Obviously, advocacy is necessary. Hopefully, this whole self-segregating, self-stereotyping business is just a phase the culture is going through as it moves on from the bad old days. But there's probably better ways to conduct advocacy....
Problem is, forced segregation is becoming voluntary segregation.Well, that's the thing. The only way to have gay content is to create a gay network - hence Logo in the US, I think... And BET... and Telemundo.
It's why in Canada people are perfectly happy paying 50 bucks a month just for a Chinese channel. We already live in a market of forced segregation.
Yes, but the advocacy groups help to perpetuate it.The notion that advocacy groups are an important factor in balkanization strikes me as pretty dubious. It seems to me that de facto segregation is due to other things.
Exactly. These types of separate entertainment outlets are seen as empowering, which makes segregation appear benign and desirable, which in turn leads to the self-segregation concept.Separate networks like BET, Logo, Univision are themselves examples of segregation.
So you get awkward scenes in Heroes and Stargate SG-1 where Asian women are submissive flowers and Asian men are misogynist pigs (let alone all the shitty Chinatown episodes on L&O and CSI and whatever).
Well, that's the thing. The only way to have gay content is to create a gay network
Well, that's the thing. The only way to have gay content is to create a gay network
Like Bravo?![]()
Well, that's the thing. The only way to have gay content is to create a gay network
Like Bravo?![]()
No, they already have one. It's called LOGO.
Well, that's the thing. The only way to have gay content is to create a gay network
Like Bravo?![]()
No, they already have one. It's called LOGO.
I agree. But the solution seems to exacerbate, or at least perpetuate, the problem. It's more of a band aid. I don't really know what the real solution is, either.Well, that's the thing. Why are there black and Asian theater companies? Because these actors find it hard to get into "traditional" theater companies.
Conan had a great gag about SyFy being ranked low the other day. He claimed it was the latest in the long standing feud between the homosexual and the non sexual.
I laughed.
Ming Na playing a lesbian solves both those problems.![]()
Oh, it will happen eventually. But it's always two steps forward and one step back.Well, full integration - except that it'll never happen. So here we are.![]()
Who's the gay lead character in Caprica? Something about Joe Adama we don't know?
Who's the gay lead character in Caprica? Something about Joe Adama we don't know?
Yes, his brother Sam is gay.![]()
That's an improvement on "Ten white people and the token.", which is what you see in most places.Like anything else, a character's nationality, gender, sexual orientation, etc. should just be one aspect of the character, not what defines them. If you do all you get are cut-out stereotypes. Characters are there to serve the story, not special interest groups. I can see it now:
Head Writer: "Ok, so we've got our white guy, a black guy, our asian female, their gay best friend... shit, we're forgetting someone aren't we?"
Writer 1: "We still haven't cast an Austrailian aboriginee."
Head Writer: "Son of a bitch, I knew it! I dunno, make him the annoying neighbor."
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