Depends on the fan at the other end.Often with fantastic results.
Depends on the fan at the other end.Often with fantastic results.
I’ve yet to see fantastic results when they’re on the writing team when they think as a fan first and a writer second.Often with fantastic results.
You shouldn't be worried at all.Just get fans on the writing staff, then you don't need to worry about what the fans might think because they're sitting in the room right there! We saw this with TNG, DS9, Lower Decks, Prodigy... Doctor Who.
And a reminder to everyone who ever trots out the "they should listen to the fans/why would they ignore the fans" line that this comes from the man who delivered what many consider to be the best Star Trek, and which has been emulated constantly ever since it's release.He says he doesn’t care what the fans think, he wants to write what he wants to write.
Yeah John Logan was a HUGE TNG fan, and he did such a fantastic job with Star Trek: Nemesis...Often with fantastic results.
The latter.Which team, the original with Fuller or his replacements?
I had completely forgot he was involved.
So your point is?Yeah John Logan was a HUGE TNG fan, and he did such a fantastic job with Star Trek: Nemesis...
I mean all TNG fans hold that up as the pinnacle on TNG films...
Oh, wait...
It doesn't matter if it's a fan writing it or not. A bad story is a bad story and they happen from time to time.So your point is?
1. All fans are bad at writing Star Trek?
2. Some fans are bad at writing Star Trek?
3. John Logan might be accidentally be hired again if they keep hiring fans?
Some fans are bad at writing. Being a fan is not a requirement for good writing.So your point is?
1. All fans are bad at writing Star Trek?
2. Some fans are bad at writing Star Trek?
3. John Logan might be accidentally be hired again if they keep hiring fans?
Sure. But they don't need to be fans. Please stop hiring fans.Sure, but hiring people who understand what they're writing for and who they're writing for seems like a good way to stack the deck in favour of a quality product. Also they should be really good writers, but that goes without saying.
I don't know much about John Logan, but I know Nemesis isn't even his worst film.
They just need a person.Yeah getting people to pitch stories, hiring the ones with good ideas and then rewriting their work to fit has worked out great in the past.
No one was a fan of Star Trek when the first season was written, it hadn't even aired yet, so it was up to writers like Dorothy Fontana to make the dialogue, terminology, and how things work feel right and match what they'd already established. That's what a series needs on the writing staff, people with that kind of understanding of what the show is and what's come before.
You don't need to be a fan to know Star Trek. You can study it and not be a fan.The only reason to want them to stop hiring fans if you WANT the product to stop resembling anything we've seen so far, if you want writers to retread tired tropes and worn out subjects we've all seen before, to reimagine things we all like just fine, and in that case just watch something else!
If you don't know history you're doomed to repeat it.
If you don't know Star Trek then how the hell do you make it?
Ok. That doesn't need a fan.That's what a series needs on the writing staff, people with that kind of understanding of what the show is and what's come before.
People who want to do a good job.Who wants to work on a franchise they don't like?
Not everything needs protection. That's the problem is that many fans don't want risk. There is a preference for safe and familiar.And I wish fans protected things! As much as I say we need fans in the writers' room to help them avoid treading on rakes, they did nothing to save Icheb's eye, or Hugh, or all of that grim darkness. Fans know all the obscure characters to bring back and kill. But fans also gave us Lower Decks and Prodigy, which understood how much emotional attachment we have to this stuff, and how it should be protected.
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