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Joseph Fiennes and Eva Green cast in Camelot TV series

It's simple really. The side that's speaking with American accents are the good guys. The side speaking with upper-class British accents are the bad guys.
Sometimes they mix it up and the good guys speak with British accents and the bad guys with French accents. :)

I was particularly amused by the JOAN OF ARC miniseries a few years back in which all the French characters were played by Americans! But how else do you get an American tv audience to root for the French against the British?
 
Joseph Fiennes as Merlin? We're talking the perpetually dull and irritable guy who was Mark Benford on FlashForward? Good grief. Okay, maybe having to do an American accent impeded his work, but it's hard to see him being that much better with his own accent. I would certainly never have pegged him as Merlin.

The ultimate brother battle

Joseph Fiennes as Merlin

VS

Ralph Fiennes as Voldermort
 
with the side we're invited to root for being more progressive, benevolent and democratic than it would have been in reality.
That's what I mean by modernizing a story to get the audience to buy into it. Actual early medieval people wouldn't have a "progressive" or "democratic" mindset - those ideas weren't valued until very recently in human history (even the ancient Greeks were an oligarchy, not a true democracy that shared power with everyone in a society) - and their idea of benevolence would be a benevolent absolute monarch who was just and kind, and didn't charge around lopping off the peasants' heads, but there was no expectations that the peasants should be free or valued as human beings. Benevolence was also what you could expect in the afterlife, assuming you adhered mindlessly to the religious dogma of your day.

A good example of the "honest" way to do an ancient historical story is Rome. The characters were never written with any sop to modern sensibilities, and that probably contributed to the early cancellation of the series (plus the exorbitant expense). There were two stories: one, a power struggle among sexy, famous people who behaved deplorably; and the other, the saga of an abusive, egotistical jerk who drives his wife to suicide and causes disaster for his entire family. Who is there to root for? I watched it for the costumes and the sets, but after two seasons, I was pretty much done with the whole bunch of them.

Similarly, I'm sure I'd have fun with Camelot, assuming it has a lot of surface glitz and sensationalism, but I don't expect to relate to the characters any more than I relate to the characters on The Tudors, who are all either grotesque victimizers or pathetic victims.

Joseph Fiennes as Merlin? We're talking the perpetually dull and irritable guy who was Mark Benford on FlashForward?

I have a hunch that he was simply miscast. He shouldn't try to play Americans. But playing an ancient wizard who is a bit oily and duplicious might be more up his alley.
 
But how else do you get an American tv audience to root for the French against the British?

Remind them that we'd still be British subjects now if the French hadn't saved our hides in the Revolutionary War?


Oh, I absolutely agree. It drives me nuts that the average American seems to have forgotten this.

True story: I was visiting a famous Revolutionary War battlefield a few years ago when I overheard a father helpfully explaining to his children that Lafayette was the commander of the British forces . . . .

The pain, the pain!
 
I didn't see this when I was skimming so I thought I'd let everyone know that coming soon.com posted the official description in the past couple days. Here's what it says
In the wake of King Uther's sudden death, chaos threatens to engulf Britain. When the sorcerer Merlin has visions of a dark future, he installs the young and impetuous Arthur, Uther's unknown son and heir, who has been raised from birth as a commoner. But Arthur's cold and ambitious half sister Morgan will fight him to the bitter end, summoning unnatural forces to claim the crown in this epic battle for control. These are dark times indeed for the new King, with Guinevere being the only shining light in Arthur's harsh world. Faced with profound moral decisions, and the challenge of uniting a kingdom broken by war and steeped in deception, Arthur will be tested beyond imagination. Forget everything you think you know ... this is the story of Camelot that has never been told before.

http://www.comingsoon.net/news/tvnews.php?id=72546#ixzz18mgm6Zrh
From what I know of the stories, it sounds like they might be kinda changing things around. Still sounds interesting to me though.
 
:censored::scream:Sorry, when I came in the thread was already four pages long and I just barely skimmed.
 
Forget everything you think you know ... this is the story of Camelot that has never been told before.

Doesn't sound like it. It's still got the same old accretions from over the centuries -- Merlin, Guinevere, etc.

Just once, I'd like to see a King Arthur story that strips away all the magic and myth and legendary stuff added on by English and French storytellers over the centuries and depicts an Arthur as close as possible to what history and archaeology can establish. Say, Arthyr as a Cornish chieftain in Britain just after the end of Roman occupation, banding other chieftains together to battle their mutual enemies, the invading Anglo-Saxons.

(And yeah, I know there was that King Arthur movie some years back that alleged to be a historically realistic depiction of Arthur, but that was total BS.)
 
That's what I mean by modernizing a story to get the audience to buy into it. Actual early medieval people wouldn't have a "progressive" or "democratic" mindset - those ideas weren't valued until very recently in human history.
I don't think that sort of anachronistic approach necessarily strikes audiences - or at least most in the audience - as an implausible, cheesy turnoff, though, especially in the context of a fantasy. How successfully the tone of the movie or series is executed and whether it's sold as serious historical drama or simply as fantasy entertainment makes a big difference.

Similarly, I'm sure I'd have fun with Camelot, assuming it has a lot of surface glitz and sensationalism, but I don't expect to relate to the characters any more than I relate to the characters on The Tudors, who are all either grotesque victimizers or pathetic victims.
I think the need for characters to be relatable is somewhat overblown. Characters just need to be entertaining to hold an audience's interest. Plus, as I said before, audiences will often root for characters who in a real world context have much that's negative about them. Al Swearengen was a bastard, but he was a hugely entertaining bastard who wasn't as bad as the really evil Cy Tolliver, so audiences often found themselves rooting for Swearengen. I expect Camelot will have a much more straightforward good guys versus bad guys set-up than that and a rooting interest won't be a problem.
 
I'd love a straight up adaption of Jack Whyte's Arthurian books. Or better yet, Bernard Cornwell's The Warlord Chronicles. Some of the best Arthurian fiction out there. Period.

Eva Green is one of the reasons why I immediately took notice of this series. I thought that was inspiring casting.
 
Just once, I'd like to see a King Arthur story that strips away all the magic and myth and legendary stuff added on by English and French storytellers over the centuries and depicts an Arthur as close as possible to what history and archaeology can establish. Say, Arthyr as a Cornish chieftain in Britain just after the end of Roman occupation, banding other chieftains together to battle their mutual enemies, the invading Anglo-Saxons.
I'd be happy with a film or TV adaptation of Bernard Cornwell's Warlord Chronicles. It's pretty much just like what you described, except told from the viewpoint of one of Arthur's war chiefs rather than from Arthur himself. Although Merlin and Lancelot do appear in the story, though they're not interpreted in the same fashion they typically are.
 
Forget everything you think you know ... this is the story of Camelot that has never been told before.

Doesn't sound like it. It's still got the same old accretions from over the centuries -- Merlin, Guinevere, etc.

Just once, I'd like to see a King Arthur story that strips away all the magic and myth and legendary stuff added on by English and French storytellers over the centuries and depicts an Arthur as close as possible to what history and archaeology can establish. Say, Arthyr as a Cornish chieftain in Britain just after the end of Roman occupation, banding other chieftains together to battle their mutual enemies, the invading Anglo-Saxons.

(And yeah, I know there was that King Arthur movie some years back that alleged to be a historically realistic depiction of Arthur, but that was total BS.)
Read the Warlord Chronicles by Bernard Cornwell.
 
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