I'd hang onto Kirk's Hamlet self-doubt aspect more, which tended to fade as the show went on. A little of it goes a long way but they rather forgot about it to the detriment of his character.
I'd avoid making Spock into the Swiss Army Knife character. Every "advantage" he had should have been offset by a weakness. e.g. He's from a desert planet and yet he's more capable than Bones at handling cold. Wrong.
I'd have Rand in a role other than the yeoman. Roddenberry apparently pictured her as the Miss Kitty to Kirk's Marshall Dillon, but that kind of relationship doesn't work for a subordinate, especially not the Captain's assistant. She could have been the ship's records officer or something like that where she's always around and able to be involved in the stories but not being a valet.
I'd put hard limits on repeating plot contrivances like time travel, duplicated characters, and the goddamned godlike beings. Enough.
I'd instruct the costume and set dressing people to "mix it up" more on those strange new worlds that are something like Earth. e.g. just cause the streets in Landru-land land look like 19th century America the costumes needn't be pulled from the same era. And make the clock NOT 12 hours for Pete's sake.
I'd have spotted the Flat Cats steal the moment Gerrold brought it in an told him not to bring me bald copycats like that.
Mostly, I'd vastly improve the writer's guide to actually help non-SF familiar TV writers in writing the show, and also help SF non-TV writers write for the show. The bible they had didn't do either job well, sorry to say.
I'd avoid making Spock into the Swiss Army Knife character. Every "advantage" he had should have been offset by a weakness. e.g. He's from a desert planet and yet he's more capable than Bones at handling cold. Wrong.
I'd have Rand in a role other than the yeoman. Roddenberry apparently pictured her as the Miss Kitty to Kirk's Marshall Dillon, but that kind of relationship doesn't work for a subordinate, especially not the Captain's assistant. She could have been the ship's records officer or something like that where she's always around and able to be involved in the stories but not being a valet.
I'd put hard limits on repeating plot contrivances like time travel, duplicated characters, and the goddamned godlike beings. Enough.
I'd instruct the costume and set dressing people to "mix it up" more on those strange new worlds that are something like Earth. e.g. just cause the streets in Landru-land land look like 19th century America the costumes needn't be pulled from the same era. And make the clock NOT 12 hours for Pete's sake.
I'd have spotted the Flat Cats steal the moment Gerrold brought it in an told him not to bring me bald copycats like that.
Mostly, I'd vastly improve the writer's guide to actually help non-SF familiar TV writers in writing the show, and also help SF non-TV writers write for the show. The bible they had didn't do either job well, sorry to say.