I'd have to disagree with that. Listening to the Complete Recordings, which are based on the EEs, I think whatever missteps might occur are thoroughly outweighed by the benefits. Shore's additions for the EEs are as organic and as compelling as the original scores.One major negative issues with the EE that I didn't mention is how scenes that got cut into sections (with material added between) killed the original score. While I applaud the producers in having Shore record new material (and bridging material), the bridging material is often nowhere near the quality of the original composition.
Sorry but I really disagree, I mean it isn't bad work, but some pieces are really ruined. I do love the complete recordings (As it gives us so much more of the score), but the bridging material (not the material for full new scenes, that I love) doesn't maintain the flow of the music (as well as the theatrical).