That has to be one of my favorite musical sequences in any movie. Right up there with "The Asteroid Field" in ESB.It's not one of my faves, but I agree the score is great - especially in the Stealing The Enterprise scene, which I think is one of Trek's best sequences.
I loved it when I first saw it but after I thought about it I just don't feel the same.
I know this isn't really the way trends go but I liked the premise of Star Trek and this movie is really where the premise is thrown away for the "characters of Star Trek" to take over. Yes, it's them still, but there's no more exploring or meeting new people or even a routine military exercise. It's just all about them and Star Fleet is suddenly, from top to bottom, full of morons and idiots.
They did? Are you including “Yesteryear” in this?Vulcan, which was the only planet besides Earth that the Enterprise visited more than once in the show.
What the movies are really missing is that feeling of being in deep space which the show had. I think it would have been great if the movies had never shown earth except in TVH.The reality is that Star Trek is not about "exploring" nearly as much as people like to pretend it is.
They did? Are you including “Yesteryear” in this?
I loved it when I first saw it but after I thought about it I just don't feel the same.
I know this isn't really the way trends go but I liked the premise of Star Trek and this movie is really where the premise is thrown away for the "characters of Star Trek" to take over. Yes, it's them still, but there's no more exploring or meeting new people or even a routine military exercise. It's just all about them and Star Fleet is suddenly, from top to bottom, full of morons and idiots.
^What a technicality.![]()
I'm not sure I understand the complaint. It was an unsatisfactory movie because it focused on the characters and their relationships? I've heard a lot of people object to a lot of things regarding Star Trek in my life, but that is a definite first.
It's because the World is entirely about the characters in this film. They stopped being people with jobs who had adventures. They became epic figures.I think I know what you mean, but, at least to me Star Trek is at its best when it's about the characters.
It's because the World is entirely about the characters in this film. They stopped being people with jobs who had adventures. They became epic figures.
Chekov asks "Will we get another ship?" A week ago they didn't serve on the same ship. What would they need a ship for? They might be wondering what their next jobs are, sure.
I love the movie as I said, but this is when the movies totally lost the world and it became entirely about the character's wacky adventure.
It's because the World is entirely about the characters in this film. They stopped being people with jobs who had adventures. They became epic figures.
Chekov asks "Will we get another ship?" A week ago they didn't serve on the same ship. What would they need a ship for? They might be wondering what their next jobs are, sure.
I love the movie as I said, but this is when the movies totally lost the world and it became entirely about the character's wacky adventure.
It's about the characters in a believable(ish) world. If it's not about the world they exist in it's not Star Trek. Kirk's not an admiral in a space faring navy anymore. He's an intergalactic hero.I still don't think I fully understand.
It's a movie that should be about the characters, not the world they exist in.
It's about the characters in a believable(ish) world. If it's not about the world they exist in it's not Star Trek. Kirk's not an admiral in a space faring navy anymore. He's an intergalactic hero.
I've mentioned this before, but I think Star Trek III gets severely overlooked regarding the amount of world-building it established. Up to that point, we had seen VERY little of the universe Kirk and company inhabited. We take it for granted now, because we've seen 100's and 100's of hours of Trek since TSFS premiered, but at the time, this was the most expansive look at the Trek universe we had ever had.
Think about all the things that TSFS showed established, or expanded upon:
1. The Excelsior-class, which went on as a mainstay all the way through the rest of the films and the 24th-century television shows.
2. Earth Spacedock, which is now iconic.
3. The Klingon Bird-of-Prey, which became synonymous with the primary Trek villain for almost 2 decades.
4. The Oberth-class starship, which was a very unique Federation design.
5. Transwarp drive
6. Certain elements of Vulcan culture and society (Fal Tor Pan, Mt Seleya, the concept of a Katra, etc.)
7. Established the Klingons, in terms of refining / defining their behavior and appearance, as they would be known for virtually the rest of the life of the franchise
8. First depiction of a Federation Starship self-destruct
9. Considerable expansion of Sarek's character, who would become much more important to the franchise after this film
10. This would set up Kirk's continued hatred / distrust of Klingons, which became a key character trait in the next films.
Again, up to this point, we had nothing that even came close to this. The other two films did a fair amount of world-building, but not nearly as much as we saw in TSFS. The designs and other elements introduced in this movie had a significant impact on the look and feel of the franchise for the next 20 years.
I've mentioned this before, but I think Star Trek III gets severely overlooked regarding the amount of world-building it established. Up to that point, we had seen VERY little of the universe Kirk and company inhabited. We take it for granted now, because we've seen 100's and 100's of hours of Trek since TSFS premiered, but at the time, this was the most expansive look at the Trek universe we had ever had.
Think about all the things that TSFS showed established, or expanded upon:
1. The Excelsior-class, which went on as a mainstay all the way through the rest of the films and the 24th-century television shows.
2. Earth Spacedock, which is now iconic.
3. The Klingon Bird-of-Prey, which became synonymous with the primary Trek villain for almost 2 decades.
4. The Oberth-class starship, which was a very unique Federation design.
5. Transwarp drive
6. Certain elements of Vulcan culture and society (Fal Tor Pan, Mt Seleya, the concept of a Katra, etc.)
7. Established the Klingons, in terms of refining / defining their behavior and appearance, as they would be known for virtually the rest of the life of the franchise
8. First depiction of a Federation Starship self-destruct
9. Considerable expansion of Sarek's character, who would become much more important to the franchise after this film
10. This would set up Kirk's continued hatred / distrust of Klingons, which became a key character trait in the next films.
Again, up to this point, we had nothing that even came close to this. The other two films did a fair amount of world-building, but not nearly as much as we saw in TSFS. The designs and other elements introduced in this movie had a significant impact on the look and feel of the franchise for the next 20 years.
Star Trek III: Kirk's Emo Phase
Seriously, though, that is one badass leather jacket he wears in this film.![]()
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