Re: Hells yeah! Moffat does it again!
Let's get merge-y.
Let's get merge-y.
Oh, that makes sense. I didn't realise the Hugos had such a small votership (is that even a word?); I guess a lot of them are Moffat fans!Congrats to Moffat on a job well done.
Personally, I'm surprised there was any doubt that "Blink" would win. While Cornell's 2-parter was excellent, think about how many items with "The angels have the telephone box" on it have cropped up. "Blink" latched onto fandom in a way that Cornell's 2-parter just didn't quite manage, and these are the fans voting here.
I would like to see the voting numbers, though. I wonder if it hit four digits?
I would think that the degree to which something from the episode has "latched onto fandom" (and you mean "latched onto by fandom," surely?) has less to do with what should get a Hugo than the actual quality of the writing, right?
Not that I disagree; as good as "Human Nature" was, I think "Blink" is even better: more concise, more emotionally engaging (and again, in comparison to "Human Nature," that's saying something), and it manages superbly the difficult task of being an episode of a television series in which the lead character barely appears, but still manages to make his presence felt throughout the episode.
Actually, it's a little bit of both, fandom latched onto "Blink", but "Blink" definitely returned the favor.
With the Hugos, the quality product winning is never a given. I think many of us here remember the year Gollum's Acceptance Speech at the MTV Movie Awards won the Hugo for Best Dramatic Presentation-Short form over not one, but 2 episodes of Firefly and the finale of Buffy. Which really proves that there were far more rabid LOTR fans than Firefly or Buffy fans at that WorldCon and the one before it. (Seriously, it did. 2004, you can check. Possibly one of the most controversial Hugo awards ever, if the "WTF?" chatter going around the convention afterward was any indicator.)
If something has grabbed fandom the way "Blink" did, it's got a far better chance of walking away with the award, because the fans are going to vote for what they like, even if it's not the best piece in the batch or even really justifiably in the batch. And when you're only talking a few hundred or so fans actually voting, all it takes is the right people casting ballots. All it takes is an organized voting block to get something on the ballot. If that same voting block is then the dominant vote on the award, it wins.
The Hugos are like the People's Choice Awards, only with far fewer voters. That's why I was curious if it made 4 digits.
Oh, that makes sense. I didn't realise the Hugos had such a small votership (is that even a word?); I guess a lot of them are Moffat fans!
Whilst "Blink" was excellent, I have to say, "Human Nature"/"The Family of Blood" was robbed. In every measurable sense, Cornell's two-parter was vastly superior to "Blink."
Whilst "Blink" was excellent, I have to say, "Human Nature"/"The Family of Blood" was robbed. In every measurable sense, Cornell's two-parter was vastly superior to "Blink."
Nowhere near it..
Blink all the way. It fully deserves this honor..
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