TMP is one of those movies one needs to appreciate in its historical context. In its day, it was a good movie and exactly what star trek fans were craving for after going more than a decade without any trek post-TOS.
It hasn't aged well, but that doesn't bother me. All I know is that I was mesmerized, with chills up my spine, watching it in that Philadelphia movie theater back in 1980.
Hey, I saw it in Philadelphia too - at the big-screen Fox theater (on the west side of City Hall) that was torn down later in 1980 for an office tower - but the "craving" of this long-denied fan wasn't totally met by
TMP, sorry to say. I recall very well the 1970s drought, when (other than the brief network run of the animated series) fans had only reruns with bad syndication cuts, book adaptations, and the occasional related book such as Gerrold's
World of Star Trek. So I too was very enthusiastic when I entered the theater, but reality intervened quickly: the flaws in post-production, the tin-ear dialogue (e.g., Kirk saying "radio" as if he'd never used the term "subspace radio" himself), the weird casting of Persis Khambatta (I could never tell whether she was a bad actor or was just called upon to play Ilia that way; someone like, say, Madeline Stowe in the role would not have made you wonder what the answer to that question was), the ludicrous story resolution (must all officers named Decker suicidally act to end a threat by a hugely destructive force? Guess so).
What I mean is that I would have loved to love
TMP at first sight, but it wasn't meant to be. (And the network TV edit a few years later only made things worse.)
I remember that the Philadelphia Inquirer's film critic at the time initially swooned over
TMP and then backtracked two weeks later, writing (I still remember this, it was so absurd)
"with some reservations, I liked it very much..." By contrast, the Daily News' reviewer had it right the first time, noting the TV episode-like aspect of the movie (i.e., that there was a moment of tension at semi-regular intervals, analogous to what one would see before a commercial break).
Excellent modelmaking, though. Real craft of a sort we're not likely to see again in the CGI era. I did love that Enterprise, on the outside at least.