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Less Money equals better creativity.

DimesDan

No longer living the Irish dream.
Admiral
According to Steven Moffat himself, he hasn't really worried about the budget cuts that the BBC have been implementing across the board according to a report on the BBC News website:

Dr Who boss unworried by squeeze

Doctor Who boss Steven Moffat has said that the current financial climate has has forced the sci-fi show's production team to be creative.

"There will never be enough money to make Doctor Who," Moffat said.



"We could spend Avatar's budget and still ask for more, because it's a show that's set in every point in history and every place in the universe."



The series returns on 3 April with a new creative team led by Moffat, and a new Doctor, played by Matt Smith.



Moffat told the BBC he did not consider the budget when writing episodes.



"What we think is what we need to achieve, and how we're to achieve it, given whatever financial circumstance we're in," he said.



"A lot of the most iconic things about Doctor Who are a direct consequence of financial shortcomings."



He pointed out that the idea of the Tardis - the Doctor's time-space machine - was the result of the original production team in the 1960s making the best use of what was already available.



"They said 'we've got a police box from Dixon of Dock Green - let's make a box that's bigger on the inside', and thus was born the single best idea in all of fiction," said Moffat.



He added: "Budget cuts are tough: I don't like them, but they force you to be creative. You've seen that trailer. Does it look like we've had a budget cut?"



Larger Tardis


Matt Smith's debut adventure - The Eleventh Hour - and a new season trailer were screened to the press in Cardiff last week.




The first story sees the newly-regenerated 11th Doctor crash the Tardis on Earth, where he meets a new companion Amy Pond (played by Karen Gillan).



The episode will also reveal a redesigned Tardis interior. The new set is twice the size of that inhabited by David Tennant's 10th Doctor.



"So much was new," said Moffat, "it would have been cowardly not to have a new Tardis as well."



According to BBC Worldwide, Doctor Who has sold to over 50 territories worldwide and was a top five selling programme in 2009.



There have been 3.3 million DVD sales to date, and more than 7m action figures have been sold.



In 2009, BBC Children's Books sold over 300,000 Doctor Who books.



Filming on the new 13-part series was due to have ended on Saturday.



The new series launches in the US on BBC America on 17 April and ABC Australia on 18 April.
 
They could always pull a Pertwee and "exile" Matt Smith to Earth for the remainder of his run.;)
 
I love the line "there will never be enough money to make Doctor Who" what exactly has Moffatt been trying to make, if there will never be enough money to make it right.

as for Less money = better creativity, there is obviously a cut off point, that point being when it starts to look cheap on screen.

I do hope Mofft is using alot of new locations, and lot of the ones in End of Time were locations we had already seen at least once before.

7 million action figures, that is the most impressive stat in the entire article.
 
Of all the shows on the air, Doctor Who has the least to worry about. If it means fewer episodes shot in Dubai, big deal. It's always been about the characters and the writing. And anyway, you got people with homemade green screen outfits making videos for YouTube that have superior SFX to what Star Trek TNG and DS9 (never mind Who) were delivering 17-20 years ago. The notion that all SFX has to be expensive is outdated.

Budget cuts are only an issue if you want to pay big bucks for guest stars, build nothing but practical (as opposed to CG) sets, and travel around the world. It's also an issue if the network itself decides to only make X episodes instead of XX episodes. Otherwise, I don't see the problem. At least not with a series like Doctor Who.

Alex
 
Yeah, Doctor Who got along for a VERY long time with budgets probably half the size of what they got now. I'm not really worried about what these new cuts might do.
 
Absolutely agreed. Doctor Who, in a way, benefits from a smaller budget. That's one of the things I love about the classic series. It was constantly pushed into a corner financially and it responded with great stories and settings to overcome the limitations.
 
And great little directors tricks which are, in some instances, ingenious.

It's a double edged sword though. The same catalyst that has been responsible for great things like the design of the TARDIS has also given us aluminium foil Vardans and the Murka.
 
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If you want proof that low budget can mean good stuff, then...
Caves of Androzani was made on a small budget, so it's darkly lit to disguise the fact that only half of the sets are actually there, and the supporting cast are all ;argely unknown, but good, actors.
The Twin Dilemma has a lot of budget, brightly lit sets, and some halfway prominent guest stars who're miscast. (though Warriors of the Deep is a more interesting comparison in some ways).
Guess which one generally comes top of 'Best Who ever made'; polls, and which one often comes right at the bottom.
 
Yeah, Doctor Who got along for a VERY long time with budgets probably half the size of what they got now. I'm not really worried about what these new cuts might do.

Before the massive CGI Daleks and CGI landscapes lets remember the show used tinfoil from someone's kitchen.
 
Yeah, Doctor Who got along for a VERY long time with budgets probably half the size of what they got now. I'm not really worried about what these new cuts might do.

Before the massive CGI Daleks and CGI landscapes lets remember the show used tinfoil from someone's kitchen.

Actually I think you'll find it was from the BBC canteen ;)

Frankly budget and creative control are a double edged sword, and I could quite easily throw out countless examples of directors who've let success and funding go to their heads. Terminator is a hundred times the film Avatar is, Heavenly Creatures infinitely better than King Kong, Doomsday is an abomination compared to Dog Soldiers...I could go on. Oft times I think film makers need constraints. Jaws probably wouldn't have been half the film it is if the shark hadn't been so poor that spielberg had to limit its appearances. Same with Star Wars, if you hear some of the things Lucas planned...well again I don't think it would have been nearly so good.

The BBC aren't daft, they know that Who is a critical and commercial success, so I imagine even budget cuts aren't quite so swathing for Who as for a lot of other shows. (And it probably helps that Smith and Gillian won't be earning anywhere near what I imagine Tennant and Tate did--not that they weren't worth every penny)
 
A smaller budget CAN lead to better creativity.

Or it can just lead to an inability to do anything right. It really depends on the situation. Robot had a self-evidently small budget, but that didn't make it any more watchable -- only Tom Baker's sheer force of charisma rescued that one.

Having said that, I'll trust that Moffat and Company know what they're doing and how to turn their financial constraints into better opportunities for creativity.
 
If they're suffering budget cuts and worries, perhaps they shouldn't be doubling the size of TARDIS console room?
 
Previous episode locations unite!

The Next Doctor- the stables where the doctor explained to Jack.

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New Earth-Cassandra's hiding place

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12519505.jpg

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you know its possible that I am better at spotting things being done on the cheap after watching Confidential, where they brag about it, and point it out to us.

The examples shown before from End of Time, are just awful.

and Daily Mash on the budget cuts.
 
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