It should be pointed out, that the TMP version of the Enterprise, dispite the Refit excuse, was a complete style change from the TOS Enterprise.
It has been pointed out. It's also been pointed out that not everyone was real keen on the refit the way they sold it on screen.
And yet, it is accepted, and even loved, and that easily includes me.
It's a nice design, and I like it better than the original, but it was still inappropriate for them to say that was the original 1701 in any sense. Even if they managed to use some of the basic structural members, since they basically would have still been building an entirely new ship around them, could you really say it was the same ship? I guess to me that would just be using salvaged materials in a new ship, which doesn't make a lot of sense to me either.
The new Enterprise, which I love, though I was wary of it at first, had 28 years of alternate reality to allow for things to change, and yet it is not accepted because it doesn't fit with TOS.
Nothing from this movie fits with TOS even though it was initially sold as a TOS movie. What made this even worse is JJ Abrams's assertion that the ship was so iconic that it couldn't be changed, and yet he changed it.
The simple fact is, that they had to redesign her for a modern feature film,
No they didn't. They could have updated her without redesigning her, both in the case of TMP and this movie.
and to fail to recognize this is simply a river in Egypt.
I could actually say the same thing in regard to the insistence that the ship "needed" to be redesigned.
I love the TOS Enterprise, an absolute classic design, but as the makers of TMP and Phase II knew back then, she would not have held up convincingly on the big screen.
Again, she could have had they added the level of detail that they ended up doing with the Probert design.
For one thing, adding greebles to it Star Wars style would have simply produced something rather ghastly.
Which is probably why the good updates I've seen don't do that. There's a difference between adding detail to make the ship look like it's real and made out of metal plates and just adding random bits to everything to make it look busy the way they did with the Imperial Star Destroyer in Star Wars. Or making everything look beat up and unmaintained for that matter.
On balance, how is this actually different with the new movie?
The one thing that will always make this movie different from TMP or all the others is that for any and all of their flaws, the other movies didn't keep trying to go back and "re-invent" everything from the start, they simply added to the larger story. TMP didn't go back and start everything over. It didn't even try to pretend that everything was always supposed to have been the way it was in the movie. They went completely out of their way to sell the idea that the ship had been laid up in dry dock getting refit, even if the refit itself doesn't make any engineering sense.
They gave the enterprise a sleeker look, and yes, kind of a 50s-60s aesthetic. I believe they looked at 60s architecture for inspiration for the ship's design, though I forget the archictect's name.
Either way that blows the whole "modern look for a modern audience" argument right out of the water.
They also took elements from the TOS Enterprise and the TMP details, to keep a greater degree of familiarity, based on the fact that JJ Abrams thought that was the first version of the Enterprise that was truly convincing on screen for him.
It's more like they took a fun house mirror version of the TMP saucer and stuck it on a fun house mirror version of the engineering hull. And while JJ Abrams might think what they came up with looks in any way convincing, it didn't look all that convincing to me. It looked like a toy, which the moving parts when it went to warp only added to. Other than that I'd actually say that the
Kelvin looked more convincing than the new
Enterprise did.
It should also be noted that the Enterprise design does not exist in a vacuum, but has to mesh stylistically with all of the other designs and sensibilities of the movie.
Which doesn't mean a whole lot, other than that there's so much different about everything that I'd argue none of it takes place in the same universe as the main Star Trek storyline.
How do you judge the quality of a film then?
I could probably write a pretty lengthy essay about that. A lot of things go into it even judging the storyline, let alone any of the visual elements. As far as this movie goes, I'd actually rate the visuals down because of the light flares, shaky-cam, and poor framing that made it difficult to even see anything in the movie before I even got to the design of everything that was in the movie.
If the majority of the public thinks a film sucks, then the film is regarded as a bad film.
That or that it was ahead of its time, or was underrated, or any number of things. Popularity is hardly an indication of quality.
If most of the public thinks its a quality film and enjoyed it, then it is regarded as such.
Or that it was lucky, or that it was a bit of fluff that found the right audience to make it money.
It seems like you are trying to say that despite the films popularity and great reception, the film isn't a quality picture.
Exactly.
What are you basing that on?
My experience and education when it comes to being critical of a movie or book, my knowledge of Star Trek and its lore, and my own personal taste. Why, what are you basing your argument on?
If YOU think that it isn't thats fine, but to most of the people that viewed it it is, therefore, overall, it is viewed as a good film.
Most of the people saw it liked it? Really?

I'm sure that doesn't mean that most of the people who didn't think they were going to like it just stayed home or anything.