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I don't understand the production design...

"Grimdark"? :guffaw: I've never seen one canon example of Star Trek being "grimdark."

I think that's why everyone, including myself, is using it in quotations. ;)

Mirror Universe? Or is that too campy to be grimdark?

Campy Grimdark. It's its own genre (if it's not, I'm making it up right now) and it's closely related to Black Humor. So that's why I think arguments about what goes on in the Mirror Universe are so ridiculous. This is how I describe the Mirror Universe: looks like Michael Keaton's Batman, feels like Adam West.
 
Well, STDisco comes the closest for me. Season one just felt joyless and depressing, whereas AbramsTrek is fun and exciting.

Kor
 
"Grimdark"? :guffaw: I've never seen one canon example of Star Trek being "grimdark."

"The Best of Both Worlds", "The Drumhead", "The Wounded" from TNG alone. There's "The Siege of AR-558" from DS9, "Year of Hell" from Voyager, "The Enemy Within" and "The Day of the Dove" from TOS.

Star Trek can do dark themes with the best of them.
 
Also, try answering the question: if you had to live on one of these starships, in the real world, for twenty years, which would it be? It would be difficult anywhere, but I think the comfortable open spaces and holodecks of the Galaxy Class stand it apart. Also, I imagine shore leave/etc make it bearable. But people left there homes for long stretches all the time historically, and I see it as much more doable In the 24th century, especially with lifespans stretching to near 150 years.

Honestly, I'm not sure why this matters. What I would want in real life, and what I enjoy in entertainment are completely different things. In real life, sure, I'd choose to sit in a comfy easy chair, in front of a fireplace, reading a good book, preferably with a cat on my lap, but that wouldn't make a very exciting TV show. The question is what works theatrically and provides a dramatic setting for engrossing stories.

Would I want to fight the Borg in real life? Of course not. Is "Q Who?" a great episode? Absolutely.
 
"The Best of Both Worlds", "The Drumhead", "The Wounded" from TNG alone. There's "The Siege of AR-558" from DS9, "Year of Hell" from Voyager, "The Enemy Within" and "The Day of the Dove" from TOS.

Star Trek can do dark themes with the best of them.

That's not what grimdark means. It comes from Warhammer 40,000, and was originally mocking settings that add tons of brutality, pessimism, explicit sex content, and ultraviolence in order to convince the teenagers who are most attracted to it that it's "mature" - not "kid's stuff." One important trait is it takes itself totally seriously - it's not attempting to be campy like the MU Trek episodes.
 
That's not what grimdark means. It comes from Warhammer 40,000, and was originally mocking settings that add tons of brutality, pessimism, explicit sex content, and ultraviolence in order to convince the teenagers who are most attracted to it that it's "mature" - not "kid's stuff." One important trait is it takes itself totally seriously - it's not attempting to be campy like the MU Trek episodes.
Yep, that unfortunately describes Discovery pretty accurately (minus explicit sex content, which it could have had more of instead of Boringham monologues)
 
"Grimdark"? :guffaw: I've never seen one canon example of Star Trek being "grimdark."

DSC. Nomming people, severed heads galore, rape, graphic surgery, war crimes....
It’s like Brandon Braga’s Holodeck Fantasy withe safeties off.
 
"The Best of Both Worlds", "The Drumhead", "The Wounded" from TNG alone. There's "The Siege of AR-558" from DS9, "Year of Hell" from Voyager, "The Enemy Within" and "The Day of the Dove" from TOS.

Star Trek can do dark themes with the best of them.

None of those have dark themes. Closest there is seige. VOY did a couple of dark steps, and I hear ENT did. There’s one or two DS9 that are quasi dark...but still with the ‘hero’ nature to prevent it.
 
Discovery is much more "mama's boy plays heretic". Look at the way they handled the word "fuck".
 
Hmm...I must not be an American...:shifty:

Ok...let’s just say...the overall powers that be aren’t fond of it. The people are very fond of it, but aren’t allowed it in most entertainment, but shooting in the face with guns is very wholesome apparently. Have the overall powers that be got over Janet Jackson’s nipple yet, or are they still receiving counselling? ;)
 
Ok...let’s just say...the overall powers that be aren’t fond of it. The people are very fond of it, but aren’t allowed it in most entertainment, but shooting in the face with guns is very wholesome apparently. Have the overall powers that be got over Janet Jackson’s nipple yet, or are they still receiving counselling? ;)
No one asked my opinion on the matter.

However, I also believe that everyone would benefit from being nudists so what do I know?
 
And now we don't have LCARS, what is disaster.

I can't say I understand this particular critique. User interfaces change in real-life and in fiction.

In universe, Picard's Stargazer had movie-era panels in 2355. By 2364, 9 years later, Starfleet had switched to LCARS. It's been 18 years since we last saw TNG-era LCARS on screen. One would expect to see changes. In fact if we didn't see change, it would indicate a technologically stagnant universe.

TNG wanted to demonstrate that the the Stargazer was an older ship. The only reason the production used movie-era UI on the Stargazer was because they had the assets around. We're long past the era of film-negatives backed by lighting gels to represent computer panels. If the production had today's technology available, it is almost certain that they would've come up with a distinct UI for the Stargazer to tell the audience "this is old."

From the vantage point of 2399, LCARS is just as old as this:

O45JiwO.jpg

Mac in 1987 v. Mac in 2020
 
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That's all well and good but there is real world considerations that balance my fan desires. So, yes, safe and familiar is what sells and Hollywood is more risk adverse. I don't need a marketing degree to observe trends.

Fans speak a good game but haven't demonstrated a willingness to purchase it. So, that's the rub.

I mean, fan films went down the darker more grittier path long before DSC got accused of being "grimdark." Fan films explored ideas of war, and trauma and loss. So, if anything, CBS went the path that fans supposedly wanted. And yet, there is this neverending litany of complaints of them missing the point of Star Trek...:shrug:
Axanar is about a guy saving the Federation single handedly from klingons during a war and no one bats an eye, put a woman in the same situation and suddenly she's a Mary sue and star trek shouldn't be about war. Oh trekkies *laughs and shakes head*
 
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