Well, you really gotta be careful when you try to talk a computer out of doing something:
Dark Star is a movie of fucking genius that is not talked about enough.
Well, you really gotta be careful when you try to talk a computer out of doing something:
Agreed. I think a lot of folks ignore it because it was a low budget film. But I've always found it to be fun, funny, intelligent and creative.Dark Star is a movie of fucking genius that is not talked about enough.
The 1970s and 1980s TV sets made the miniatures in Logans Run look much better than they do now on remastered bluray. That was true even on good weather days with no snowy reception or ghost images.
The water makes the miniature look SO bad, it that was decent looking it would have helped a little in selling the visual.
Yes, but the odor of ozone and a warm picture tube experienced while frantically adjusting the vertical hold and turning the antenna made that issue pale in comparison.Well, somewhat. I think even then you could tell they were pretty obvious miniatures.
Saw the film first run in the theater (I was 13) in 1976 and sorry the miniture shots of the city brought laughter from members of the audience and even at 13 I thought they looked like toys.Random comment.
The 1970s and 1980s TV sets made the miniatures in Logans Run look much better than they do now on remastered bluray. That was true even on good weather days with no snowy reception or ghost images.
No need to apologize for it. I didn't make them.Saw the film first run in the theater (I was 13) in 1976 and sorry the miniture shots of the city brought laughter from members of the audience and even at 13 I thought they looked like toys.
There were elements of that explored in the sequel novel. Despite the different endings of the movie and the first novel, the sequel created the scenario you describe.By blowing up the city (aside from probably killing part of the population), you've sent hundreds of pampered children, teens, and young adults fleeing into the wilderness, completely unprepared for survival there. They have no supplies, no medicine, no tools, no guidance, no idea how to build shelter, much less a new and just society that will avoid the mistakes of their past. Most likely, a "strong man" will emerge, backed by a cadre of former Sandmen, forcing the the frightened survivors into servitude.
There were elements of that explored in the sequel novel. Despite the different endings of the movie and the first novel, the sequel created the scenario you describe.
As I recall, the sequel novel (which was published after the movie) moves as a quickly as possible, as in a couple of pages, to undo the ending of the original novel and bring us to a new status quo roughly equivalent to the end of the movie version. The authors were apparently going after the movie audience, who would be expecting a sequel to the movie, not the book.
That's sort of like what Arthur C. Clarke did with 2010: Odyssey Two, except he straight-up wrote the novel as a sequel to Kubrick's movie instead of his own original novel (e.g. moving the monolith to Jupiter rather than Saturn). But then, Clarke was never one for continuity between his books in any case.
As I recall, the sequel novel (which was published after the movie) moves as a quickly as possible, as in a couple of pages, to undo the ending of the original novel and bring us to a new status quo roughly equivalent to the end of the movie version. The authors were apparently going after the movie audience, who would be expecting a sequel to the movie, not the book.
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