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Khan's Into Darkness Appearance change finally explained

And even if he did, I wouldn't put S31 past manipulating his mind.
Lol, come on.
According to this thread Khan's mind was manipulated by Section 31, so why not Scotty? Transwarp beaming is a pretty big status quo breaker.

However, I tend to think S31 merely took all his prior research and the shuttle from Delta Vega, and that the formula was too complex for non-Vulcans to recite from memory.
 
So we should assume Scotty could invent the formula himself but not remember it himself? Why?
 
BigJake said:
Except that one should be able to just transport the bombs without bothering with the ship, right? (In fact... why even bother with Kirk at all? Just send some Section 31 guys to blow some shit up on Kronos and leave enough evidence for the Klingons to figure out who it was.)
And tip them off to Starfleet's game-changing new ability?
 
So we should assume Scotty could invent the formula itself but not remember it himself? Why?
Because when he finally perfected it, it would have been post-"Relics", with much more advanced technology and a century of further knowledge at his fingertips. Young Scotty saw it scroll by on a computer screen.
 
BigJake said:
Except that one should be able to just transport the bombs without bothering with the ship, right? (In fact... why even bother with Kirk at all? Just send some Section 31 guys to blow some shit up on Kronos and leave enough evidence for the Klingons to figure out who it was.)
And tip them off to Starfleet's game-changing new ability?

I don't really see why not ("we can now teleport bombs direct to your homeworld" would be like having interstellar ICBMs, not the kind of thing governments are shy about proclaiming), but you wouldn't necessarily have to. Absent the full information the Klingons would be most likely to assume the bombs came from a ship.
 
More to the point, the black Perry White shows up in a true reboot, one with no connection to prior continuity. That's why he can be black - because in that universe he was never white.

A fair point. However, I'm not sure even that matters when you re-cast roles, especially in a universe of easy facial reconstruction.
 
So we should assume Scotty could invent the formula itself but not remember it himself? Why?
Because when he finally perfected it, it would have been post-"Relics", with much more advanced technology and a century of further knowledge at his fingertips. Young Scotty saw it scroll by on a computer screen.

Sorry, I was forgetting that Spock did transmit his older self's formula to him*. But Scotty didn't just "see it scroll by on a computer screen," he understood it and worked out from what he saw what it was he had been doing wrong. (He says something like "it never occurred to me to think about space as the thing that was moving" or some such, yes?) Which suggests that he grasped the principle and could reproduce it.

686930833d405fcf7d7e792359d2b638.jpg
 
(EDIT: Uh, I just realized this reply now contains almost none of your original text, Ovation. Sorry about that, I was trying to trim it for length. I think (and hope) that I summarized the basic arguments I was responding to fairly. This is meant to be more of a general overview of some basic points of contention than a point-by-pointer.)

"Totally fictional" means what it says. No basis in reality.

On taking a break and giving it a re-read, I do see a little better what you're going for here and in the subsequent passages. Yes, I would probably say that for degree-of-offensiveness, you can make a case that whitewashing Khan is not quite up there with whitewashing Nehru. Stipulated.

I can't get all the way to its being irrelevant, though. Later on you say:

when ethnicity is irrelevant to the character, I consider it a non-issue

... and mention characters like Perry White. That's a false comparison: Perry White doesn't come with an inbuilt backstory like Khan does. And at the end of the day, you can't call ethnicity completely "irrelevant" to a character whose ethnicity we all know. And that's the bottom line. If the character is specified as having a South Asian background, you had better expect it to occur to people why one would avoid casting a South Asian in that situation. Whether he came out of a test tube or was born from a bolt of lightning does not make a great difference to the questions about the entertainment marketplace and the treatment of actors and audiences that these things bring up. So trying to say that having an in-universe rationale for the whitewashing makes it unimportant ultimately just doesn't work.

You are also right that Khan -- in particular NuKhan -- isn't built with ethnicity as the core of the character. So, does that make it okay? Actually it can just as easily make the racebending stick out even more.

It would be like casting a white woman as Uhura; technically Uhura's ethnicity is not really that important to the kind of woman she is, certainly not in NuTrek -- she's defined much more by her drive and ambition and brilliance and getting-it-on-with-Spock-ness -- but her ethnicity would still be in frame and whitewashing her would only bring up even weirder and more jarring questions of why an actress of colour was deemed unsuitable to portray those positive traits. Which indeed is exactly what came up for the Racebending.com blogger with Khan (emphases mine):

Marissa Sammy said:
But all of that will be marred by having my own skin edited out, rendered worthless and silent and invisible when a South Asian man is portrayed by Benedict Cumberbatch up on that screen. In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.

And that’s why the role has been taken away from actors of colour and given to a white man . . . villains are generally played by people with darker skin … unless the villain is one with intelligence, depth, complexity.

Now, here's what I said about this in my original version of this post:

A much more irritable BigJake said:
These questions come up, of course, because not too long ago it was common for Hollywood to openly pass over actors of colour because of explicitly racist assumptions about whether they could be portrayed as having positive traits. The contention that this could not tacitly be happening today is questionable at best and risible at worst. That sort of thing is why I told you your dismissiveness is foolish and dickish in almost equal measure.

Too harsh, perhaps. But I've preserved it here because I don't want to pretend like I'm immune to the same factors that irritate someone like Marissa Sammy, and that are major irritants to nonwhite participants in discussions like this that white participants are typically oblivious to. And I know you're not being wilfully obtuse or trying to be a dick, but I think it's something you've fallen foul of, which is the unseen privilege gap.

You're shocked and think it constitutes being "up in arms" when someone like Marissa Sammy doesn't like whitewashing because (at least I'm guessing this is the reason) you're largely unaware of what a bleak landscape confronted SF fans of colour looking for positive representations of themselves, or representations of themselves at all, in the genre they loved before the Nineties (and to a lesser but still notable extent still today, hence why Racebending.com exists). It seems like it shouldn't be a big deal to you because you've never had to think about it. But it's a big deal to someone like Sammy precisely because of how barren that landscape was. That a character like Uhura was a big deal for Black Americans in the Sixties television landscape was not because they had all this great representation and diversity to choose from; it's rather an incredibly sad commentary on how racist both SF and television had been to that point.

Today's landscape is not the Sixties, but many of us can still remember times in our lifetime that resonate with those kinds of concerns and that kind of barrenness. Instances of whitewashing concern people not because of the performance of this or that actor necessarily, but because they feel like hints of a trend in a retrograde direction that we want to move away from instead of back to. So it's not going to impress those people to be told by someone who has zero clue about those experiences about what being "up in arms" is and whether it's appropriate or not. That isn't up to just you, and that's the most important thing you need to recognize.

This is not to say that an outlet like Racebending.com is always in the right, of course. I think your point about their implying that someone ought to have checked with them before casting Khan -- which Sammy can be read as saying there -- is valid, that's taking it too far. I just happen to think that bog standard attempt to dismiss the whole concern as irrelevant goes equally too far in the other direction.

Don't want to do a point by point of everything here (otherwise it will start resembling work too much).

I'm aware of the overall issue of "whiteswashing" and I am not unsympathetic to attempts to resist it overall. I'm quite happy that no one would even consider, for even a moment, casting someone like Alec Guinness as an Arab prince today. I'm also sympathetic to the desire to see greater ethnic and gender/sex diversity in roles where it is easily done (as referenced by my earlier examples--you may not see a parallel between Perry White and Khan on the basis of backstory, but we can at least agree that casting a black man in the role of Perry White represents a step forward overall, non?).

In the end, I do not see Khan as a representative example because I do not share your view that his ethnicity was as widely known as you think. Among Trek fans, sure (though I maintain that actual evidence is more tentative than has become "conventional wisdom"). Among the general viewing audience, not so. Far more people have come to the character via the films rather than the episode and the ethnicity there is vague at best. Further, I'd wager a majority of the viewers of STiD have not seen TWOK (as hard as that might be to believe for any long-time Trek fan). For them, the ethnicity is not remotely important. And this is where the Uhura analogy you make falls down--unlike Khan (a character seen onscreen a grand total of twice--save brief flashes of still images in a smattering of episodes), the "main seven" of TOS have been seen by far more people. To change Uhura to a white woman would be a far, far more grievous act.

Obviously, not everyone views the specific case of Khan as I do regarding the overall issue of "race bending", but just because I do not share concerns about this specific case does not mean I am insensitive to the issue as a whole. My current research fields for work are immersed in the clashes of perception informed by ethnicity, religion, race, language and other issues (I teach modern Middle Eastern history and I am preparing for a major project examining anglo-franco interactions in policing in early 20th century Quebec, which also includes a religious component as part of the social fabric of that period. I'm also living through an ongoing socio-political debate about religious and ethnic symbolism in the public sphere--look up the debate on the proposed Quebec Charter of Values if you're interested.). It's not that I cannot imagine the difficulty of finding positive representations of one's identity in popular culture (as someone who was "too French" when living in Ontario or in the US, and "too English" when living in Quebec, my plight is not nearly as bad as it is for visible minorities, but it is not without its frustrations). It's simply that I do not find this specific instance of Khan a significant problem. YMMV
 
So we should assume Scotty could invent the formula itself but not remember it himself? Why?
Because when he finally perfected it, it would have been post-"Relics", with much more advanced technology and a century of further knowledge at his fingertips. Young Scotty saw it scroll by on a computer screen.

Sorry, I was forgetting that Spock did transmit his older self's formula to him*. But Scotty didn't just "see it scroll by on a computer screen," he understood it and worked out from what he saw what it was he had been doing wrong. (He says something like "it never occurred to me to think about space as the thing that was moving" or some such, yes?) Which suggests that he grasped the principle and could reproduce it.

Big difference between grasping a concept and being able to instantly reproduce something from memory.
 
In the end, I do not see Khan as a representative example because I do not share your view that his ethnicity was as widely known as you think. Among Trek fans, sure . . . Among the general viewing audience, not so.

I suppose one can claim about "the general audience" whatever one likes, but this doesn't wash with me. Khan's two appearances are two of the most widely iconic known-to-more-than-just-Trekkies moments in the original franchise; in terms of overall profile he most certainly rivalled major villains of other franchises (your Darth Vaders and Magnetos and General Zods) long before NuTrek. In fact that's precisely why NuTrek was trying to cash in on him and why Lindelof thought of him as the franchise's equivalent of the Joker.

So the supposition that it's only Trekkies who know anything about the character's ethnicity seems spectacularly unlikely. More general knowledge will come from TWOK than Space Seed, but even then the episode's fairly clear identification of him as a Sikh* has had plenty of time to percolate, which is probably why it's not just Trekkies who notice that it's a bit weird for him to be cast as a pasty Brit when his name is "Khan Noonien Singh." (That's why you frequently encounter the question on non-Trekkie general audience-focused sites.)

(* Which is fairly clear; it's the baroque avoidance of the plain reading that's a far more obscurely fannish endeavour, one I'd never encountered in fact before coming here.)

... a fundamental misunderstanding of why racebending is an issue. The whole idea that racebending is less important if the general audience doesn't notice it is not just dubious. It completely misunderstands why racebending is an issue at all.

One of the chief occasions for racebending is the whitewashing of coloured characters during the transition from a niche audience to a more general one, most probably reflecting the casual assumption still current in much of Hollywood that it is most proper -- and/or more profitable -- for mainstream screen culture to be as white as possible regardless of the changing demographics of the audience. The casual racism underlying that assumption -- the notion that whitewashing is okay if it is assumed to appeal to more people -- is the issue. The issue is about norms and the erasure of POCs from cultural representation as a normal, mainstream practice.

That's where the term "racebending" comes from: the spectacular example of whitewashing perpetrated on the Avatar: The Last Airbender franchise's transition to the big screen and to a general viewing audience. People have a problem with whitewashing because it amounts to announcement that their kind are not welcome in mainstream representations of culture. That is the entire conflict at play.

You say "just because I do not share concerns about this specific case does not mean I am insensitive to the issue as a whole." And fair enough, I'm not saying you're a complete monster about it or anything remotely close to that, by and large your heart seems to be in the right place.

But that misunderstanding above there? That's a pretty basic dynamic to not understand if you're claiming to be sensitive to the issue, and it hints pretty strongly that -- whatever your other academic accomplishments, which I would take nothing away from -- there may be some work to do there.

So, to sum up... I disagree with you. :) Although we do agree about this:

I'm also sympathetic to the desire to see greater ethnic and gender/sex diversity in roles where it is easily done (as referenced by my earlier examples--you may not see a parallel between Perry White and Khan on the basis of backstory, but we can at least agree that casting a black man in the role of Perry White represents a step forward overall, non?).

Yes. The picture isn't all bleak, good things are happening too.

At any rate I'm sorry about my earlier impatience. It was a useful exercise spelling this out after all, and though I think you're quite wrong, you've been quite reasonable about the whole business and I do appreciate that.
 
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In the end, I do not see Khan as a representative example because I do not share your view that his ethnicity was as widely known as you think. Among Trek fans, sure . . . Among the general viewing audience, not so.

I suppose one can claim about "the general audience" whatever one likes, but this doesn't wash with me. Khan's two appearances are two of the most widely iconic known-to-more-than-just-Trekkies moments in the original franchise; in terms of overall profile he most certainly rivalled major villains of other franchises (your Darth Vaders and Magnetos and General Zods) long before NuTrek. In fact that's precisely why NuTrek was trying to cash in on him and why Lindelof thought of him as the franchise's equivalent of the Joker.

So the supposition that it's only Trekkies who know anything about the character's ethnicity seems spectacularly unlikely. More general knowledge will come from TWOK than Space Seed, but even then the episode's fairly clear identification of him as a Sikh* has had plenty of time to percolate, which is probably why it's not just Trekkies who notice that it's a bit weird for him to be cast as a pasty Brit when his name is "Khan Noonien Singh." (That's why you frequently encounter the question on non-Trekkie general audience-focused sites.)

(* Which is fairly clear; it's the baroque avoidance of the plain reading that's a far more obscurely fannish endeavour, one I'd never encountered in fact before coming here.)

... a fundamental misunderstanding of why racebending is an issue. The whole idea that racebending is less important if the general audience doesn't notice it is not just dubious. It completely misunderstands why racebending is an issue at all.

One of the chief occasions for racebending is the whitewashing of coloured characters during the transition from a niche audience to a more general one, most probably reflecting the casual assumption still current in much of Hollywood that it is most proper -- and/or more profitable -- for mainstream screen culture to be as white as possible regardless of the changing demographics of the audience. The casual racism underlying that assumption -- the notion that whitewashing is okay if it is assumed to appeal to more people -- is the issue. The issue is about norms and the erasure of POCs from cultural representation as a normal, mainstream practice.

That's where the term "racebending" comes from: the spectacular example of whitewashing perpetrated on the Avatar: The Last Airbender franchise's transition to the big screen and to a general viewing audience. People have a problem with whitewashing because it amounts to announcement that their kind are not welcome in mainstream representations of culture. That is the entire conflict at play.

You say "just because I do not share concerns about this specific case does not mean I am insensitive to the issue as a whole." And fair enough, I'm not saying you're a complete monster about it or anything remotely close to that, by and large your heart seems to be in the right place.

But that misunderstanding above there? That's a pretty basic dynamic to not understand if you're claiming to be sensitive to the issue, and it hints pretty strongly that -- whatever your other academic accomplishments, which I would take nothing away from -- there may be some work to do there.

So, to sum up... I disagree with you. :) Although we do agree about this:

I'm also sympathetic to the desire to see greater ethnic and gender/sex diversity in roles where it is easily done (as referenced by my earlier examples--you may not see a parallel between Perry White and Khan on the basis of backstory, but we can at least agree that casting a black man in the role of Perry White represents a step forward overall, non?).

Yes. The picture isn't all bleak, good things are happening too.

At any rate I'm sorry about my earlier impatience. It was a useful exercise spelling this out after all, and though I think you're quite wrong, you've been quite reasonable about the whole business and I do appreciate that.

I have neither the time nor the inclination to scour the web for information on this, but I can state unequivocally that no one I know who did not watch Space Seed but did see TWOK ever mentioned ethnicity to me except for a few who asked if he was supposed to be Latin American (owing to his accent) and one person who asked if he was Jewish like Madeline Kahn. And I disagree about the supposed influence of the TOS episode itself--Khan became famous in TWOK, he wasn't put in TWOK because he was already famous (outside Trek fandom--even then, several other Trek "villains" were more famous than Khan before TWOK among my fellow Trek fans, Kor being chief among them. And I was around in the "before time" ;) ). However, I'm not going to keep going in circles on this point. You think his ethnicity was well known among general viewers--I don't. Not much more to be done here.

I looked up Avatar: The Last Airbender (only knew it was among the latest in a string of flops by M. Night Shamalayan(sp?)--didn't know anything else about it before today). I agree that that was, to be charitable in the extreme, a poor artistic choice in terms of casting (after perusing the web, nothing I could say in less polite terms would add to the discussion). I can see why people would be upset (it upsets me on a conceptual level, but not having seen any iteration of it, that's as far as it goes for me). I still defend the filmmakers' right to choose the path they did. I do not in any way endorse the outcome of their choices. Still don't think Khan is a problematic case because I still don't think his ethnicity, owing to, in-universe, deliberately constructed nature of his character, is anywhere nearly as important as ethnicity is to The Last Airbender story and characters. What bugs me more (though, admittedly I didn't pay much attention in 1982 when I saw it at the cinema) is the transformation of Khan's crew--far less diversity in 1982 than in 1967, and owing to the uniformity of the 1982 crew's appearance, far more difficult to find a compelling reason for it in-universe (the "disguise" rationale that can easily be applied to Harrison/Khan is not applicable to the crew in 1982). However, 1982 was a different time than today, so in context, the "whitewashing" was relatively less objectionable than it would be today (emphasis on relatively). If there was a similar lack of diversity among 2013's Khan's crew (had they been all shown awakened), then I would have found it a lot more objectionable.

Anyway, I should get back to the pile of marking that does not seem to want to disappear all by itself. Au revoir.
 
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Avatar: The Last Airbender in its original form is well worth watching, by the way. You should totes check it out if you've never seen it, especially if you have any affection for either fantasy or martial arts (or both).

I still defend the filmmakers' right to choose the path they did. I do not in any way endorse the outcome of their choices.

Just as a final aside: the filmmakers' right to choose is not at issue. It's their right to choose whitewashing without facing criticism, disapproval, or outright boycotting that's at issue. Filmmakers have the perfect right to whitewash whatever they want, whenever they want. They absolutely do not have the right to social approval (or commercial approval) of that decision.
 
Avatar: The Last Airbender in its original form is well worth watching, by the way. You should totes check it out if you've never seen it, especially if you have any affection for either fantasy or martial arts (or both).

I still defend the filmmakers' right to choose the path they did. I do not in any way endorse the outcome of their choices.

Just as a final aside: the filmmakers' right to choose is not at issue. It's their right to choose whitewashing without facing criticism, disapproval, or outright boycotting that's at issue. Filmmakers have the perfect right to whitewash whatever they want, whenever they want. They absolutely do not have the right to social approval (or commercial approval) of that decision.

On this point, we are in complete agreement.
 
Please tell me you're not about to ask us where your "White Entertainment Television" network is.
 
Don't get me started on ginger portrayal in popular media. If you disagree with me, I will steal your soul and add you to countless other freckles.
 
Ha ha, we're all prejudiced to a point. i.e., it's OK to make fun of me because I'm a redhead, but it's not OK to make fun of black people because they are black. Don't you dare cast a brunette of any race in the story of my life, if you have the misfortune of directing it.

Point being; race is irrelevant. Sit back and enjoy the story, for Buddha's sake! Jesus! If you criticize the filmmakers for choosing Ben for the role of Khan, you're stereotyping just as much as everything you're trying to criticize (in less words).

Your soul now resides on my left shoulder.
 
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