Yeah, I've always liked his score for TVH. It doesn't have the same sound as TMP or TWOK, but then again it shouldn't... TVH was by and large a comedy, and even the dramatic parts felt lighter than they did in the previous Trek films. A good composer writes a score that's appropriate to the material, and that's exactly what Rosenman did.The score to Star Trek IV has always been one of my favorites. I know it's derided by some folks who hate anything that's not the TMP score, but it had an adventurous, yet lighthearted quality that really fit the mood of the film. IMO it deserved the Oscar nomination.
Yeah, I've always liked his score for TVH. It doesn't have the same sound as TMP or TWOK, but then again it shouldn't... TVH was by and large a comedy, and even the dramatic parts felt lighter than they did in the previous Trek films. A good composer writes a score that's appropriate to the material, and that's exactly what Rosenman did.The score to Star Trek IV has always been one of my favorites. I know it's derided by some folks who hate anything that's not the TMP score, but it had an adventurous, yet lighthearted quality that really fit the mood of the film. IMO it deserved the Oscar nomination.
I don't know about critics (I assume you're referring to professional critics), but around here, the criticism of the music seems to go hand-in-hand with criticism of the film being so light and comedic after the dour seriousness of TMP and the loss-burdened space opera of TWOK and TSFS, as though Trek is "too good" for comedy. Well, maybe it was in the Berman-era, but some of the fan favorites from the classic show are the comedic episodes ("Trouble with Tribbles, the two Harry Mudd episodes, "A Piece of the Action"). I guess Star Trek — and some of its fans — forgot how to have fun.
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