(Forewarning, I am putting in some spoilers. Really big ones will be shrouded.)
I sat through this one yesterday. It, of course, was quick to see how they were heavily inspired by "Lower Decks". This is not a complaint; the occasional episode with people stuck in the netherlands of the ship (great CGI too) is genuinely refreshing.
Now add in "Hollow Pursuits" - cubed. Instead of one off-kilter human, we not have three: The Hypochondriac(tm), the Squirrel(tm), and Sheldon Coopedup(tm) - oh my.
There's quite a bit of thought put into these characters and handling, and the fact I was able to react to one key scene toward the end shows it is possible to get someone to care for someone we know so little about- since I'm not talkin' bout Janeway.
Speaking of, this is a fantastic, first rate episode that exemplifies strengths not seen much since Kirk's era about giving a damn about your crew.
We never really get to know where the body snatching critters come from, or what "do not belong" really means. This too is refreshing since Janeway espouses some, but not all, possible reasons -- as well as leading to a great little plot point and that all the talk of "first contact, wah wah wah" isn't just ctrl-c/ctrl-v scripted hot air but actually given a bit of depth.
The Hypochondriac is refreshing, and reminiscent of some people I once knew. Including myself in some ways. Like who isn't? But everyone gets their moment of reflection (and the timing and pacing are marvelous)...
...including The Squirrel. Who's not often right, with Janeway admitting her own past gaffes in yet another wonderful scene.
As for Sheldon Coopedup - dang, did this episode provide inspiration for "The Big Bang Theory" or what? The dude's a theoretical scientist, go figure. He has a superiority complex, go figure. Could be autistic, go figure. Looks like Jim Parsons, complete with silly haircut, only he came later, go figure.
But not lastly, Janeway:
Yep, we were all jawdroppingly gobsmacked to see
Janeway pretty much values her crew, regardless.
This episode lacks the conflict that "Hollow Pursuits" had, or rather it redistributes it between Sheldon Coopedup with The Hypochondriac, with excellent results.
This episode also switches around who has the oh-so-terrible job of trying to keep the team together: This time it's not Leonard Huffystrup (oh, okay, Geordi) but the Captain herself. This is arguably the second-best change as, especially as there's no room or place for a single department head given that it's juggling three crewmembers from as many different departments.
If anything, six years is a long time. But Janeway and co. had been busy and I don't think this episode would have begun to gel had it been made three or four seasons earlier. VOY really needed to establish itself first, which it did. The payoff is worth it.
That said and done, is it better than "Hollow Pursuits"? It's tough to say. I'm a fan of that one too, your mileage may vary (go hybrid, woohoo!), and Dwight Schultz is a tough act to follow. But the episode was trying to not be "Barclay cubed" but do its own thing. In that, it succeeded.
7/10 with ease.
I sat through this one yesterday. It, of course, was quick to see how they were heavily inspired by "Lower Decks". This is not a complaint; the occasional episode with people stuck in the netherlands of the ship (great CGI too) is genuinely refreshing.
Now add in "Hollow Pursuits" - cubed. Instead of one off-kilter human, we not have three: The Hypochondriac(tm), the Squirrel(tm), and Sheldon Coopedup(tm) - oh my.
There's quite a bit of thought put into these characters and handling, and the fact I was able to react to one key scene toward the end shows it is possible to get someone to care for someone we know so little about- since I'm not talkin' bout Janeway.
Speaking of, this is a fantastic, first rate episode that exemplifies strengths not seen much since Kirk's era about giving a damn about your crew.
We never really get to know where the body snatching critters come from, or what "do not belong" really means. This too is refreshing since Janeway espouses some, but not all, possible reasons -- as well as leading to a great little plot point and that all the talk of "first contact, wah wah wah" isn't just ctrl-c/ctrl-v scripted hot air but actually given a bit of depth.
It's also interesting that the alien fritter decides to take up host, complete with reassuringly gory CGI, into The Hypochondriac. Shades of "Schisms" and "Conspiracy" as the fritter looks like it's a cousin of the gill thing that took home in peoples' necks.
The Hypochondriac is refreshing, and reminiscent of some people I once knew. Including myself in some ways. Like who isn't? But everyone gets their moment of reflection (and the timing and pacing are marvelous)...
...including The Squirrel. Who's not often right, with Janeway admitting her own past gaffes in yet another wonderful scene.
As for Sheldon Coopedup - dang, did this episode provide inspiration for "The Big Bang Theory" or what? The dude's a theoretical scientist, go figure. He has a superiority complex, go figure. Could be autistic, go figure. Looks like Jim Parsons, complete with silly haircut, only he came later, go figure.
But not lastly, Janeway:
Yep, we were all jawdroppingly gobsmacked to see
Sheldon Coopedup offer to use himself as a distraction to buy the needed time trope, but we're then reminded - with a stroke of luck - that Janeway swoops in. Possibly because it's harder for them to replace escape pods than it is to build big fancy shuttles. /sarcasm.
This episode lacks the conflict that "Hollow Pursuits" had, or rather it redistributes it between Sheldon Coopedup with The Hypochondriac, with excellent results.
This episode also switches around who has the oh-so-terrible job of trying to keep the team together: This time it's not Leonard Huffystrup (oh, okay, Geordi) but the Captain herself. This is arguably the second-best change as, especially as there's no room or place for a single department head given that it's juggling three crewmembers from as many different departments.
If anything, six years is a long time. But Janeway and co. had been busy and I don't think this episode would have begun to gel had it been made three or four seasons earlier. VOY really needed to establish itself first, which it did. The payoff is worth it.
That said and done, is it better than "Hollow Pursuits"? It's tough to say. I'm a fan of that one too, your mileage may vary (go hybrid, woohoo!), and Dwight Schultz is a tough act to follow. But the episode was trying to not be "Barclay cubed" but do its own thing. In that, it succeeded.
7/10 with ease.