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I preferred the Prime timeline.

I'm perfectly fine with in medias res as long as they fill in the missing gap and make the transition integral to the story. I understand she's not the lead but she has a long-term arc and you can't just skip ahead on it and not look back without insulting everyone who was invested in seeing her gradually change. It's like meeting your adopted child decades later and her refusing to tell you anything about her life.

Ugh, I can already hear the forced dialogue, "So, Seven, how have you been since marrying Ensign Kim, taking that honorific position at Hoity Toity Institute of Pomposity, living in Mozambique and winning the Daystrom-Cochrane Prize for crapity-crap crap?"

Seven will be different in PICARD. More human. It's definitely weird because if the characters on VOYAGER didn't change from their first appearance to their series finale, why have they changed now? Surely Tom Paris is still running gambling operations in holodecks and Ensign Kim continues to pine after Libby. (Haha!)

But seriously: a screenwriter could cover Seven's character journey in a few lines of dialogue:

SEVEN: "What're you doing out here, Jean-Luc? Saving the galaxy?"
PICARD: (languidly) "I recently saved a crop of viognier, my dear Ms. Hansen. I like to think each drop a galaxy unto itself."

He pours Seven a glass.

SEVEN: "Y'know, you're the only one who ever calls me that. Hansen."
PICARD: "Humanity was your stolen birthright, Annika. And you worked long and hard to rebuild what you lost, a path we've both walked separately."
SEVEN: "Not that separately. Not always."

Seven looks at Picard with warmth and fondness and appreciation like a loving daughter to her father.

SEVEN: "The years you spent with me -- helping me find my way -- they were everything."
PICARD: "It was nothing. The labour was yours. Now, Annika Hansen, what brings you here?"​

Or perhaps Seven and Picard will have a lengthy arc with periodic flashbacks to earlier adventures.
  • One episode has a flashback with Seven relentlessly stalking Picard, Picard unsure why, until Seven explains that he was once Borg and freed himself and regained his humanity and Seven wants to do the same.
  • A subsequent episode flashback shows Seven and Picard as almost daughter/father and on a mission where Picard instructs Seven to let him die and save civillians instead, and Seven complies, has an emotional moment and in seeking to at least recover Picard's body, discovers he stayed alive long enough to save him too.
  • Another flashback has Seven navigating sexuality and dating with more humanity now. Picard is at a loss, realizes that he no longer has anything to teach Seven and gets Troi to handle it.
  • A flashback where Seven accuses Picard of using her as a substitute for Data and Picard, hurt and unsure, sends Seven off on solo adventures to come into her own.
 
Seven will be different in PICARD. More human. It's definitely weird because if the characters on VOYAGER didn't change from their first appearance to their series finale, why have they changed now? Surely Tom Paris is still running gambling operations in holodecks and Ensign Kim continues to pine after Libby. (Haha!)

But seriously: a screenwriter could cover Seven's character journey in a few lines of dialogue:

SEVEN: "What're you doing out here, Jean-Luc? Saving the galaxy?"
PICARD: (languidly) "I recently saved a crop of viognier, my dear Ms. Hansen. I like to think each drop a galaxy unto itself."

He pours Seven a glass.

SEVEN: "Y'know, you're the only one who ever calls me that. Hansen."
PICARD: "Humanity was your stolen birthright, Annika. And you worked long and hard to rebuild what you lost, a path we've both walked separately."
SEVEN: "Not that separately. Not always."

Seven looks at Picard with warmth and fondness and appreciation like a loving daughter to her father.

SEVEN: "The years you spent with me -- helping me find my way -- they were everything."
PICARD: "It was nothing. The labour was yours. Now, Annika Hansen, what brings you here?"​

Or perhaps Seven and Picard will have a lengthy arc with periodic flashbacks to earlier adventures.
  • One episode has a flashback with Seven relentlessly stalking Picard, Picard unsure why, until Seven explains that he was once Borg and freed himself and regained his humanity and Seven wants to do the same.
  • A subsequent episode flashback shows Seven and Picard as almost daughter/father and on a mission where Picard instructs Seven to let him die and save civillians instead, and Seven complies, has an emotional moment and in seeking to at least recover Picard's body, discovers he stayed alive long enough to save him too.
  • Another flashback has Seven navigating sexuality and dating with more humanity now. Picard is at a loss, realizes that he no longer has anything to teach Seven and gets Troi to handle it.
  • A flashback where Seven accuses Picard of using her as a substitute for Data and Picard, hurt and unsure, sends Seven off on solo adventures to come into her own.

You've seriously missed your calling.....
 
And Romulus was destroyed in 2387 in the Prime Timeline, which Picard takes place after.

Fin.

To be fair, how do we know that Romulus did not also blow up in the Kelvin timeline in 2387? If the supernova was indeed a natural event (not caused be some type of shenanigans), it might have blow up also in the Kelvin timeline.

Just saying...
 
To be fair, how do we know that Romulus did not also blow up in the Kelvin timeline in 2387? If the supernova was indeed a natural event (not caused be some type of shenanigans), it might have blow up also in the Kelvin timeline.

Just saying...
Prime Spock left a provision in will that gave everyone a heads up so they had a Century to figure out how to stop it.
 
To be fair, how do we know that Romulus did not also blow up in the Kelvin timeline in 2387? If the supernova was indeed a natural event (not caused be some type of shenanigans), it might have blow up also in the Kelvin timeline.

Just saying...

If Picard's Kelvin, then I'm from Jupiter. :p
 
Spock would have told them that they had a century to move.

Or he could have created a smaller ecological problem that would have forced them to move that could not be tracked back to the Federation.
 
To be fair, how do we know that Romulus did not also blow up in the Kelvin timeline in 2387? If the supernova was indeed a natural event (not caused be some type of shenanigans), it might have blow up also in the Kelvin timeline.

Just saying...
They'll have lots more warning this time.

Plus, multiversal balance: In each timeline, a planet full of Vulcanoids dies horribly.
 
Everyone looks wrong because even though the same families were pushed into boning each other and using the same names, but the wrong sperms were hitting the wrong eggs, creating the wrong birthdays and the people had the wrong faces.

Kirk was born on the Kelvin sure, but middle age Kelvin Kirk still had to time travel a little, which would have jiggled time previous to his birth just enough to skew everything.
 
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But seriously: a screenwriter could cover Seven's character journey in a few lines of dialogue:

SEVEN: "What're you doing out here, Jean-Luc? Saving the galaxy?"
PICARD: (languidly) "I recently saved a crop of viognier, my dear Ms. Hansen. I like to think each drop a galaxy unto itself."

He pours Seven a glass.

SEVEN: "Y'know, you're the only one who ever calls me that. Hansen."
PICARD: "Humanity was your stolen birthright, Annika. And you worked long and hard to rebuild what you lost, a path we've both walked separately."
SEVEN: "Not that separately. Not always."

Seven looks at Picard with warmth and fondness and appreciation like a loving daughter to her father.

SEVEN: "The years you spent with me -- helping me find my way -- they were everything."
PICARD: "It was nothing. The labour was yours. Now, Annika Hansen, what brings you here?"​

Or perhaps Seven and Picard will have a lengthy arc with periodic flashbacks to earlier adventures.
  • One episode has a flashback with Seven relentlessly stalking Picard, Picard unsure why, until Seven explains that he was once Borg and freed himself and regained his humanity and Seven wants to do the same.
  • A subsequent episode flashback shows Seven and Picard as almost daughter/father and on a mission where Picard instructs Seven to let him die and save civillians instead, and Seven complies, has an emotional moment and in seeking to at least recover Picard's body, discovers he stayed alive long enough to save him too.
  • Another flashback has Seven navigating sexuality and dating with more humanity now. Picard is at a loss, realizes that he no longer has anything to teach Seven and gets Troi to handle it.
  • A flashback where Seven accuses Picard of using her as a substitute for Data and Picard, hurt and unsure, sends Seven off on solo adventures to come into her own.
You've seriously missed your calling.....
Oh, thank you for your comment and concern, but not to worry. From 2015 - 2016, I wrote an overwrought, overlong fanfic in screenplay format for my favourite TV show and the scripts featured hyperdetailed pastiches of the actors' line deliveries, body language and idiosyncratic performances. I completed my life's ambition and can absolutely die happy. Rest assured my calling was heard, met and fulfilled.
 
Actually, that’s not exactly true. It’s what the people currently in charge of Star Trek says it is. And while CBS is currently in charge, that may not always be the case in the future. Ten years from now CBS could sell me the rights to Star Trek, and then I would be the one who decided what was canon or not. Just pray that that day never comes, ENT and Star Trek: The Final Frontier.

Now, that's an interesting point. Can a new owner have total ability to declare something non-canon? I would declare Kelvin-verse non-canon, in a second, but it's an official production.

When Disney bought Star Wars, they declared the Expanded Universe to be non-canon, which made those novels fan fiction. But I don't know if even Disney can declare A New Hope non-canon.
 
Now, that's an interesting point. Can a new owner have total ability to declare something non-canon? I would declare Kelvin-verse non-canon, in a second, but it's an official production.

Sure, because “canon” has no legal meaning. It’s just a concept used to maintain a level of consistency in a body of work. The only caveat is whether they have the rights to explicitly refer to particular events in past instalments.

If they have the rights to refer to events from the TNG films (and I assume they do, as there is reference to Data’s sacrifice), the first episode of Picard can state that everything we saw in the last three TNG films was a product of Picard’s Nexus dream. Henceforth, official canon would exclude those three films.

That doesn’t mean fans would accept it, of course, since such declarations are not binding on anyone - they just act as a guide to writers of current incarnations.
 
Now, that's an interesting point. Can a new owner have total ability to declare something non-canon? I would declare Kelvin-verse non-canon, in a second, but it's an official production.

When Disney bought Star Wars, they declared the Expanded Universe to be non-canon, which made those novels fan fiction. But I don't know if even Disney can declare A New Hope non-canon.
This stuff isn't some Holy Writ the Pontifex Roddenberrius Maximus I, Blessed be his Name, once propounded and his sacerdotal heirs hold and protect in his name.
 
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