Thanks for the comments everyone!
@Saquist -
But now you've gone into some deep jungle native dialect that I'm completely unfamiliar with. I don't see how the deflector being mounted where it is would interfere with the warp field or create instability any more than it being mounted at the front of the secondary hull. I know I've seen other designs with this configuration, is there something that needs to be added or subtracted to make this work?
What would the functional and tactical problems be with the secondary hull?
I hope this doesn't come off as overly sensitive, because I'm not offended at all, if I didn't want any criticism I wouldn't have posted this here, I'm just genuinely curious.
I thought the deflector nose would be the biggest problem with the design. (interrupts natural flow of the field lines so it's either unstable at high warp or a warp 8.8 - warp 9.5)
But that skinny secondary hull has functional and tactical problems. Other than that it does look good especially as a concept.
Maybe we should put a model into a warp tunnel for testing?
Sorry Saquist, but I find comments like this in regards to what is essentially just art to be silly.
Um, yea, I think you need a break. Star Trek is fiction and the physics portrayed there-in more so. To tell someone that their ship design has "warp dynamic" flaws is silly. (and not canon except in the most oblique ways you've rationalized)
^Some times it's hard to tell when someone is being serious or not just based on the written word. And you have to admit there are "Trek geeks" out there who would argue the warp dynamics of a fictional ship as if it were real.
I'm with Sojourner and Largo, never forget that it's all complete BS made up by people in order to tell stories. For an excellent explanation of the differences between science fiction, science fantasy and movie making, go look up Red Letter Media's superb review of the 2009 Trek movie. His epic reviews of the Star Wars and TNG films are already famous, and despite his bizarre 'serial killer' presentation style he is a movie maker and seriously knows his sci-fi.
To cut a long story short we try to make stylish and interesting stuff, and afterwards people can make up stuff to explain it if they like. As long as the story is moving forwards and it looks nice on screen the writers wont give a toss. Writers use shuttlecraft as a way to isolate a character and put them in danger, they dont care where the oil would go. Lord Sarvain has made something which is undoubtedly interesting and has style in spades (although the nacelles are a bit chubby), so he'd be a fool to reverse the process and do the rationalising first.
The man in the Spock/House costume says Star Trek Physics is silly.
(with a straight face no doubt)
Attacking avatars???
Attack? You think that simple observation was an assault?
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