Don't be absurd. ST09 actually gave Uhura a personality, which is far more than TOS could say. And ST09 deliberately undermines the patriarchal image of the alpha male getting the girl -- if you'll recall, in ST09, Kirk literally never manages to hook up with anyone, while the "beta male" of the film is the one who is in a committed relationship that is clearly based on something much deeper than mere lust.
I feel like ST09 gave Uhura the personality of woman using her sexuality to climb the social ladder... on to the Enterprise.
The film establishes the
exact opposite. The Spock/Uhura scene in the shuttle hanger makes it clear that Uhura was more than qualified, on her own merits as an officer-cadet, to serve aboard the
Enterprise because she was the highest-accomplishing officer-cadet. Commander Spock re-assigned her to avoid the
appearance that she had gained her seat aboard the
Enterprise due to her relationship with him; Uhura made it clear that that would be punishing her for her private life and denying her an opportunity that she had fairly and completely earned.
In short, her romantic life almost
cost her her seat on the
Enterprise. She did not use her sexuality to climb the social ladder. The fact that you assume she did says far more about
your attitudes towards whether or not a woman can accomplish something than it does about the film.
The guy she has this deep relationship with is one of her instructors at the academy.
Actually, we have no information on when Spock and Uhura's relationship began. It is entirely possible that it was not until after Spock was no longer her instructor that they began their relationship.
It's fair enough to note that it's a bad idea for Uhura to be in a relationship with the first officer of the ship she is assigned to -- but this does not mean that the film is endorsing the idea of male dominance. Especially since, frankly, I think that the relationship dynamic made it very clear that
Uhura is the more dominant partner in their relationship and Spock more submissive, or at least relatively more passive. I don't think they're doing boss/secretary.
Does it make a difference who is nabbing the girl if the game is still to nab the girl?
But the game
isn't to get the girl. That's the point. Kirk
acts like the game is to get the girl, and because of that, he
never gets a girl. Spock does not regard the game as being "get the girl;" he enters a relationship because he cares about Uhura and she about him. It's a
subversion of the idea that the game is to get the girl -- the guy who thinks it is does
not get a girl, and the one who treats women as
people and cares about them (however stoically) is the one who loves and is loved in return.
How about having a bar fight to see who gets to nab the girl.
What about it? The point of that bar fight is to establish Kirk's combination of immaturity and personal bravery, not to endorse all of his behavior. Or do you think that the main characters should be like Dudely Do-Right, without flaw?
So yeah, I still think this movie was super patriarchal and heteronormative.
I'll grant you the heteronormativity -- though I view that as a function of the fact that the film is based on a 1960s TV series that itself had no LGBTQ characters. I don't think the filmmakers had any deliberately anti-LGBTQ agendas, and I am hopeful that future sequels will feature
Trek's first LGBT characters.
But I think you're twisting the film around to claim it's "super-patriarchal." The most sexist thing about the film is the fact that they kept the female miniskirts -- and even that is mediated by the fact that there are female officers wearing the standard duty uniforms. Certainly the film went out of its way to be more egalitarian in its treatment of the characters as objects of desire -- Kirk spent as much time half-naked as the female characters.
1. Star Trek has never been as intelligent, socially aware, or tolerant as it has liked to think of itself as being.
2. That the primary goal of the film series is to deliver a well-executed action/adventure story does not mean that they can't do social commentary. See The Dark Knight.
3. That ST09 focused on establishing the characters over social commentary does not mean it lacked intelligence.
1. I'll certainly grant you that one. Its the idea that it could live up to that promise that frustrates fans like me.
2. You're right about that too, but ST09's world view, if we actually look into it, is authoritarian, patriarchal, and all around Star Wars-ish.
In what
possible sense is ST09's worldview "authoritarian?" The damn thing features Kirk getting rewarded left and right every time he breaks a regulation!
3. I don't feel any characters were established well in this film aside from repeating their catch phrases, and Kirk being a violent frat boy *explative*.
Fair enough, but that's a completely subjective experience; I thought that the film managed to serve the characters well by telling the story about how two people with very different personalities and values learned to cooperate and care about each other -- interpersonal IDIC. It's a much more character-driven sort of story than the political allegories many seem to want, but I don't think it's invalid as a way of re-introducing the characters.
Because, of course, a popular film cannot be socially aware. After all, most people aren't as smart as you and I.
What was that you were saying about egalitarianism?
There's the populism of the Facist/authoritarian/reactionary variety and the populism of the liberation/egalitarian/revolutionary variety, and this film has more of the former than the latter.
Again, how's that?
And how is it that you can claim to believe in egalitarianism when you proclaim a film that has broad popular appeal to be one that "caters to the lowest common denominator" -- as though to imply that the majority of people are less intelligent than yourself?
TOS gave us bigoted Vulcans, too. So did DS9 and VOY and ENT. Let's face it: Some Vulcans have always had chips on their shoulders about non-Vulcans, and that's been present from the first time Sarek was described as refusing to speak to Spock after he joined Starfleet in TOS.
Heck, ST09 painted Sarek in a much kinder, less bigoted light than TOS did.
I got nothin here. I've clearly been defeated here, and I withdraw my earlier comments.
Fair enough.
I suppose its the fact that they're depicted as violent bullies that made it jump out at me. That just seemed unbelievable.
I'm not trying to pick on you here, but I think you should probably remember that it was actually Young!Spock who threw the first punch, not the other Vulcan kids. They were verbally abusive -- but that's consistent with "Journey to Babel," in which the Lady Amanda recalls that Spock was verbally bullied by other Vulcan children when he was a child.