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Leonard Rosenman 1924-2008

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Composer Leonard Rosenman has passed away at the age of 83. You can read about him here. He of course wrote the Oscar-nominated score to Star Trek IV - The Voyage Home.

Neil
 
He also conducted and adapted the music in Kubrick's Barry Lyndon; and do so superbly, and for that I have always admired him.

RIP, Mr. Rosenman. :(
 
Chekov's Run from Star Trek IV never fails to bring a smile to my face.

All the composers borrowed from their previous work and Rosenman was no exception. But sometimes fans are too eager to overlook the fact Star Treks II & III, as classic as they were, lifted several pieces from Battle Beyond the Stars and Krull for its iconic moments. I just helps that those other films are obscure and all but forgotten today.

The Voyage Home opening music is easily the most light-hearted movie theme and that reflected the warm humour of TOS perfectly.
 
The score to Star Trek IV has always been one of my favorites. I know it's derided by some folks who hate anything that's not the TMP score, but it had an adventurous, yet lighthearted quality that really fit the mood of the film. IMO it deserved the Oscar nomination.
 
The score to Star Trek IV has always been one of my favorites. I know it's derided by some folks who hate anything that's not the TMP score, but it had an adventurous, yet lighthearted quality that really fit the mood of the film. IMO it deserved the Oscar nomination.
Yeah, I've always liked his score for TVH. It doesn't have the same sound as TMP or TWOK, but then again it shouldn't... TVH was by and large a comedy, and even the dramatic parts felt lighter than they did in the previous Trek films. A good composer writes a score that's appropriate to the material, and that's exactly what Rosenman did.
 
That's very sad, but I have to say i hate the score of Trek IV.

2-4 are a trilogy and the score seems so out of place.
 
The score to Star Trek IV has always been one of my favorites. I know it's derided by some folks who hate anything that's not the TMP score, but it had an adventurous, yet lighthearted quality that really fit the mood of the film. IMO it deserved the Oscar nomination.
Yeah, I've always liked his score for TVH. It doesn't have the same sound as TMP or TWOK, but then again it shouldn't... TVH was by and large a comedy, and even the dramatic parts felt lighter than they did in the previous Trek films. A good composer writes a score that's appropriate to the material, and that's exactly what Rosenman did.

Indeed. I too have always enjoyed the TVH soundtrack and it's opening theme, it had an adventurous quality to it. I also liked his rendition of the Alexander Courage TOS theme in the final scene of the movie.
 
The Score for TVH was probably my third favorite after TUC and TMP. It was lighthearted, and told the theme of the movie we were about to watch greatly. Also, it puts me a good mood. RIP Mr. Rosenman. :(
 
:(

I always was a fan of his ST IV work, even if others aren't. Didn't realize it was nominated for an Oscar, though. Have any other Trek scores been nominated, besides Goldsmith for TMP?
 
One common thing I hear critics say about this score is that it doesn't fit the scale of what Star Trek should be. My question is what the hell does that mean? What type of music should Trek have? I always thought Trek was about hope for a better future, so shouldn't that mean the music shouldn't be depressing? I don't know but I didn't think we had geniuses who knew what Trek music should or shouldn't sound like.
 
I don't know about critics (I assume you're referring to professional critics), but around here, the criticism of the music seems to go hand-in-hand with criticism of the film being so light and comedic after the dour seriousness of TMP and the loss-burdened space opera of TWOK and TSFS, as though Trek is "too good" for comedy. Well, maybe it was in the Berman-era, but some of the fan favorites from the classic show are the comedic episodes ("Trouble with Tribbles, the two Harry Mudd episodes, "A Piece of the Action"). I guess Star Trek — and some of its fans — forgot how to have fun.
 
I don't know about critics (I assume you're referring to professional critics), but around here, the criticism of the music seems to go hand-in-hand with criticism of the film being so light and comedic after the dour seriousness of TMP and the loss-burdened space opera of TWOK and TSFS, as though Trek is "too good" for comedy. Well, maybe it was in the Berman-era, but some of the fan favorites from the classic show are the comedic episodes ("Trouble with Tribbles, the two Harry Mudd episodes, "A Piece of the Action"). I guess Star Trek — and some of its fans — forgot how to have fun.

That's another thing I don't understand. I've always saw Star Trek as a very variety driven show. You can be serious, you can laugh, you can be emotional, it just depended on the week. Why have we as a society come to the whole if it's Dark and Gloomy, it's excellent. If it's anything else than it sucks. Doing comedy wrong might be one thing, but to criticize a movie because it tried to be a comedy and reach out to the mainstream audience is unfounded IMO. I guess that's why I rank 4 so highly. It was a mainstream movie, and it was very Trekkien in nature, despite it being not as serious and gloomy as the first three.
 
I always thought the score for that movie was well done considering they had to combine a futuristic sci-fi space opera with a light hearted mid-80s comedy.
 
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