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I’m watching The Original Series again

Re: The Trouble With Tribbles

The interesting thing about this "funny" ep is that the Klingons were planning an operation (executing an op, really) that would have made Kodos look like a poser. Where was the Organian intervention? The two forces can't wage war, but biological terrorism is in bounds? And the Federation's reprisal is a hold full of Tribbles?
 
Bread And Circuses

The Enterprise is tracking the survey ship SS Beagle, missing for six years, when it comes across a field of debris that can only be the remains of the ship. The fact that there are no bodies leads them to believe that the crew managed to escape their ship’s destruction. Backtracking the debris’ course, the Enterprise finds a world remarkably similar to Earth. Analysis of the communications reveals a world that has evolved in much the same way, a classic example of Hodgkin’s Law of Parallel Planet Development. The one difference is that in this world, the Roman Empire never fell. The society now is in a pre-atomic state, similar to Earth of the mid-twentieth Century. The television transmissions reveal as much, and trappings of the Roman Empire are apparent everywhere, most notably slavery and gladiatorial combat. There also appears to be a cult of sun-worshippers defying the polytheistic Empire. What alarms the crew the most is one such transmission of a blood sport, where a surviving member of the Beagle’s crew is killed. Captain Merrick of the Beagle was a former classmate of Kirk’s, and the possibility that the Prime Directive has been violated is alarming. Kirk, Spock and McCoy beam down to investigate, just in time to be captured by a hidden group of these cultists. Former Gladiator Flavius is all for eliminating these strangers, but when former senator Septimus hears tell of Merrick, and informs Kirk that a man named Merikus now holds high position in the Empire, they agree to cooperate and get to the bottom of the mystery. Flavius accompanies the three starship officers to the city, only for the four of them to be arrested by the guard. It’s to the arena for them, or at least the television studio, where they find that Merrick has indeed broken the Prime Directive, and informed Proconsul Claudius of the existence of a wider galaxy. Nevertheless Claudius convinced Merrick of the importance of protecting his society, and the surviving crew of the Beagle have either assimilated, or perished in the games. Now the Enterprise once again threatens Imperial Rome, and Claudius pressures Kirk to begin beaming his crew down to face the prospect of gladiatorial combat. Soon Spock and McCoy are entertaining the masses, while Kirk is made to watch. But Claudius will find that a starship Captain is made of sterner stuff than a man like Merrick.

For an episode built around one twist, the assumptions following the juxtaposition of ‘sun’ for ‘son’, this one is a remarkably satisfying story. Add to that, it’s one of those episodes where not a lot actually happens, and our heroes merely serve as observers of a world that is one footnote in history away from our own, a world where the Roman Empire never fell. Kirk’s mission is to find out what happened to the Beagle and its crew, and by the end of the episode he has done exactly that. The only significant narrative that occurs for the main characters is a brief stay at the Proconsul’s pleasure, necessitating a fight for survival. The real meat of the story comes from the religious overtones, the rediscovery of Christianity in the 20th Century, the awakening of monotheistic worship, and a sense of brotherhood and tolerance in a society built on slavery and blood sport. None of the trappings and paraphernalia of religion are evident. It’s very much a belief that is finding a focus, based on teachings that are probably passed down by mouth, without a canon of theology behind them. Of course this is done to keep the suspense going until the reveal at the end, but it also works in terms of common sense. I doubt that after 2000 extra years of the Roman Empire, these hidden cultists would have a King James edition on their person.

We get to see the difference between a spaceship and a starship, with the character of Merrick, a former Academy dropout contrasting against Kirk’s steel. The meteor damaged SS Beagle comes to this world looking for iridium ore for repairs, and finds a society untouched by outside interference. While the assumption is that Merrick broke the Prime Directive, and indeed he did by making Claudius aware of extraterrestrial civilisation. Claudius is extremely smart in that he works to limit the effects of the contact. His methods are brutal most certainly, and he is very much a creature of his Empire, but by demanding that the Beagle crew either assimilate or submit to the games, he is keeping his society isolated. Note that at no point does he display interest in the Federation or the technological wonders. It’s Merrick that opines that McCoy can advance medicine in the Empire. Quite naturally Merrick is motivated by self-preservation, as any average man would be. It becomes apparent that the Academy was quite justified in washing him out for ‘psychological’ reasons. The strength of the characterisation is such that it is the example of former classmate Kirk that eventually motivates him to do the right thing. This episode also confirms that the Prime Directive is a Federation wide law, which applies to all its citizens, and not just Starfleet. But in loose interpretation of the Directive, we learn that Scotty believes that Interference, and scaring the pants off a few million Romans are two completely different things.

Regulars-wise this is one of my favourite episodes. Not so much for Kirk, who gets to feast on stuffed sparrows, grapes, and Drusilla while his men languish in jail. He is the observer of this little tale, and we see it unfold through his eyes, only really called to empathise when he has to watch his men face death. This episode really sells the Spock McCoy relationship for me. They are on top form in this story, their byplay and barbed comments lighting up the script, yet the emotional connection they form in captivity as McCoy gains an insight into Spock’s character balances this perfectly.

Yet like Mirror, Mirror, this is one of those dumb-smart episodes. The concept is excellent, but the execution is lacking. Of course, I’d love to see this episode get the cinematic treatment, as the juxtaposition of stock footage and stage sets is jarring here, resulting in an episode that looks expensive and cheap in alternating scenes. But more telling is that this is a world that just doesn’t make sense. Spock announces that the natives speak perfect English. Shouldn’t they be speaking Latin? Unless of course the British absorbed the Roman Empire, but just didn’t bother changing any of the traditions, and only the language. And how big is this Empire anyway? They still have unknown Barbarians from across the oceans. Septimus accepts Kirk as such. But this is a modern society; surely they have explored and mapped their world, even if they haven’t conquered all of it yet. By the time we had television and radio, very little of the world remained unmapped. Again, in a world that has (for 1968) modern automobiles, radio, and television, the lack of atomic power is curious. Still it’s easier to accept (as a social choice), than Septimus’s statement that the stars in the sky are pinholes in the curtain of night. Were it a simple slave saying this, then that could be put down to deficient education, but Septimus is a fallen Senator. A world that has television but lacks any discipline of astronomy is surely unrealistic. Add to this that the big deal about this episode is the burgeoning monotheism in a society of polytheists, using the Roman Empire as an example. But if this society followed Earth’s closely, then surely Judaism predated the Roman Empire on this world. It’s also worth noting that Chekov mentions that the distance to the planet is one-sixteenth of a parsec, a distance the Enterprise can manage in seconds. That’s a fair fraction of a light year, and implies a velocity that far exceeds the warp scales of the Franz Joseph and TNG tech manuals.

These nitpicks are irrelevant once again, in an episode that is entertaining throughout. Even a throwaway line like Spock’s “they have an excellent road network” makes me smile. And Uhura gets to deliver the big reveal. This episode is also the first that I watched following the big announcement about CGI TOS. (I usually let these tirades stew for a good while on my hard drive before posting them, so I can work out the kinks and give them a proof read or two). And watching the effects with a more critical eye for a change, made me realise one thing. They don’t need updating, and to do so would just jar with the look of the show. But, I guess that argument has already been lost.
 
Journey To Babel

The member worlds of the Federation are at each other’s throats, metaphorically speaking, over the admission of Coridan into their ranks. This requires a diplomatic conference at the neutral Babel planetoid where they can work out their differences. The Enterprise has been assigned the task of conveying the delegates to the conference, and that necessitates dress uniforms to welcome them aboard. The final delegation from Vulcan arrives by shuttle, and Kirk is shocked to learn that Ambassador Sarek and his wife Amanda are actually Spock’s parents, and through his own lack of tact inadvertently steps into the middle of a family feud. It’s an argument that has lasted since Spock spurned his father’s instruction to attend the Vulcan Science Academy in favour of a career in the militaristic Fleet. But while family feuds can be vicious, they are nothing compared to the diplomatic manoeuvres between the various governments. The delegate from Tellar almost comes to blows with Sarek over the question of his vote, and when said delegate is found strangled, suspicion falls on Sarek, as one of the few on board who is capable of such a unique technique. At the same time, a mysterious vessel is shadowing the Enterprise, and encrypted communications are being transmitted both to and from the ship. It’s becoming increasingly apparent that there are parties willing to disrupt the conference at any cost. Meanwhile Sarek unwillingly reveals an airtight alibi, when he collapses with a life threatening heart condition. McCoy will have to operate to save his life, and Spock is the only source of T-negative blood on board. But then a member of the Andorian delegation stabs Kirk, rendering him incapable of commanding the vessel. Spock believes his duty lies to the ship, and refuses to relinquish command, even if it means his father’s life.

This is a golden patch for Trek, a stretch of excellent episodes, with Journey To Babel among the most memorable. This one stands out for two main reasons. The first is that we get to see this Federation of Planets that stands so firmly behind Starfleet, the second is the introduction of Sarek and Amanda, Spock’s parents. Joyous canon abounds, with the creation of two new races, the Andorians and the Tellarites, and we get oodles of background into Trek’s most memorable character. There really isn’t much I can say about the story; it’s your classic thriller, with murder and mayhem disrupting a diplomatic conference. The ship shadowing the Enterprise offers plenty of suspense, the presence of a spy on board, the brief implication that Spock’s father could be the murderer, followed by the revelation that he has a life threatening illness that necessitates a hair raising cardiac procedure in the middle of a pitched battle. In terms of pacing and suspense it’s hard to beat.

Far more interesting, if such a thing is possible is the Sarek family dynamic. It’s a dysfunctional family if ever there was one, with Sarek logically disapproving of his son’s career choice, while Spock quite logically rebels against his overbearing father. Both men stubborn to a fault, Sarek can’t admit that he’s actually proud of his son’s achievements, while Spock takes refuge in logic when his father needs him most. There is that culture of logic and rationality dictating both their actions, but strip away that Vulcan veneer and it is your typical father son dynamic that is seen in many a drama, with a lack of communication driving a rift between the two. It’s Amanda who is caught up in this, and it’s her reactions that drive the drama in this episode. It’s interesting to see that she comes aboard with a slightly holier than thou attitude, and she is just that bit condescending and lacking in diplomacy when she tells Kirk that the Vulcan way is a better one, if harder. The lie to that statement is revealed as the story unfolds, and she has to mediate between her stubborn husband and son. It becomes apparent that Vulcan logic winds up infuriating her and driving her to distraction. The message being that it is better to be true to oneself. This episode also has a stunning performance from Nimoy. The moment when Amanda confronts him in his quarters, demanding that he save the life of his father, appealing to his human heritage makes clear the burdens placed on his dual heritage. Since his father came aboard, he has been acting as the quintessential Vulcan, the man he assumes his father expects him to be. For a man rebelling against his father, wanting to live up to his expectations at the same time is brilliantly observed, and the pain that Spock goes through here is easy to empathise with.

The background story of Coridan is also worth considering. This is a sovereign world with a native population that is rich in resources that many want to exploit. As made clear in this episode, the Federation members are divided on whether to protect Coridan by admitting them to their brotherhood, or to exploit the resources. It’s also mentioned that some of the member worlds have designs on Coridan, and wish to mine the dilithium themselves. This naturally involves claiming Coridan as part of their territory, essentially annexing the world. This is monstrous. From what we have learned, the Federation is a forward thinking, peaceful coalition, yet this attitude is positively imperialistic. For a world like Tellar to claim an inhabited world as their own is tantamount to the Cardassian occupation of Bajor, and one is concerned to hear of a Federation where such actions can even be considered. It also attributes far greater autonomy to the member worlds than we would later see. It seems likely given this episode that each member world is free to explore and expand regardless of Federation dictates, its political governance and foreign policies remain sovereign, and the Federation merely exists to mediate disputes between the member worlds. I don’t see this Federation as a unified body with a President, more a United Nations analogue. Most telling is the indication that the Federation members are approaching this situation with swords drawn. It is mentioned in the episode that the prospect of war lies behind the Coridan issue, and that indicates the fragility and impermanence of the Federation. For the body to be so close to civil war over just one planet is worrying, and is a far cry from the august institutions we see later on in the movies and the later series. It’s worth considering how the worlds managed to cooperate long enough to build a fleet of starships in the first place.

Three points bug me about this episode. One is the dramatic device used at the start of the episode. We have to believe that Kirk has never read the service record of his first officer, or the fact that the son of the Vulcan Ambassador has defied his father to join a militaristic organisation has never warranted mention in the 23rd Century tabloids. Second is the moment in engineering when Kirk speaks to Uhura on the monitor. He turns the monitor to face the camera, then speaks to the side of the device, himself unable to see Uhura’s face. And third is the awkwardness of the cut following McCoy, Spock and Amanda’s conversation about Sarek’s condition, straight to Kirk’s fight with Thelev.

Still, an excellent episode, even though it paints a picture of a Federation that isn’t as benign and monolithic as we have come to expect.
 
Re: Journey To Babel

I agree, Journey to Babel is a classic. I haven't seen the episode in a while, but isn't it possible that the monitor Kirk turns is one of those triangular shaped ones, thus allowing him and TV viewers to see Uhura?
 
Re: Journey To Babel

It's in engineering, and mounted on a pivot arm or something. Just the one screen, facing the camera. It's funny. He doesn't even look at the side of the box, just talks to the air, while we as the audience (and Amanda) get to see Uhura's face.
 
Re: Journey To Babel

How odd. I also notice, each time I watch this episode, the abrupt cut to Kirk fighting. I've also thought to myself, that's either really good directing, or really bad!
 
Re: Journey To Babel

I like the fragility and volatility of the Federation here. I wish Trek had maintained that idea rather than opting for the monolithic utopianism of later series. It also makes the references to the Enterprise as an Earth ship make more sense--Earth has assumed the benign cop roll among a rather unruly and fractious group of worlds.

Also, Tellar wasn't going to annex Coridan the way Cardassia annexed Bajor, just continue to covertly raid its dilithium under the cover of plausible deniability ("You call us thieves!"). I find it quite easy to believe that Federation would contain a great number of self-serving, dishonest factions.

Also, check out the "Star Trek History" thread and you'll find scenes were indeed filmed for "I, Mudd" with other crew members beyond the main crew. They were cut for time rather than budget, it seems.
 
Re: Journey To Babel

Brutal Strudel said:
Also, check out the "Star Trek History" thread and you'll find scenes were indeed filmed for "I, Mudd" with other crew members beyond the main crew. They were cut for time rather than budget, it seems.

Cheers for that!

It's a rather glaring omission in the episode, and it's nice to know it isn't down to the makers of the show, rather the pesky schedules.
 
A Private Little War

The Enterprise is on a follow up mission to Neural. Years previously, young Lieutenant Kirk had found a veritable paradise, and after befriending one of the local Hill People, Tyree, had noted that the primitive culture was peaceful, idyllic, and had every prospect of developing into a advanced civilisation, provided the Federation kept their hands off. The follow up mission is merely to investigate the remarkable properties of the local roots and herbs, which could provide a revolution in medicine. The landing party of Kirk, Spock and McCoy are shocked however, when they see that the Villagers have apparently jumped generations ahead in technology, and now wield flintlock rifles with which they hunt the Hill People. Before they can beam back to the ship, Spock is shot and grievously injured. Back aboard, the worst is confirmed when a Klingon ship arrives, indicating that the aggressive race has been interfering in the planet’s development. While Spock’s life lies in the hands of specialist in Vulcan medicine, M’Benga, Kirk and McCoy beam back down to investigate further, and the Enterprise withdraws to remain undetected by the Klingons. No sooner has the ship left, than a vicious Mugato attacks the Captain, leaving him suffering under the effects of its poison. The only cure for this lies in the hands of a Kunatu witch doctor and the ailing Kirk urges McCoy to take him to Tyree’s camp, where he can be helped. Fortunately Tyree is married to a Kunatu, and Nona soon heals Kirk’s wounds. However, she has witnessed McCoy using the Federation’s advanced technology, and her avarice for power leads her to exert pressure on her husband and Kirk to rival the villagers’ flintlocks with weapons of their own. Tyree, a peaceful man refuses to kill, but Kirk realises the bitter truth. The genie can’t be put back in the bottle, and the Klingons’ gift of gun-smithing technology can’t simply be erased. He realises that the only possible solution is to arm the Hill People, restoring the balance of power. McCoy sees that this can only mean generations of war, that to protect paradise, Kirk will end up destroying it, and he’s concerned at the influence that Nona now has over Kirk. But for Nona, merely restoring the balance of power isn’t enough, and she takes matters into her own hands with tragic consequences.

“…but the Ferengi in the gorilla suit has to go!”

Oh why did it have to be a guy in a monkey suit? Of all the cheap amateurish effects guaranteed to disrupt my suspension of disbelief, this has to be the worst. I’d much rather a Mugato be a spider or a mosquito. Its only motive is to deliver poison, but it looks like something that should be on the set of a Godzilla movie. It happens occasionally in Star Trek, that a stellar storyline is cheapened ever so slightly by execution, and to be fair, the Mugato is the least of A Private Little War’s troubles.

The concept is awesome, especially for Cold War America in the late sixties; although it’s political irony could have been improved by having Chekov as part of the landing party. To have an episode get by the censors, where the situation in Vietnam is mirrored by a less advanced society serving as battleground by proxy for two superpowers, is an outstanding achievement. And given that we are now dealing with the aftermath of another such brush war in Afghanistan, where the West financed fundamentalist groups to overthrow Soviet occupation, and now is beset by those very same fundamentalists, also means that this episode stays relevant still.

What really makes this episode memorable is that it is one where the good guys lose. And above all, it offers no pat solutions, no moral certitudes, and no evidence of truth, justice and the Federation Way. Instead we get to see the corruption of Paradise, with Kirk serving as serpent. Kirk is aware of what he must do, he realises that the only way of preserving something of the society is to maintain a balance of power, and making sure that the previously peaceful natives are provided with a supply of arms. The anguish as he actively destroys the innocence of a gentle man, as he arms the hill people to wage war is apparent, but as he tells McCoy, there is no acceptable alternative. Either the Hill People are wiped out and the Klingons take the planet, or he supplies the Hill People with overwhelming technology, shattering whatever remains of the Prime Directive. The ideal solution would be to broker peace, but the Klingon presence makes that impossible. And the Organian Peace Treaty makes dealing with the Klingons directly a hazardous proposition. What makes the situation doubly tragic is that the Klingons are supplying the villagers with a stream of improvements in the technology; meaning that far from maintaining a balance of power, Kirk will be making sure that the two sides will be entering into an arms race.

It’s also an episode where Kirk has to act without leaning on Spock, who’s busy introducing the Vulcan healing trance to viewers. But this is a situation where Kirk needs compassion, empathy and a conscience more than cold counsel, and it’s fortunate then that McCoy is with him.

Problem 1 with A Private Little War is the reappearance of the ‘Primitive = Noble Savage’ motif that is often used in Star Trek. Once again, the innocent idyllic society is shown as superstitious, uneducated, stoic and proud. They’re basically one step up from Captain Caveman. When McCoy was looking for assistance after Kirk was bitten, I half expected one of the Hill People to say, “Oonga Boonga, me help, me help!” Just once, I’d like to see a race of technologically backward people in Trek, elegantly dressed, manicured, with a rakish moustache and a cultured accent reminiscent of Terry-Thomas.

Problem 2, and the one that kills the episode for me, is Nona. However, this may be how the episode sneaked past the censors, as a Duplicitous, Back Stabbing, Power Mad Bitch ™ overshadow the Vietnam allegory. Forget all that I have written about Balance of Power, Kirk’s anguish and political relevance, as this episode ensures that the biblical message of Eve corrupting Adam is repeated once again. Nona is in lust with power, she’s also a drug dealer, using certain herbs to entrance her men. She climbs the political ladder like a pro, first Tyree, and then when she has seen the technology of the Federation, Kirk. But when Kirk ignores her charms (even after she has healed him with a twitching voodoo turd), and refuses to give her what she wants, she turns coat, steals a phaser and races off to the Village to find someone who can truly give her what she wants. Only she gets more than she bargained for, when instead of the chief, the simple villagers decide to sample her wares. She doesn’t like that now, does she? What the hell, the bitch gets what she deserved. She was asking for it, offering it on a plate…

And the gender inequalities are preserved.

You wouldn’t believe the profanities that escape my lips when Nona is onscreen. You take a good story like A Private Little War, and you reduce it to this crap. It’s just shameful.

Still, the following scene almost makes up for this, with Nona lying dead at McCoy’s feet, he serves as witness to the hell that Kirk and the Klingons have wrought on the primitives, as the two sides begin their little war. It’s a powerful touch, as the camera, instead of focusing on Kirk’s flying kicks and Tyree getting acquainted with the use of a hefty rock, concentrates on McCoy’s reaction to all of the carnage, and we realise the extent of the tragedy that is now occurring on Neural. At least dramatically, the story ends positively, compared to the whole heap of negative that is Nona.

For once, Kirk is happy with a lack of progress in a primitive society. Normally he takes a phaser to the first false god he sees. But more noteworthy trivia is that this isn’t the last time that Trek will touch on this theme, and were The Next Generation set 500 years after this instead of 80, then Too Short A Season could very well have seen Picard’s crew return to Neural.
 
The Gamesters Of Triskelion

Kirk, Chekov and Uhura prepare to beam down to Gamma 2 to check on an unmanned outpost, when they simply pop out of existence on the transporter pad. As Scotty tells Spock, this isn’t your normal beam out, and the landing party are missing. The three wake on a strange planet under trinary stars to be confronted by four aliens. Then a strange gaunt bald figure named Galt appears to introduce them to their new lives. They are now residents of Triskelion, where they will fight in gladiatorial combat for the pleasure of the Providers for the rest of their lives. Meanwhile, on the Enterprise, having exhausted the search of the local area, Spock decides to play a hunch and follows a strange ion trail out of the system to an uncharted sector, much to the annoyance of McCoy and Scott. On Triskelion, the three officers are trying to find a way out of their captivity, and Kirk in particular works on his drill thrall Shahna. Shahna is a green haired lass who is open to Kirk’s particular brand of persuasion, he helps her to his tonsils, and gives her ideas that are at odds with what is expected from a thrall of Triskelion, resulting in much corporal punishment via the S&M collars everyone is supplied with. Time runs out when the Enterprise shows up, and is promptly incapacitated by the Providers. Kirk offers them the ultimate wager, he will take on three opponents in a death match, and if he wins, the Providers must change their ways. If he loses however, the Enterprise crew will provide generations of contestants for the games.

Oh good grief! Is it season 3 already? I really dislike this episode. It’s a waste of time, and it also serves as an example of another of the Trek clichés that pop up from time to time, that of Kirk being out of reach/missing, and Spock and McCoy back on the ship grouching at each other while Spock tries to find him. It’s the sort of thing that happens in The Paradise Syndrome, The Tholian Web and That Which Survives, although in my opinion, this is the worst of the crop. We’ve already had gladiatorial combat in Bread and Circuses, and repeating the motif here is just redundant, especially so soon after the previous episode.

What this episode is most notable for is that Shatner spends half the run time minus his shirt, finding an opportunity to lock lips with demure little Shahna. Doesn’t this strike anyone else as wholly unfair? Kirk has to seduce demure unworldly little Shahna in her tinfoil bikini. Meanwhile Lars assaults Uhura, while Chekov is confused by the wholesome masculinity of his own trainer. And poor old Jerry Lewis doesn’t get any love at all. That’s what I call Kloog, who looks like the intermediate stage between the Professor and Buddy Love from the Jerry Lewis version of The Nutty Professor. It would have made a change if Kirk had to spend the hour fending off advances from a rampaging nymphomaniac, Chekov could have been blind to the butch tones of his drill thrall, and it would have been down to Uhura to seduce Lars in order to attempt escape. Then we could have spent fifty minutes watching the communications officer out of uniform. It would probably have been more attractive a proposition to the average Trekkie, although I doubt it would have improved the episode any. Still Kirk does pay lip service to equality, showing no hesitation in slugging Shahna when the situation required.

You know, take this away from Trek, add a bit more raunch and skin, and this would have made a half decent exploitation flick. But as it is, this one is really only memorable for the glowing sponges, and the introduction of ‘Quatloos’ into the sci-fi vocabulary. It’s one to have on in the background while you do something more interesting instead.
 
Re: The Gamesters Of Triskelion

Definitely on my Bottom 10 list of episodes. The review is good, as usual.
 
Re: The Gamesters Of Triskelion

"Great Episodes I Love" and "Bad Episodes I Loathe" are such easy categories that they become boring after a while--what remains to be said about "City on the Edge of Forever" or "And the Children Shall Lead?" But "Bad Episodes I can't Help but Like?" Now there's a topic. For the glowing brains alone, this episode is in that category, to say nothing of the fetchingly doofy Ms. Pettyjohn and her tinfoil ta-tas...
 
Obsession (by Calvin Klein)

A mineralogical survey goes tragically wrong when Kirk smells honey. The scent heralds the arrival of a gaseous entity, a form of dikironium that shouldn’t exist in nature. Despite Kirk’s orders to remain vigilant and shoot on sight, the security detail is overwhelmed, their blood drained. Such a creature seems fanciful and implausible to Spock and McCoy, but Kirk is all too familiar with it. 11 years previously, when he was a lieutenant on the Farragut, such a creature attacked the ship and slaughtered half the crew, including the ship’s Captain Garrovick. Haunted by the guilt of his hesitation in acting that day, Kirk begins to obsess about destroying this creature, causing some concern amongst his senior staff. By coincidence, one of the Enterprise security crew is Ensign Garrovick, son of Kirk’s former Captain, and Kirk gives the ensign an opportunity to destroy the creature. However, at the crucial moment, Garrovick freezes, and two more men are killed and injured. As the Ensign is confined to quarters, Kirk begins behaving more erratically, and orders a pursuit of the creature when it leaves the planet. He’s ignoring Starfleet orders to carry a vaccine to a plague stricken world, he’s stressing the ship’s engines beyond endurance, and he’s snapping at the bridge crew when they fail to get results. Spock and McCoy have no choice but to question their Captain’s competency, the first step in removing him from command.

Obsession is one of those superfluous episodes that take a theme that has been explored already and revisit it, only not as satisfactorily. There are God episodes galore, Kirk has befuddled countless computers, and this is one of the Moby Dick stories. It’s a genre epitomised by The Wrath of Khan of course, but the first such episode, The Conscience Of The King is still one of the finest. Obsession simply pales in its magnificence, unworthy of dwelling in its shadow.

Once again, Kirk’s history returns to haunt him, once again he makes questionable decisions and comes close to abusing his authority in pursuing his apparent desire for vengeance, and once again there is an eager young ensign with ties to that horrific past event, that Kirk is busy mentoring. And in every respect, Obsession is pitifully inadequate in taking us somewhere new. It’s a bald rehash of the earlier themes, but inelegantly written, and utterly lacking in those aspects that make The Conscience Of The King so special. First and foremost, it’s a monster of the week show. It has none of the humanity, none of the pathos, and little of the tragedy that typified the earlier episode. This is just Kirk versus the monster. I liken Kodos to Hitler. We already know the anguish and desire for justice that motivated the hunt for Nazi survivors following WWII, and what made the earlier episode even more tragic was the character of Lenora, innocent child corrupted by her father’s wretched past. The dikironium creature on the other hand is the Trek equivalent of Jaws. Of course we didn’t see the Spielberg spectacular that would have been the Farragut story, instead we jump straight to Jaws: The Revenge, where a instinctual force of nature develops deliberate malice and comes after the person who survived its last attack. What are the odds, eh?

Then what we know about Trek thus far goes out the window. The creature is described as intelligent, malevolent, evil. The emphasis on intelligent, yet Kirk orders a shoot to kill policy. Ok, he’s had past experience, and we can excuse the gung-ho attitude. But then we learn that the Farragut approached the creature (presumably the first contact) with the same level of preparedness. Shoot to kill? What happened to strange new worlds, and new civilisations? And Kirk states that it has to be destroyed because it is about to spawn. This isn’t the salt creature that was the last of its kind, this is more akin to the Horta, a nursing mother, yet Kirk is all set to exterminate it. By this point they have realised that Vulcans are immune to the creature. Why not send the Intrepid to try and communicate with it, after all they have a week to kill.

Logic goes out of the window too. Why should this be the only creature of its kind? Yet we have to accept that it is the same creature that attacked the Farragut and is now light years away drawing Kirk’s ire. In fact, how does Kirk know that it is the same creature? How does he know that it is intelligent, is malevolent, how does he know that it is returning home to spawn? Apparently he can smell it. There is the coincidence of Scotty leaving an impulse hatch open, and Garrovick jamming open a vent in his quarters, allowing the evil Gas Cloud in. Excuse me, but any ship that has a fusion reactor connected, however indirectly, to the air conditioning is a ship on which I don’t want to serve. Then there is the Spock-tard! In comes the Gas creature, and he pushes the Ensign out to save him. But does he step outside and seal off the quarters? No. He stays inside and tries to cover the vent with his hands. Moron! Oh, and this creature apparently likes the iron in human haemoglobin. Has it tried another diet, stainless steel dustbins, ball bearings, or old-fashioned audiotape? It’s not like iron is a rare element in the universe.

The writing also begins to bite. I feel that Kirk’s descent into irrationality is overdone. He puts words in a dying man’s mouth to support his hypothesis, he doesn’t level with his crew, his friends, he leads them by the nose, when it would be easier for him to simply lay all his cards on the table. Surely by now he would be comfortable enough with Spock and McCoy to be able to trust them. There are moments when it seems like the story is dictating the character. This is all about survivor’s guilt and being haunted by assumed mistakes, but it would all seem a little more plausible, had we not seen Kirk handle this situation with far greater grace and aplomb in Conscience Of The King. This really is an overrated monster of the week episode with little to recommend it, other than an interesting look at a moment in Kirk’s past. Hey, I just got an idea what the prequel movie could be.

Incidentally, I just realised that I’m an evil bastard. If I knew Kirk, I’d be taunting him every couple of days with honey just to watch him freak out.
 
Re: Obsession (by Calvin Klein)

The Laughing Vulcan said:
this is one of the Moby Dick stories. It’s a genre epitomised by The Wrath of Khan of course, but the first such episode, The Conscience Of The King is still one of the finest. Obsession simply pales in its magnificence, unworthy of dwelling in its shadow.

Er.. yeah.

Obsession was fine, albeit with a muddled final Act.
 
Re: Obsession (by Calvin Klein)

Obsession is a middle of the pack episode for me. There are certainly worse ones and definitely better ones. I think this one appealed to me because it was nice to get back to space, the big E and a real alien.
 
Re: Obsession (by Calvin Klein)

hey everyone, I'm so glad I found this place. I too am watching the old show again and loving it....yes, it's hokey and cheesy but I love it....the movies are soo much better and the characters are just sooo much fun, I am on my way to purchasing III and I need V and then I will have a full set...plan on buying the series dvds next.....watched Miri last night....it's soo cute, I gotta laugh...

on another note: does anyone have any details on where I can find vintage star trek shirts---one with spock.
 
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