It's definitely ironic when shooting on location hurts your production value rather than helps it. I think there's this jerky helicopter shot rising up over the mountains (the crew have been in caves for a while and are coming back out) that really does add scope to the movie. But overall the location work just doesn't give this movie the same boost that it does for The Voyage home.The irony is that Insurrection had a huge movie budget compared to First Contact ... because of that movie's success, and because that movie was produced on a relative shoestring mostly on the soundstages at Paramount... which led to luxuries like extensive location shooting (a *lot* of location shooting) being possible for Insurrection because it had the money to schlep everyone out to beautiful remote locations in the countryside... but ironically, it ended up looking like it was shot in one of the two of the places a few hours drive away from LA they habitually shot any location footage needed for the TNG series, so the end result was a movie with a bigger budget than its immediate predecessor, and which spent that budget going to pretty mountainscapes they could never have afforded to on TV, but which looked ten times cheaper than even some of the TV episodes, lol... curiously, The Final Frontier 's budget was pitiful by comparison, but Insurrection looked about as cheap as it![]()
I would guess Patrick Stewart was also more expensive by this time; that may have also prevented the film's increased budget from benefiting it significantly.
What struck me on reviewing this movie just last week is how much more confident Frakes' directing is than First Contact. He gets a lot more close-up shots of his actors this time. They're not as well balanced as most of the shots in Nemesis, but they're a lot more dynamic than the medium shots he mostly got for First Contact. But then you have this layer of TV-quality post production slathered over everything, and the resulting mix is just weird.
I remember being astonished by the negative reaction to Insurrection as well, though I shared it years later when the special edition DVDs finally caught up with it (2005?). Nemesis I was harsh with immediately, although other people's reaction to Insurrection may have factored into that.I sometimes wonder how much of that played into Insurrection and Nemesis. Are either one top notch Star Trek films, no. Each had potential but blew it in different ways. But I frankly never understood the hate and animosity both engender among fans.
It's popular to hate on both movies. I sometimes wonder if you sat a Star Trek fan down to watch both movies who had never heard anything about either film (they were in a coma since 1998 maybe) what would they think of the two? That'd be an interesting question.
I can tell you when I came out of Insurrection I sort of wish more was mentioned or made of the Dominion War that was going on (though it was in it's final year). I know that was more of a DS9 thing but I think more could have come from that without requiring DS9 knowledge. But I thought it was an ok movie. I was entertained.
When I came out of Nemesis, the same thing. I thought it was an ok movie. I didn't like the Kolarus scenes. I didn't care for B-4 but I was actually sort of relieve that maybe Data wasn't lost forever. I know that idea gets a lot of flak from fans, but that's what I thought coming out. I actually liked Schinzon and the whole clone-echo idea. I was a bit disappointed that there wasn't more made of the Romulans here but I didn't hate the film. So overall I came out, ok, not a bad film, I ranked it number 2 of the 4 TNG films. When I started reading the hate spewed at it, I was frankly surprised and mystified. I just thought, hmm, ok, it wasn't blockbuster material, but it was OK. So that's why I have my running joke that I'm one of the 10 people that liked Nemesis.
Both movies had poor word-of-mouth for months in advance. And I knew ST was over walking out of Nemesis. ENT started limping immediately after (seems to me they'd had a string of stronger eps at the top of 2nd season), because they were soon planning their 3rd season arc to try and revive the show.
Both TNG movies came roughly about the time of AICN, and around the time of the "Berman and Braga" fan backlash (Braga had nothing to do with either film, and I still don't know what season he rose from showrunner of VOY to co-producer). So the franchise was in pretty bad shape, and I don't think Ru'afo's "blood in the water" speech to the corrupt admiral was coincidence. Although I may have my events mixed up; I was aware that my friends and I didn't like VOY as far back as 2nd season, and the snarky short-lived magazine Sci-Fi Universe (Mark Altman was an editor) was "supposedly" ragging on DS9 even before Generations hit theaters (I didn't think their article 'Deep and Confused' was at all insulting; but they were later absolutely vicious with VOY). I remember being surprised when I liked First Contact as much as I did at the time, and it's hard to say exactly when wider fan opinion started catching up to the feeling that Trek was running out of gas -- because I was already feeling like it needed to go away for awhile.
I never thought Insurrection was weaker than Generations. Nemesis I quickly soured on because it's such a dark, tone-deaf and lifeless viewing experience, and unfortunately it still is for me. And The Final Frontier is just really embarrassing in places. And they're all tied for me right now. They're at a place far enough down the list that I just can't expend the energy to decide on a criteria for ranking them.
And yet I can't dismiss them. Show me a really bad ST episode (Spock's Brain, Threshold) and I'll wipe it as having never happened. I can't do that with a ST movie. Something about the title fonts, the music and the 2.35 aspect ratio makes every ST movie (even a bad one) worth revisiting.