from them aside from the ME1 death music and the galaxy map music (and I had to think really hard before coming up with that one).
His score for Black Swan was great, as well.I'd recommend listening to his scores for The Fountain and Moon.
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