I've always wondered how the PR franchise would've evolved if it followed the Super Sentai formula exactly and rebooted the cast and the series with each yearly iteration.
I've always wondered how the PR franchise would've evolved if it followed the Super Sentai formula exactly and rebooted the cast and the series with each yearly iteration.
I mean, started the new cast with each new series with MMPR / Zyuranger -> ??PR / Dairanger.Huh? That's exactly what it has done ever since Lost Galaxy in 1999. The only exception since then has been adapting both Goseiger and Gokaiger under the Megaforce title and with the same cast and premise. Otherwise, the only variation in the Neo-Saban and Hasbro eras has been stretching each adaptation out for two seasons -- Shinkenger became Samurai and Super Samurai, Kyoryuger became Dino Charge/Super Dino Charge, Ninninger became Ninja Steel/Super Ninja Steel, and Go-Busters has been two seasons of Beast Morphers (fortunately they dropped the "Super" formula).
I mean, started the new cast with each new series with MMPR / Zyuranger -> ??PR / Dairanger.
Instead of retaining most of MMPR acting cast for the Dairanger Zords taking over, have a new cast each time a new series was supposed to start along with new suits & new zords.
Remember many of the OG MMPR lasted for quite a while before they were completely phased out by the PR Turbo era.
To bad we'll never know for sure if it would've survived the earlier annual reboot since that's "Alternate Timeline" like stuff.Anyway, if they had tried it that way from the start, it probably wouldn't have lasted as long. American audiences weren't used to that kind of format, and the original cast was a big part of MMPR's appeal. Starting over from scratch might've led to an early cancellation.
It's worth keeping in mind that the original Sentai series, Himitsu Sentai Gorenger, ran for a single continuous "season" of nearly two years' duration before rebooting with a new cast and title, as did the original Kamen Rider four years earlier. So even they spent extra time with the original premise and cast before starting their annual reinventions.
Hill is a prolific, African-American creator working in film, television and comics. He recently adapted Black for Studio 8/Warner Bros, penned Revenge of Magic for Stampede, and a rewrite of I Am Yours for Paramount. In television, he is currently a Co-Producer on Greg Berlanti’s new DC series Titans. Over the last year, he has written some of the biggest comics for Marvel, DC, Top Cow, Boom and Vertigo. Previously he wrote Gone for Universal/Marc Platt, Phantom for Paramount/Mary Parent and The Russian Specialist for Nu Image/Millennium Films.
Bryan Edward Hill Will Write eOne and Hasbro’s Power Rangers Reboot
https://deadline.com/2020/10/eone-hasbro-bryan-edward-hill-power-rangers-movie-1234604204/
Kamen Rider Saber episode 8
I don't know why Ogami had to power down to confront Medusa Megid. That wasn't really needed except to create the illusion he'd meet an early death.
I didn't like the whiplash of mourning Ogami and then Mai complaining to Touma about finishing his next novel. That was awkward
Granted the whole "friendship is my true power" was a bit cliche, but its basically a staple in Toku so its fine.
Kiramager episode 29
Also scary doctor Evil Dr. Sayo was even creepier singing her character song
Oradin got carbonited?
I think Grateful Phoenix's finisher attack is a homage to "GoGoV"/Lightspeed resque
Is there some sort of copyright issue with the story of "King Arthur" in Japan's copyright system?Speaking of which, didn't they have any English speakers to tell them that "King of Arthur" doesn't make any sense?
Is there some sort of copyright issue with the story of "King Arthur" in Japan's copyright system?
Kind of like the "Mickey Mouse" copyright extension issue we have here in the US?
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